{"title":"All Authors","description":"","products":[{"product_id":"gennady-aygi","title":"Gennady Aygi","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eGennady Aygi\u003c\/b\u003e (1934-2006) is considered one of Russia\u003cspan\u003e’\u003c\/span\u003es foremost avant-garde writers. He was born in the remote village of Shaymurzino in the Chuvash republic and moved to Moscow in 1953 to study at the Literary Institute. After encouragement from Boris Pasternak, he stopped writing in his native Chuvash language and began to write in Russian, which he did from 1960 until his death. Though Aygi\u003cspan\u003e’\u003c\/span\u003es poetry was not published in the Soviet Union until the 1980s, during the latter part of his life his work became well known and widely translated. He was the Chuvash National Poet, and received many honors for his work. He was nominated for the Nobel Prize on multiple occasions. \u003ca href=\"http:\/\/wavepoetry.com\/products\/sarah-valentine\"\u003eSarah Valentine\u003c\/a\u003e translated \u003cem\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/into-the-snow\"\u003eInto the Snow: Selected Poems of Gennady Aygi\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2011).\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003eFor Aygi, poetry was a “sacred act” aimed at recreating communion among people, and between people and the rest of creation…\u003cbr\u003e\u003cb\u003ePeter France, \u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e[His] metaphors are powerful in their simplicity: as Aygi describes a “clearing in the field,” we may first imagine a meadow, but it could be that he’s referring to a transformation in the political climate--moving us from a tangible location to an intangible concept.\u003cbr\u003e\u003cb\u003eAmy Henry, \u003ci\u003eHTMLGIANT\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAygi’s work reaches a wide strain of styles...there is a natural, seasonal decay that creates the structure of beauty and openness throughout the verse. Aygi’s enlightenment is through an investigation of the power of death and all resulting energies...[He is] a writer operating on so many levels it’s hard to find one quality to define his work yet at the same time it is difficult to address his weakness.\u003cbr\u003e\u003cb\u003eGreg Bem, \u003ci\u003eThe Matterhorn Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAnimated by an elemental sense of life, mortality, and humanity, the Chuvash poet Gennady Aygi wrote poems that fused his experience of ethnic difference with an avant-garde aesthetic.\u003cbr\u003e\u003cb\u003e\u003ci\u003eThe New Pages\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Gennady Aygi\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/into-the-snow\"\u003e\u003ci\u003eInto the Snow\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems translated by Sarah Valentine\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/longhousepoetryandpublishers.blogspot.com\/2011\/08\/earth-gennady-aygi-its-new-morning-at.html\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003ci\u003eLonghouse\u003c\/i\u003e)\u003cbr\u003e - “Untitled” (on \u003ci\u003eThe Babel Blog\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bodyliterature.com\/2014\/09\/10\/gennady-aygi\/\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eB O D Y\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c!--END LINKS--\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Gennady Aygi","offers":[{"title":"Default Title","offer_id":186165352,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/gennadyaygi.jpg?v=1328478866"},{"product_id":"joshua-beckman","title":"Joshua Beckman","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoshua Beckman\u003c\/strong\u003e was born in New Haven, Connecticut. \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-guide-for-making-fragments-from-diaries?_pos=1\u0026amp;_psq=diar\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\" rel=\"noopener\"\u003eA Guide for Making Fragments from Diaries\u003c\/a\u003e \u003c\/em\u003e(Wave,2026) is his most recent poetry collection. He is the author of many books, including \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/animal-days\"\u003e\u003cem\u003eAnimal Days\u003c\/em\u003e \u003c\/a\u003e(Wave, 2021), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-lives-of-the-poems-and-three-talks\"\u003e \u003cem\u003eThe Lives of the Poems \u003c\/em\u003eand\u003cem\u003e Three Talks \u003c\/em\u003e\u003c\/a\u003e(Wave Books, 2018), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-inside-of-an-apple\"\u003e\u003cem\u003eThe Inside of an Apple\u003c\/em\u003e\u003c\/a\u003e, \u003ca href=\"\/products\/take-it\"\u003e\u003cem\u003eTake It\u003c\/em\u003e\u003c\/a\u003e, \u003ca href=\"\/products\/shake\"\u003e\u003cem\u003eShake\u003c\/em\u003e\u003c\/a\u003e, \u003cem\u003e\u003ca href=\"\/products\/your-time-has-come\"\u003eYour Time Has Come\u003c\/a\u003e,\u003c\/em\u003e and two collaborations with \u003ca href=\"\/collections\/authors\/products\/matthew-rohrer\"\u003eMatthew Rohrer\u003c\/a\u003e: \u003ca href=\"\/products\/nice-hat-thanks\"\u003e\u003cem\u003eNice Hat. Thanks.\u003c\/em\u003e\u003c\/a\u003e and \u003ca href=\"\/products\/adventures-while-preaching-the-gospel-of-beauty\"\u003e\u003cem\u003eAdventures While Preaching the Gospel of Beauty\u003c\/em\u003e\u003c\/a\u003e. He is editor-in-chief at Wave Books and has translated numerous works of poetry and prose, including \u003ca href=\"\/products\/micrograms\"\u003e\u003cem\u003eMicrograms\u003c\/em\u003e\u003c\/a\u003e, by Jorge Carrera Andrade, \u003cem\u003e5 Meters of Poems\u003c\/em\u003e (Ugly Duckling Presse, 2010) by Carlos Oquendo de Amat, \u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.wavepoetry.com\/products\/tomaz?_pos=1\u0026amp;_psq=toma\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\"\u003e\u003cem\u003eTomaž\u003c\/em\u003e\u003c\/a\u003e, and \u003cem\u003ePoker\u003c\/em\u003e (Ugly Duckling Presse, 2004) by Tomaž Šalamun, which was a finalist for the PEN America Poetry in Translation Award. He also co-edited \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/supplication\" title=\"Supplication, Selected Poems of John Wieners, Joshua Beckman\"\u003eSupplication: Selected Poems of John Wieners\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2015). \u003c\/p\u003e\n\u003cbr\u003e(Author photo by Christopher Franko)\u003c!---BIO END----\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eBeckman wistfully takes to the road and does the incredible work of writing poems full of desire, for a world in the midst of radical upheaval.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIf you take a broad squint at our nation’s new poets you can find two general strategies: poets who are carrying the torch, and poets who are using it to start fires. And then we have Joshua Beckman. He seems to be doing everything.\u003cbr\u003e\u003cb\u003eDaniel Handler, \u003ci\u003eThe Believer\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBeckman’s soulful theatrics...have taken the humorous lyric to new heights, but perhaps less readily appreciated is Beckman’s mastery, not just of the quotidian, but of the tragic.\u003cbr\u003e\u003cb\u003eVirginia Konchan, \u003ci\u003eRattle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Joshua Beckman\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/animal-days\"\u003e\u003cem\u003eAnimal Days\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"\u003c\/a\u003e\u003ca href=\"\/products\/the-lives-of-the-poems-and-3-talks\"\u003e\u003cem\u003eThe Lives of the Poems and 3 Talks\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/the-inside-of-an-apple\"\u003e\u003ci\u003eThe Inside of an Apple\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/micrograms\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/take-it\"\u003e\u003ci\u003eTake It\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/gentle-reader\"\u003e\u003ci\u003eGentle Reader\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/shake\"\u003e\u003ci\u003eShake\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/your-time-has-come\"\u003e\u003ci\u003eYour Time Has Come\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/adventures-while-preaching-the-gospel-of-beauty\"\u003e\u003ci\u003eAdventures While Preaching the Gospel of Beauty\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/nice-hat-thanks\"\u003e\u003ci\u003eNice Hat. Thanks.\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/something-i-expected-to-be-different\"\u003e\u003ci\u003eSomething I Expected to be Different\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - Check out Joshua Beckman's limited edition books with \u003ca href=\"http:\/\/www.thebrotherinelysium.com\/publications.html\" target=\"_blank\"\u003eThe Brother in Elysium\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/andrewsullivan.thedailybeast.com\/2012\/09\/poems-for-sunday.html\" target=\"_blank\"\u003eExcerpts\u003c\/a\u003e from \u003ca href=\"\/products\/your-time-has-come\"\u003e \u003ci\u003eYour Time Has Come\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eThe Daily Beast\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.kcrw.com\/news-culture\/shows\/the-organist\/episode-62-language-is-speech-an-interview-with-joshua-beckman\" target=\"_blank\"\u003ePoetry Mixtape\u003c\/a\u003e (in \u003ci\u003eKCRW\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/poetrying.wordpress.com\/2010\/11\/17\/the-going-the-letters-the-staying-joshua-beckman\/\" target=\"_blank\"\u003e“the going. the letters. the staying.”\u003c\/a\u003e (in \u003ci\u003ePoetrying\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.randomhouse.com\/boldtype\/0402\/poetry\/beckman\/poem.html\" target=\"_blank\"\u003e“About the days”\u003c\/a\u003e (in \u003ci\u003eBold Type\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.nowculture.com\/nc3\/browse.htm\" target=\"_blank\"\u003e Two Sonnets\u003c\/a\u003e (in \u003ci\u003eNow Culture\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.lapetitezine.org\/JoshuaBeckman.htm\" target=\"_blank\"\u003eA poem\u003c\/a\u003e from \u003ca href=\"\/products\/your-time-has-come\"\u003e \u003ci\u003eYour Time Has Come\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eLa Petite Zine\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/poem\/177709\" target=\"_blank\"\u003e“[Lying in bed I think about you]”\u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/issue23\/two_poems3\/\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eJubilat\u003c\/i\u003e) \u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.loc.gov\/poetry\/interviews\/beckman.html\" target=\"_blank\"\u003e\u003ci\u003eLibrary of Congress\u003c\/i\u003e\u003c\/a\u003e, with Caitlin Rizzo\u003cbr\u003e- \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/4469\" target=\"_blank\"\u003e\u003ci\u003eBomb Magazine\u003c\/i\u003e\u003c\/a\u003e, with Susie DeFord\u003cbr\u003e- \u003ca href=\"http:\/\/www.brooklynrail.org\/2013\/02\/books\/joshua-beckman-and-jon-beacham-with-erika-anderson\" target=\"_blank\"\u003e\u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e\u003c\/a\u003e, with Erika Anderson\u003cbr\u003e\u003cbr\u003e\u003cb\u003e Translations\u003c\/b\u003e \u003cbr\u003e- \u003ca href=\"http:\/\/www.loadedbicycle.com\/andrade1.html\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e from \u003ca href=\"\/products\/micrograms\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eLoaded Bicycle\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e\u003cb\u003e On collaborations with \u003ca href=\"\/collections\/authors\/products\/matthew-rohrer\"\u003eMatthew Rohrer\u003c\/a\u003e \u003c\/b\u003e \u003cbr\u003e- \u003ca href=\"http:\/\/www.villagevoice.com\/2003-11-25\/books\/poetic-champions-beckman-and-rohrer-compose-on-the-fly\/\" target=\"_blank\"\u003eJordan Davis, \u003ci\u003eThe Village Voice\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.bostonphoenix.com\/boston\/events\/perform\/documents\/03310720.asp\" target=\"_blank\"\u003eNina MacLaughin, \u003ci\u003eThe Boston Pheonix\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- Interview with Joshua Beckman and Matthew Rohrer in \u003ca href=\"http:\/\/pbq.drexel.edu\/pbq\/archives\/1348\" target=\"_blank\"\u003e\u003ci\u003ePainted Bride Quarterly\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981772\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e- Joshua Beckman’s lectures for the \u003ca href=\"http:\/\/bagleywrightlectures.org\/joshuabeckman\" target=\"_blank\"\u003e Bagley Wright Lecture Series\u003c\/a\u003e\u003cbr\u003e- A recording of Joshua Beckman's book making tutorial for the Henry Art Gallery's Shelf Life residency at \u003ci\u003e\u003ca href=\"http:\/\/hankblog.wordpress.com\/2011\/08\/15\/shelf-life-bookmaking-with-joshua-beckman\/\" target=\"_blank\"\u003eHankblog\u003c\/a\u003e\u003c\/i\u003e\u003cbr\u003e- Matthew Rohrer and Joshua Beckman's \u003ca href=\"http:\/\/moma.org\/explore\/inside_out\/2010\/04\/22\/more-eavesdropping-art-poetry-and-everyday-encounters\/#more-5681\" target=\"_blank\"\u003ecollaborative reading\u003c\/a\u003e at the Museum of Modern Art in NYC, Spring 2010 \u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003eVideo\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReading his \u003ca href=\"https:\/\/vimeo.com\/159440488\" target=\"_blank\"\u003eMechanical Poems\u003c\/a\u003e at the Tang Museum at Skidmore College:\u003cbr\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/159440488?color=ffffff\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eReading at Machine Project in Los Angeles, April 23, 2009:\u003cbr\u003e\u003ciframe width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/hgEcagExQB0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eReading \"The Karate Chop of Love\":\u003cbr\u003e\u003ciframe width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/3R70778g8DY\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading Frank O'Hara on the \u003ca href=\"http:\/\/www.poetrybus.com\" target=\"_blank\"\u003ePoetry Bus Tour\u003c\/a\u003e:\u003cbr\u003e\u003ciframe width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/741XmNqsRvo\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e","brand":"Joshua Beckman","offers":[{"title":"Default Title","offer_id":186191212,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-beckman.jpg?v=1663697033"},{"product_id":"charles-borkhuis","title":"Charles Borkhuis","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eCharles Borkhuis\u003c\/b\u003e is a poet, playwright, screenwriter, essayist, and professor of English at Touro College. He lives in New York City. In addition to his ten volumes of poetry and plays, Borkhuis has translated the Russian poet Vyacheslav Kuritsyn and the Chinese poet Mofei. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003ePerhaps this act of translating these tablets, as Jamme had called them, is also part of the visceral invisibility made visible.\u003cbr\u003e\u003cb\u003eFiona Sze-Lorrain, \u003ci\u003eGalatea Resurrects\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books translated by Charles Borkhuis\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/new-exercises\"\u003e\u003ci\u003eNew Exercises\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ci\u003e\u003ca href=\"\/products\/new-exercises-limited-edition-box-set\"\u003eNew Exercises Limited Edition Box Set\u003c\/a\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Charles Borkhuis","offers":[{"title":"Default Title","offer_id":189222882,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-Borkhuis.jpg?v=1663705627"},{"product_id":"laynie-browne","title":"Laynie Browne","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLaynie Browne\u003c\/b\u003e is a poet, prose writer, teacher and editor. She is author of fourteen collections of poems and four books of fiction. Recent publications include \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/translation-of-the-lilies-back-into-lists?_pos=1\u0026amp;_psq=translation+of\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eTranslation of the Lilies Back into Lists\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2022) a book of poems, \u003cem\u003eIn Garments Worn by Lindens\u003c\/em\u003e; a novel, \u003cem\u003ePeriodic Companions\u003c\/em\u003e; and a book of short fiction, \u003cem\u003eThe Book of Moments\u003c\/em\u003e. Her work has appeared in journals such as \u003cem\u003eConjunctions\u003c\/em\u003e, \u003cem\u003eA Public Space\u003c\/em\u003e, \u003cem\u003eNew American Writing\u003c\/em\u003e, \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e, and in anthologies including \u003cem\u003eThe Ecopoetry Anthology\u003c\/em\u003e (Trinity University Press), \u003cem\u003eThe Reality Street Book of Sonnets\u003c\/em\u003e (Reality Street, UK), and \u003cem\u003ePostmodern American Poetry: A Norton Anthology\u003c\/em\u003e (W.W. Norton). Her poetry has been translated into French, Spanish, Chinese, and Catalan. She co-edited the anthology \u003cem\u003eI'll Drown My Book: Conceptual Writing by Women\u003c\/em\u003e (Les Figues Press, 2013) and edited the anthology \u003cem\u003eA Forest on Many Stems: Essays on The Poet's Novel\u003c\/em\u003e (Nightboat, 2020). Honors and awards include a Pew Fellowship, the National Poetry Series Award for her collection \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-scented-fox\" target=\"_blank\"\u003eThe Scented Fox\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2007), and the Contemporary Poetry Series Award for her collection \u003cem\u003eDrawing of a Swan Before Memory \u003c\/em\u003e(University of Georgia, 2005). She teaches at the University of Pennsylvania.\u003c\/p\u003e\n\u003c!---BIO END----\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI’ve been persuaded by the poems’ psyches to lose myself, to forget the existence of anything outside the mind, anything concrete enough to become a physical obstacle to stability, awareness, or wisdom. Laynie Browne is my new best friend.\u003cbr\u003e\u003cb\u003eMelinda Wilson, \u003ci\u003eColdfront\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBrowne seems to create a literary landscape that is conscious of itself, right down to the very letter.\u003cbr\u003e\u003cb\u003eSara Johnson, \u003ci\u003eZoland Poetry Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Laynie Browne\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/translation-of-the-lilies-back-into-lists\"\u003e\u003ci\u003e Translation of the Lilies Back into Lists \u003c\/i\u003e \u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/the-scented-fox\"\u003e\u003ci\u003eThe Scented Fox\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- Poems from \u003cem\u003eTranslating the Lilies into Lists\u003c\/em\u003e in the \u003ca href=\"https:\/\/brooklynrail.org\/2022\/05\/poetry\/from-Translation-of-Lillies\" target=\"_blank\"\u003e\u003cem\u003eBrooklyn Rail\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e - Poems from \u003ca href=\"http:\/\/archive.emilydickinson.org\/titanic\/material\/browne3.html\" target=\"_blank\"\u003e\u003ci\u003eThe Traveling Crystal\u003c\/i\u003e\u003c\/a\u003e (from \u003ci\u003eTitantic Operas\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eArticles\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/journal\/article.html?id=236782\" target=\"_blank\"\u003eInto the Wild\u003c\/a\u003e, on the work of Bhanu Kapil (on \u003ci\u003eThe Poetry Foundation\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bookslut.com\/blog\/archives\/2008_01.php#012302\" target=\"_blank\"\u003e\u003ci\u003eBookslut\u003c\/i\u003e\u003c\/a\u003e, with Jason B. Jones\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eLaynie Browne reads for the Kelly Writers House\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wm4oSIXaIMI?si=W6pKLMaVkk2aReHa\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003eLaynie Browne reads as part of the ENCLAVE series with CHAX: poetry \u0026amp; fine press\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZZn9XXKLnc8?si=SL3eTeJYMHQWsRFX\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Browne.php\" target=\"_blank\"\u003eLaynie Browne's page\u003c\/a\u003e on PennSound\u003cbr\u003e - Reading at \u003ca href=\"http:\/\/andrewkenower.typepad.com\/a_voice_box\/2007\/05\/laynie_brown_pe.html\" target=\"_blank\"\u003ePegasus Books\u003c\/a\u003e, Berkeley, May 2007\u003cbr\u003e - Reading at the \u003ca href=\"http:\/\/media.sas.upenn.edu\/Pennsound\/authors\/Browne-Laynie\/Brown-Laynie_01_Complete-Reading_Chax-Press-Cushing-St-Series_Tuscon-AZ_11-13-07.mp3\" target=\"_blank\"\u003eChax Press Cushing Street Series\u003c\/a\u003e, Tucson, November 2007\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e \u003c\/strong\u003e","brand":"Laynie Browne","offers":[{"title":"Default Title","offer_id":189223072,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-Browne.jpg?v=1663696276"},{"product_id":"caconrad","title":"CAConrad","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCAConrad\u003c\/strong\u003e has been working with the ancient technologies of poetry and ritual since 1975. Their latest book is \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/listen-to-the-golden-boomerang-return\"\u003e\u003cem\u003eListen to the Golden Boomerang Return\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2024) \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/amanda-paradise\"\u003e\u003cem\u003eAMANDA PARADISE: Resurrect Extinct Vibration\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2021). \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-book-of-frank\"\u003e\u003cem\u003eThe Book of Frank\u003c\/em\u003e\u003c\/a\u003e is now available in nine different languages. Other titles include \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/while-standing-in-line-for-death\"\u003e\u003cem\u003eWhile Standing in the Line for Death\u003c\/em\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/ecodeviance\"\u003e\u003cem\u003eECODEVIANCE: (Soma)tic for the Future Wilderness\u003c\/em\u003e\u003c\/a\u003e, and \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-beautiful-marsupial-afternoon-new-somatics\"\u003e\u003cem\u003eA Beautiful Marsupial Afternoon: New (Soma)tics\u003c\/em\u003e\u003c\/a\u003e. They received a Creative Capital grant, a Pew Fellowship, a Lambda Literary Award, and a Believer Magazine Book Award. With Robert Dewhurst and Joshua Beckman, they co-edited \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/supplication\"\u003e\u003cem\u003eSupplication: Selected Poems of John Wieners\u003c\/em\u003e\u003c\/a\u003e. In 2022 Augusto Cascales made a film of their play The Obituary Show. They recently had their first solo exhibition at Fluent Gallery in Santander, Spain, titled 13 Moons: Listen to the Golden Boomerang Return. They teach at Columbia University in New York City and Sandberg Art Institute in Amsterdam. Please visit them online at \u003ca href=\"https:\/\/linktr.ee\/CAConrad88\"\u003ehttps:\/\/linktr.ee\/CAConrad88\u003c\/a\u003e.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003ePhoto credit: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAugusto Cascales\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003eCAConrad’s aim is to unplug from the corporate machine and reconnect themselves and their readers with the earth and animals and other people. This is poetry with real ambition that wants to hug us – it’s big, it’s queer and, like paprika, you can never have enough of it.\u003cbr\u003e\u003cb\u003ePhilip Terry, \u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCAConrad does an excellent job of fusing their innovative, but very much down-to-earth poetic technique with their politically-engaged sensibilities to create work that speaks to the aesthetic and political concerns of the contemporary moment.\u003cbr\u003e\u003cb\u003eAndrea Syzdek, \u003ci\u003eAgainst the Grain\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCAConrad always argues (from the inside of their poems) for a poetry of radical inclusivity while keeping a very queer shoulder to the wheel. Their kind of queerness strikes me as nonpolarizing, not intentionally but because of the fullness of their exposition, a kind of gigantism that seems to me to be most deeply informed by love, and a tenderness for the ravages and tumult of existence.\u003cbr\u003e\u003cb\u003eEileen Myles\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAt a time when I don’t always know how to make sense of what’s going on, CAConrad serves as a cleareyed seer.\u003cbr\u003e\u003cb\u003eJillian Steinhauer, \u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIt’s very possible that CAConrad is the most interesting poet currently working in the United States.\u003cbr\u003e\u003cb\u003eKevin O'Rourke, \u003cem\u003eMichigan Quarterly Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThere was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it—and in that belief, and in poems produced under the sign of belief, we can witness an extroverted existentialism that just may be the last best hope for poets and non-poets alike.\u003cbr\u003e\u003cb\u003eSeth Abramson, \u003ci\u003eThe Huffington Post\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eConrad must be one of the most original practitioners of poetry forging new territory.\u003cbr\u003e\u003cb\u003eSean Singer, \u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eHis books are filled with alluringly odd and dark images that could rival William S. Burroughs. Conrad, an out-and-proud gay activist, fills his poems with his own brand of spirituality and loving gay sexuality.\u003cbr\u003e\u003cb\u003eA.D. Amorosi, \u003ci\u003ePhiladelphia Inquirer \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIt is rare to find a poet who can admit, without losing face, that the voice of the world is often their own. It is still more rare to find one who can do so without losing our interest. CAConrad is one such poet.\u003cbr\u003e\u003cb\u003eMary Wilson, \u003ci\u003eMake Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eConrad isn’t interested in that sort of perfection; it’s the messy business of being in the world that Conrad is after, and which allows him to reach for “seismic levels of wildness.” \u003cbr\u003e\u003cb\u003eAbraham Avnisan, \u003ci\u003eRain Taxi\u003c\/i\u003e \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by CAConrad\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/listen-to-the-golden-boomerang-return\"\u003e\u003cem\u003eLISTEN TO THE GOLDEN BOOMERANG RETURN\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/amanda-paradise\" target=\"_blank\"\u003e\u003cem\u003eAMANDA PARADISE: Resurrect Extinct Vibration\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/while-standing-in-line-for-death\"\u003e\u003cem\u003eWhile Standing in Line for Death\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"\/products\/ecodeviance\"\u003e\u003ci\u003eECODEVIANCE\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/a-beautiful-marsupial-afternoon-new-somatics\"\u003e\u003ci\u003eA Beautiful Marsupial Afternoon\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/the-book-of-frank\"\u003e\u003ci\u003eThe Book of Frank\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/caconrad.blogspot.com\/\" target=\"_blank\"\u003eCAConrad’s blog\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/somaticpoetryexercises.blogspot.com\/\" target=\"_blank\"\u003eCAConrad’s (Soma)tic Poetry Exercises blog\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/www.aprweb.org\/poems\/venus-3\" target=\"_blank\"\u003eVenus.3 \u003c\/a\u003e (at \u003ci\u003eThe American Poetry Review\u003c\/i\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/bio\/c-a-conrad#about\" target=\"_blank\"\u003eSeveral poems\u003c\/a\u003e (at \u003ci\u003eThe Poetry Foundation\u003c\/i\u003e) \u003cbr\u003e- \u003ca href=\"https:\/\/www.poets.org\/poetsorg\/poet\/caconrad\" target=\"_blank\"\u003eSeveral poems\u003c\/a\u003e (on \u003ci\u003ePoets.org\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.everyday-genius.com\/2010\/02\/ca-conrad.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eEveryday Genius\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.dusie.org\/conrad.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in\u003ci\u003e Dusie\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.coconutpoetry.org\/conrad1.htm\" target=\"_blank\"\u003e“rehab saved his life but drugs saved mine at the blue HOUR”\u003c\/a\u003e (in\u003ci\u003e Coconut\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.pen.org\/poetry\/i-loved-earth-years-ago\" target=\"_blank\"\u003e“I Loved Earth Years Ago”\u003c\/a\u003e (in\u003ci\u003e PEN America\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.brooklynrail.org\/2014\/04\/poetry\/five-caconrad\" target=\"_blank\"\u003eFive Poems\u003c\/a\u003e (in \u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.thethepoetry.com\/2014\/09\/infoxicated-corner-political-poetry-by-ca-conrad\/\" target=\"_blank\"\u003e“act like a polka dot on minnie mouse's skirt”\u003c\/a\u003e (in \u003ci\u003eTHEthe Poetry\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExercises\u003c\/b\u003e\u003cbr\u003e- “\u003ca href=\"http:\/\/lithub.com\/poetry-ritual\/\" target=\"_blank\"\u003ePoetry \u0026amp; Ritual”\u003c\/a\u003e (on \u003ci\u003eLit Hub\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/6195\" target=\"_blank\"\u003e“Aphrodisios”\u003c\/a\u003e (in\u003ci\u003e Bomb\u003c\/i\u003e)\u003cbr\u003e- \u003ca title=\"Link: http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22454\" href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22454\" target=\"_blank\"\u003e“Confetti Allegiance”\u003c\/a\u003e (in\u003ci\u003e The Academy of American Poets\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.brokentoujours.eu\/post\/32796847685\/soma-tic-poetry-exercise-the-resulting-poems-by\" target=\"_blank\"\u003e“Suffering Makes No Home Alone”\u003c\/a\u003e (in\u003ci\u003e Broken Toujours\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.diodepoetry.com\/v7n1\/content\/caconrad.html\" target=\"_blank\"\u003e“You Don't Have What It Takes To Be My Nemesis”\u003c\/a\u003e (in \u003ci\u003eDiode\u003c\/i\u003e) \u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.neonpajamas.com\/blog\/ca-conrad-interview\" target=\"_blank\"\u003eNeonpajamas\u003c\/a\u003e, with Ben Niespodziany\u003cbr\u003e- Poetry London, with Sophie Robinson\u003cbr\u003e- \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22863\" target=\"_blank\"\u003eInterview with Thom Donovan\u003c\/a\u003e, excerpted from \u003ca href=\"\/products\/a-beautiful-marsupial-afternoon-new-somatics\"\u003e\u003ci\u003eA Beautiful Marsupial Afternoon\u003c\/i\u003e\u003c\/a\u003e, at \u003ci\u003ePoets.org\u003c\/i\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/journal\/article.html?id=237974\" target=\"_blank\"\u003eThe Poetry Foundation\u003c\/a\u003e, with \u003ca href=\"\/collections\/authors\/products\/eileen-myles\"\u003eEileen Myles\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/articles.philly.com\/2012-04-24\/news\/31393093_1_conrad-first-book-gay-activist\" target=\"_blank\"\u003e\u003ci\u003eThe Philadelphia Inquirer\u003c\/i\u003e\u003c\/a\u003e, with A.D. Amorosi\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetrysociety.org\/psa\/poetry\/crossroads\/qa_american_poetry\/page_41\/\" target=\"_blank\"\u003eThe Poetry Society of America\u003c\/a\u003e\u003cbr\u003e- \u003ci\u003e\u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/4502\" target=\"_blank\"\u003eBOMBLOG,\u003c\/a\u003e \u003c\/i\u003ewith Luke Degnan\u003cbr\u003e- \u003ca href=\"http:\/\/www.bookslut.com\/blog\/archives\/2009_06.php#014692\" target=\"_blank\"\u003e\u003ci\u003eBookslut\u003c\/i\u003e\u003c\/a\u003e, with John Zuarino \u003cbr\u003e- \u003ca href=\"http:\/\/www.thethepoetry.com\/2012\/08\/an-intelligent-haunting-lisa-marie-basile-interviews-caconrad\/\" target=\"_blank\"\u003e\u003ci\u003eThe The Poetry\u003c\/i\u003e\u003c\/a\u003e, with Lisa Marie Basile \u003cbr\u003e- \u003ci\u003e\u003ca href=\"http:\/\/thewildmag.wordpress.com\/2009\/04\/20\/an-interlude-on-poetics-as-dirt-by-caconrad-and-brenda-iijima\/\" target=\"_blank\"\u003e\u003ci\u003eThe Wild\u003c\/i\u003e\u003c\/a\u003e,\u003c\/i\u003e with Brenda Iijima\u003cbr\u003e- \u003ca href=\"http:\/\/therumpus.net\/2012\/04\/the-rumpus-interview-with-ca-conrad\/\" target=\"_blank\"\u003e\u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/a\u003e, with Tara Murtha\u003cbr\u003e- \u003ca href=\"http:\/\/coldfrontmag.com\/features\/snapshot-ca-conrad\" target=\"_blank\"\u003e\u003ci\u003eColdfront\u003c\/i\u003e\u003c\/a\u003e, with Steven Karl\u003cbr\u003e- \u003ca href=\"http:\/\/www.huffingtonpost.com\/jonathan-hobratsch\/5-questions-for-poets-par_2_b_5170833.html\" target=\"_blank\"\u003e\u003ci\u003eThe Huffington Post\u003c\/i\u003e\u003c\/a\u003e, with Jonathan Hobratsch \u003cbr\u003e- \u003ca href=\"http:\/\/http:\/\/www.feelings.com.thesensationfeelingsjournal.org\/interview-6\" target=\"_blank\"\u003e\u003ci\u003eFeelings\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ci\u003e\u003ca href=\"http:\/\/www.lambdaliterary.org\/features\/09\/10\/ca-conrad-on-the-film-the-book-of-conrad-and-his-life-in-poetry\/\" target=\"_blank\"\u003e\u003ci\u003eLambda Literary\u003c\/i\u003e\u003c\/a\u003e, \u003c\/i\u003ewith Christopher Soto\u003c\/p\u003e\n\u003c!--END LINKS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e- Interview on the \u003ca rel=\"noopener\" href=\"https:\/\/open.spotify.com\/episode\/3nRkGpi554rKziV1L1scia\" target=\"_blank\"\u003e\u003cem\u003ePoet Talk\u003c\/em\u003e radio show\u003c\/a\u003e\u003cbr\u003e- Reading on the \u003ca href=\"http:\/\/www.poetryfoundation.org\/features\/audioitem\/4534\" target=\"_blank\"\u003e\u003cem\u003ePoetry\u003c\/em\u003e Magazine podcast\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/CAConrad.php\" target=\"_blank\"\u003eCAConrad's page\u003c\/a\u003e on PennSound\u003cbr\u003e- Reading with Frank Sherlock at \u003ca href=\"http:\/\/andrewkenower.typepad.com\/a_voice_box\/2009\/09\/caconrad-small-press-traffic-91109.html\" target=\"_blank\"\u003eSmall Press Traffic\u003c\/a\u003e \u003cbr\u003e- \u003ci\u003e\u003ca href=\"http:\/\/www.cabinetmagazine.org\/events\/nelson.php\" target=\"_blank\"\u003eCABINET\u003c\/a\u003e\u003c\/i\u003e reading with \u003ca href=\"\/collections\/authors\/products\/maggie-nelson\"\u003eMaggie Nelson\u003c\/a\u003e, \u003ca href=\"\/collections\/authors\/products\/eileen-myles\"\u003eEileen Myles\u003c\/a\u003e, Wayne Koestenbaum and others\u003cbr\u003e- Talking about Anne Sexton’s landscapes of grief in her poem “Portrait of an Old Woman on the College Tavern Wall” at the \u003ca href=\"http:\/\/www.poetryfoundation.org\/journal\/audioitem.html?id=2640\" target=\"_blank\"\u003ePoetry Foundation\u003c\/a\u003e\u003cbr\u003e- Reading from \u003ca href=\"\/products\/the-book-of-frank\"\u003e\u003ci\u003eThe Book of Frank\u003c\/i\u003e\u003c\/a\u003e at \u003ca href=\"http:\/\/poetryproject.org\/caconrad-from-the-book-of-frank-102010\/\" target=\"_blank\"\u003eThe Poetry Project\u003c\/a\u003e\u003cbr\u003e- Interview \u003ca href=\"http:\/\/www.blogtalkradio.com\/joseph-milford\/2012\/07\/27\/joe-milford-hosts-ca-conrad-show-ii\" target=\"_blank\"\u003ewith Joseph Milford\u003c\/a\u003e\u003cbr\u003e- Conversation with David Naimon on \u003ca href=\"https:\/\/tinhouse.com\/podcast\/caconrad-resurrect-extinct-vibration\/?fbclid=IwAR3jPdjdqBjEHwymnMD8Dehw2Cx5aeVNM0Nob1cFn8m0lz8rbiTMoHsOM50\" target=\"_blank\"\u003e \u003cem\u003eBetween the Covers\u003c\/em\u003e podcast\u003c\/a\u003e\u003cbr\u003e-\u003ca href=\"https:\/\/www.kcrw.com\/culture\/shows\/bookworm\/supplication-selected-poems-of-john-wieners\"\u003eKCRW's Bookworm feature episode \u003c\/a\u003eon \u003cem\u003eSupplication: Selected Poems of John Wieners\u003c\/em\u003e featuring editors \u003cstrong\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/joshua-beckman\"\u003eJoshua Beckman\u003c\/a\u003e\u003c\/strong\u003e,CAConrad and \u003cstrong\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/robert-dewhurst\"\u003eRobert Dewhurst\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e-CAConrad reads for the Adrian Brinkerhoff Poetry Foundation. Directed by Matthew Thompson: \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rcHqFboBw7U?si=cWER7X2EstFO57VM\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e- David Buuck tries out some of CAConrad’s \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2011\/07\/the-tale-of-david-buuck-and-the-crystal-nexus\/\" target=\"_blank\"\u003e(Soma)tic Poetry Exercises \u003c\/a\u003eat the Poetry Foundation\u003cbr\u003e- Reading from \u003ci\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/the-book-of-frank\"\u003eThe Book of Frank\u003c\/a\u003e\u003c\/i\u003e, \u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/a-beautiful-marsupial-afternoon-new-somatics\"\u003eA Beautiful Marsupial Afternoon\u003c\/a\u003e\u003c\/i\u003e, and more at the \u003ca href=\"https:\/\/voca.arizona.edu\/reading\/caconrad-march-13-2014\" target=\"_blank\"\u003eUniversity of Arizona Poetry Center\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eReading for \u003ci\u003ePoeteevee\u003c\/i\u003e:\u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"http:\/\/player.vimeo.com\/video\/39945866?byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading from \u003ca href=\"http:\/\/wavepoetry.com\/products\/the-book-of-frank\"\u003e\u003ci\u003eThe Book of Frank\u003c\/i\u003e\u003c\/a\u003e for The Machine Project:\u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"http:\/\/player.vimeo.com\/video\/65938706?portrait=0\u0026amp;color=ffffff\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eCAConrad discusses their (Soma)tic exercises which inspired \u003cem\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/a-beautiful-marsupial-afternoon-new-somatics\"\u003eA Beautiful Marsupial Afternoon\u003c\/a\u003e\u003c\/em\u003e:\u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"http:\/\/player.vimeo.com\/video\/69116569?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=bdd4fc\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eBBC recording of CAConrad reading for the Southbank Centre Festival: \u003cbr\u003e\u003ciframe src=\"https:\/\/www.bbc.com\/news\/av-embeds\/66272203\" height=\"500\" width=\"400\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAConrad","offers":[{"title":"Default Title","offer_id":189223212,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-CAConrad.jpg?v=1663697118"},{"product_id":"garrett-caples","title":"Garrett Caples","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGarrett Caples\u003c\/strong\u003e is the author of the Wave Books publication \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/proses\"\u003e\u003ci\u003eProses: Incomparable Parables! Fabulous Fables! Cruel Tales!\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e as well as the poetry collections \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/lovers-of-today\"\u003e\u003ci\u003eLovers of Today\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e (Wave, 2021), \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/power-ballads\"\u003e\u003ci\u003ePower Ballads\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e (Wave, 2016), \u003c\/span\u003e\u003ci\u003eComplications\u003c\/i\u003e\u003cspan\u003e (Meritage, 2007), and \u003c\/span\u003e\u003ci\u003eThe Garrett Caples Reader\u003c\/i\u003e\u003cspan\u003e (Black Square, 1999). Wave published his book of essays \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/retrievals\"\u003e\u003ci\u003eRetrievals\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e in 2014. He is an editor at City Lights Books, where he curates the Spotlight Poetry Series, and has edited books by such poets as Will Alexander, mimi tempest, Joyce Mansour, Norma Cole, Frank Lima, Stephen Jonas, and Diane di Prima, among numerous others. He is also the co-editor of \u003c\/span\u003e\u003ci\u003eThe Collected Poems of Philip Lamantia\u003c\/i\u003e\u003cspan\u003e (California, 2013). He lives in San Francisco.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e(Photo by Suzanne Kleid, turtle: \u003cspan data-mce-fragment=\"1\"\u003eBuster Nuggets\u003c\/span\u003e)\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e[\u003cem\u003eThe Garrett Caples Reader\u003c\/em\u003e] displays genuine intellectual engagement along with its playful exuberance, making for a most winning combination.\u003cbr\u003e\u003ci\u003e\u003cb\u003ePublishers Weekly\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eCaples supplies us with a full aesthetic meal, with alarming images right out of the French Surrealists. He also means what he says; regardless of any implications to the contrary, Caples is writing out of emotion, even well-done sentiment.\u003cbr\u003e\u003cb\u003eMax Winter, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eI adore [Caples’] prescription to read widely and even perversely; and his breezy style is engaging--despite the weighty title, the essay feels like some chunk of a great conversation you'd have over a couple of beers. And we need more poets weighing in on things the way he has here...\u003cbr\u003e\u003cb\u003eDon Share\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith a supply of thumbnail biographies that read like the most improbable fiction, and a leisurely but learned style, Caples makes the minor seem major.\u003cbr\u003e\u003cb\u003eEd Park, \u003ci\u003eThe Poetry Foundation\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Garrett Caples\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/lovers-of-today\"\u003e\u003cem\u003e Lovers of Today \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"\/products\/preserving-fire\"\u003e\u003cem\u003e Preserving Fire \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/power-ballads\"\u003e\u003cem\u003ePower Ballads\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/collections\/books\/products\/retrievals\"\u003e\u003ci\u003eRetrievals\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/collections\/books\/products\/quintessence-of-the-minor\"\u003e\u003ci\u003eQuintessence of the Minor\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/bearbooks.se\/2016\/10\/04\/veckans-dikt-94-tractatus-av-garret-caples\/\" target=\"_blank\"\u003e\"Tratatus\"\u003c\/a\u003e (on Bear Books)\u003cbr\u003e- \u003ca href=\"https:\/\/granta.com\/sundial-tone\/\"\u003e“Sundial Tone”\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/poem\/244688#poem\" target=\"_blank\"\u003e“Aubade”\u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/poem\/244690\" target=\"_blank\"\u003e“Ordinary History America”\u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/omniverse.us\/poetry-garrett-caples\/\" target=\"_blank\"\u003e“Richard O. Moore Imagined as a Bob Dylan Song”\u003c\/a\u003e (in \u003ci\u003e OmniVerse\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.bookslut.com\/features\/2014_10_020900.php\" target=\"_blank\"\u003eBookslut\u003c\/a\u003e, with Patrick James Dunagan\u003cbr\u003e- \u003ca href=\"http:\/\/phillysound.blogspot.com\/2009_08_01_archive.html\" target=\"_blank\"\u003ePhillySound\u003c\/a\u003e, with \u003ca href=\"\/collections\/authors\/products\/caconrad\"\u003eCAConrad\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/the-otolith.blogspot.com\/2010\/04\/poet-editors-10-garrett-caples.html\" target=\"_blank\"\u003e\u003ci\u003eOtolith\u003c\/i\u003e\u003c\/a\u003e, with Eileen Tabios\u003cbr\u003e\u003cbr\u003e\u003cb\u003eArticles by Garrett Caples\u003c\/b\u003e\u003cbr\u003e- “How to Rhyme” in \u003ci\u003e\u003ca href=\"http:\/\/whof.blogspot.com\/2010\/10\/concrescent-2.html\" target=\"_blank\"\u003eConcrescent\u003c\/a\u003e\u003c\/i\u003e\u003cbr\u003e- “Surrealism Is a Romantic Critique of the Avant-Garde from Within” in \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2014\/11\/surrealism-is-a-romantic-critique-of-the-avant-garde-from-within\/\" target=\"_blank\"\u003e\u003ci\u003eThe Poetry Foundation\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- “Kerouac as Poet: A Response to Cedar Sigo” in \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2012\/04\/kerouac-as-poet-a-response-to-cedar-sigo\/\" target=\"_blank\"\u003e\u003ci\u003eThe Poetry Foundation\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- “Two Chicagos” in \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2014\/05\/two-chicago\/\" target=\"_blank\"\u003e\u003ci\u003eThe Poetry Foundation\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- “The Secret Life of Sylvia Fein” in \u003ca href=\"http:\/\/www.sfbg.com\/2014\/01\/14\/secret-life-sylvia-fein\" target=\"_blank\"\u003e\u003ci\u003eThe San Francisco Bay Guardian\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- “Homage to Ralph Nader” in \u003ca href=\"http:\/\/www.brooklynrail.org\/2016\/12\/poetry\/garrett-caples\" target=\"_blank\"\u003e\u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eGarrett Caples @ City Lights for Wave Books \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ezCx-umskug?si=0CrmpfVax0gZGOX6\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003eReading with Andrew Joron for the release of \u003cem\u003eThe Collected Poems of Philip Lamantia\u003c\/em\u003e: \u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/player.vimeo.com\/video\/75338324\" frameborder=\"0\" allowfullscreen=\"\" mozallowfullscreen=\"\" webkitallowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading three poems:\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/player.vimeo.com\/video\/33177653\" frameborder=\"0\" allowfullscreen=\"\" mozallowfullscreen=\"\" webkitallowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e","brand":"Garrett Caples","offers":[{"title":"Default Title","offer_id":16351455365,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/CaplesAuthorPhoto-2024copy.jpg?v=1761692723"},{"product_id":"jorge-carrera-andrade","title":"Jorge Carrera Andrade","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eJorge Carrera Andrade\u003c\/b\u003e (1902-1978) has been recognized in Latin America as one of the most important poets of the twentieth century. He was born in Quito, Ecuador, and was a diplomat as well as a poet, essayist and journalist, and he encountered many literary communities as he served appointments in Peru, France, Japan, and the United States. The originality of Carrera Andrade’s poetics is rooted in his experiences abroad as well as in the rich culture and natural landscapes of Ecuador. His distinguished literary career comprises a wide range of work, including editing, translation, criticism, and poetry.\u003cbr\u003e \u003cbr\u003e He is a poet who remains difficult to categorize, though scholars and critics have drawn comparisons between his poetics and American imagism, Spanish ultraism, the Latin American Indigenous school, and the Japanese haiku form. William Carlos Williams described Carrera Andrade’s images as “so extraordinarily clear, so related to the primitive that I think I am seeing as an aborigine saw and sharing that lost view of the world. It's a sad pleasure but a great one.” \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Jorge Carrera Andrade","offers":[{"title":"Default Title","offer_id":189223662,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-andrade.jpg?v=1663706549"},{"product_id":"gillian-conoley","title":"Gillian Conoley","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eGillian Conoley\u003c\/b\u003e is the author of numerous collections of poetry, including \u003ci\u003eThe Plot Genie\u003c\/i\u003e (Omnidawn, 2009); \u003ci\u003eProfane Halo\u003c\/i\u003e (Verse Press, 2005); \u003ci\u003eLovers in the Used World\u003c\/i\u003e (Carnegie Mellon, 2001); \u003ci\u003eBeckon\u003c\/i\u003e (Carnegie Mellon, 1996); \u003ci\u003eTall Stranger\u003c\/i\u003e (Carnegie Mellon, 1991), a finalist for the National Book Critics' Circle Award; and \u003ci\u003eSome Gangster Pain\u003c\/i\u003e (Carnegie Mellon, 1987). A recipient of the Jerome J. Shestack Poetry Prize from The American Poetry Review, several Pushcart Prizes, a National Endowment for the Arts award, and a Fund for Poetry Award, she is professor and Poet-in-Residence at Sonoma State University, where she is the founder and editor of \u003ci\u003eVOLT Magazine\u003c\/i\u003e. Her work has been widely anthologized, most recently in W.W. Norton's \u003ci\u003eAmerican Hybrid\u003c\/i\u003e, Scribner's \u003ci\u003eBest American Poetry\u003c\/i\u003e, Fence's \u003ci\u003eBest of Fence\u003c\/i\u003e, Counterpath's \u003ci\u003eLyric Postmodernisms\u003c\/i\u003e, and the Italian anthology, \u003ci\u003eNuova Poesia Americana\u003c\/i\u003e, published by Oscar Mondadori. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eGillian Conoley’s poetry inhabits a space that Juliana Spahr and Claudia Rankine, among others, have called “where lyric meets language.\u003cbr\u003e\u003cb\u003e\u003ci\u003eAmerican Book Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Conoley lights up American spaces and persons past and present, embedding quotes from poetic luminaries (Dickinson, Zukofsky) and showing a slant toward the Pacific coast.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublisher's Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Gillian Conoley\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/profane-halo\"\u003e\u003ci\u003eProfane Halo\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/16943\" target=\"_blank\"\u003e“It Was The Beginning Of Joy And The End Of Pain”\u003c\/a\u003e and \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22541\" target=\"_blank\"\u003e“The Patient”\u003c\/a\u003e (in \u003ci\u003ePoets.org\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.drunkenboat.com\/db14\/1poe\/conoley\/\" target=\"_blank\"\u003e“A Healing for Little Walter”\u003c\/a\u003e (in \u003ci\u003eDrunken Boat)\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/www.epoetry.org\/issues\/issue3\/text\/cnotes\/gc.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eElectronic Poetry Review)\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/www.jacketmagazine.com\/16\/ov-cono.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e and \u003ca href=\"http:\/\/www.jacketmagazine.com\/27\/cono.html\" target=\"_blank\"\u003e“Advent”\u003c\/a\u003e (in \u003ci\u003eJacket)\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol1\/poem_21\/\" target=\"_blank\"\u003e“Love's Portfolio”\u003c\/a\u003e (in \u003ci\u003eJubilat)\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/occupywriters.com\/works\/by-gillian-conoley\" target=\"_blank\"\u003e“occupied”\u003c\/a\u003e (in \u003ci\u003eOccupy Writers)\u003c\/i\u003e\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/theoffendingadam.com\/author\/gillianconoley\/\" target=\"_blank\"\u003eExperiments in Patience I-III\u003c\/a\u003e (in \u003ci\u003eThe Offending Adam\u003c\/i\u003e)\u003cbr\u003e \u003ci\u003e - \u003c\/i\u003e\u003ca href=\"http:\/\/omnidawnblog.blogspot.com\/2008\/06\/poetry-feature-1-gillian-conoley.html\" target=\"_blank\"\u003eErasures\u003c\/a\u003e (on\u003ci\u003e the Omnidawn blog\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/herkind.org\/one-to-one\/call-it-back-a-conversation-with-poets-gillian-conoley-and-dara-wier\" target=\"_blank\"\u003e\u003ci\u003eHer Kind\u003c\/i\u003e\u003c\/a\u003e, with \u003ca href=\"\/products\/dara-wier\"\u003eDara Wier\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.lasvegascitylife.com\/articles\/2006\/03\/23\/books_and_lit\/books.txt\" target=\"_blank\"\u003e\u003ci\u003eLas Vegas City Life\u003c\/i\u003e\u003c\/a\u003e, with Jarret Keene\u003cbr\u003e - \u003ca href=\"http:\/\/theoffendingadam.com\/2010\/03\/17\/a-conversation\/\" target=\"_blank\"\u003e\u003ci\u003eThe Offending Adam\u003c\/i\u003e\u003c\/a\u003e, with Sara Mumolo\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrysociety.org\/psa\/poetry\/crossroads\/qa_american_poetry\/gillian_conoley\/\" target=\"_blank\"\u003eThe Poetry Society of America\u003c\/a\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e“Your Bowl of Mother” from 'Lectric Collective:\u003cbr\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/29649087?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"375\" width=\"500\" webkitallowfullscreen=\"webkitallowfullscreen\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gillian Conoley","offers":[{"title":"Default Title","offer_id":189223882,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-conoley.jpg?v=1663706372"},{"product_id":"tristan-corbiere","title":"Tristan Corbière","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eTristan Corbière\u003c\/b\u003e (1845-1875), was born in Coat-Congar, Ploujean, in northwest France. The young poet's only book, \u003ci\u003eLes Amours jaunes\u003c\/i\u003e, was largely ignored until the Symbolist poet Paul Verlaine wrote about him a decade after his untimely death. Marked by his use of irony and a distinctive local idiom, Corbière’s work is a cornerstone of modern French poetry, and has been influential to English and American modernists such as Pound and Eliot. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003eThe poems are bitter and conversational, often dramatic, split between tales of Parisian squalor and images of the Breton coast and people. With more drawing-room ennui some of the poems might sound like T.S. Eliot’s savage early quatrains. As it is, they sound like nothing but themselves.\u003cbr\u003e\u003cb\u003eJustin Sider, \u003ci\u003eMAKE Literary Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Tristan Corbière\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/poet-by-default\"\u003e\u003ci\u003ePoet by Default\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Tristan Corbière","offers":[{"title":"Default Title","offer_id":189224102,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/tristancorbiere.jpg?v=1327611769"},{"product_id":"dorothea-lasky","title":"Dorothea Lasky","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDorothea Lasky \u003c\/strong\u003eis the author, most recently, of \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-shining\"\u003eThe Shining\u003c\/a\u003e \u003c\/em\u003e (October 2023), and \u003ca href=\"https:\/\/wavepoetry.com\/products\/animal\" target=\"_blank\"\u003e\u003cem\u003eAnimal\u003c\/em\u003e\u003c\/a\u003e, published in 2019 in the Bagley Wright Lecture Series. She is also the author of \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/milk\" target=\"_blank\"\u003eMilk\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2018), \u003cem\u003eRome\u003c\/em\u003e (Liveright\/W.W. Norton, 2014), \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/thunderbird\" target=\"_blank\"\u003eThunderbird\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2012), \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/black-life\" target=\"_blank\"\u003eBlack Life\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2010), and \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/awe\" target=\"_blank\"\u003eAWE\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2007). She is also the author of six chapbooks: \u003cem\u003eMatter: A Picturebook\u003c\/em\u003e (Argos Books, 2012), \u003cem\u003eThe Blue Teratorn \u003c\/em\u003e(Yes Yes Books, 2012), \u003cem\u003ePoetry is Not a Project\u003c\/em\u003e (Ugly Duckling Presse, 2010), \u003cem\u003eTourmaline\u003c\/em\u003e (\u003cwbr\u003eTransmission Press, 2008), \u003cem\u003eThe Hatmaker’s Wife\u003c\/em\u003e (2006), \u003cem\u003eArt \u003c\/em\u003e( H_NGM_N Press, 2005), and \u003cem\u003eAlphabets and Portraits\u003c\/em\u003e (Anchorite Press, 2004). Born in St. Louis in 1978, she has poems that have appeared in \u003cem\u003eAmerican Poetry Review\u003c\/em\u003e,\u003cem\u003e Boston Review\u003c\/em\u003e,\u003cem\u003e Columbia Poetry Review\u003c\/em\u003e,\u003cem\u003e Gulf Coast\u003c\/em\u003e,\u003cem\u003e The Laurel Review\u003c\/em\u003e,\u003cem\u003e MAKE magazine\u003c\/em\u003e,\u003cem\u003e Phoebe\u003c\/em\u003e,\u003cem\u003e Poets \u0026amp; Writers Magazine\u003c\/em\u003e,\u003cem\u003e The New Yorker\u003c\/em\u003e,\u003cem\u003e Tin House\u003c\/em\u003e,\u003cem\u003e The Paris Review,\u003c\/em\u003e and \u003cem\u003e6x6\u003c\/em\u003e, among other places. She is the co-editor of \u003cem\u003eOpen the Door: How to Excite Young People About Poetry \u003c\/em\u003e(McSweeney's, 2013), co-author of \u003cem\u003eAstro Poets: Your Guides to the Zodiac \u003c\/em\u003e(with Alex Dimitrov, Flatiron Books, 2019) and is a 2013 Bagley Wright Lecturer on Poetry. She holds a doctorate in creativity and education from the University of Pennsylvania, is a graduate of the MFA program for Poets and Writers at the University of Massachusetts-Amherst, and has been educated at Harvard University and Washington University. She has taught poetry at New York University, Wesleyan University, and Bennington College. Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City.\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e Lasky writes beautifully and lyrically, but in such a new and musical way it’s hard not to think of sunny hip-hop. \u003cbr\u003e\u003cb\u003eShane Jones, \u003ci\u003eNylon Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Laugh, cry, or shake your head, Lasky cuts to the chase.\u003cbr\u003e\u003cb\u003eJeffrey Cyphers Wright, \u003ci\u003eBrooklyn Rail\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e If the essence is not in what she says, Lasky’s poignancy is the result of subtle insights, both endearing and intuitive, suggested by what language leaves out.\u003cbr\u003e\u003cb\u003eSophie Sills, \u003ci\u003eJacket2\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e She will force you to acknowledge the blackness of the blood pumping underneath your skin or the claustrophobia of loneliness, but she will not allow you to forget there is light, and that it can exist in knowing another person.\u003cbr\u003e\u003cb\u003eKristen Evans, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \n\u003c\/p\u003e\n\u003cp\u003eThis is what I love about Lasky’s poetry in general: she reveals her own weakness, her own complicity—“It was still beautiful \/ Every last moment \/ Of this completely \/ Inappropriate love” (“The Ax”). She never lets herself off the hook, hanging there like an endangered animal.\u003cbr\u003e\u003cb\u003e Adele Elise Williams, \u003ci\u003eGulf Coast\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e Reviews of books by Dorothea Lasky\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/animal\"\u003e\u003cem\u003eAnimal\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/milk\"\u003e\u003cem\u003eMilk\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"\/products\/thunderbird\/\"\u003e\u003ci\u003eThunderbird\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/black-life\/\"\u003e\u003ci\u003eBlack Life\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/AWE\/\"\u003e\u003ci\u003eAwe\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003eDorothea Lasky’s \u003ca href=\"http:\/\/dorothealasky.tumblr.com\/\" target=\"_blank\"\u003eblog\u003c\/a\u003e and \u003ca href=\"https:\/\/twitter.com\/#%21\/yellowowl\" target=\"_blank\"\u003etwitter\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eDorothea Lasky on \u003ci\u003eThe Shining\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.newyorker.com\/magazine\/2023\/10\/02\/blood-dorothea-lasky-poem\"\u003eListen to Dorothea Lasky read the poem “Blood” from \u003ci\u003eThe Shining\u003c\/i\u003e for \u003ci\u003eThe New Yorker.\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/podcast.ruthstonehouse.org\/podcast\/haunting-performances\"\u003eListen to Dorothea Lasky talk about the creation of \u003ci\u003eThe Shining\u003c\/i\u003e with Bianca Stone for the Odes \u0026amp; Psyche podcast for the Ruth Stone.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/lithub.com\/dorothea-lasky-on-the-power-of-horror\/\"\u003eDorothea Lasky's essay on \"The Power of Horror\" about \u003ci\u003eThe Shining\u003c\/i\u003e is published in LitHub.\u003c\/a\u003e\u003c\/p\u003e\n\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e -\u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/articles\/149469\/an-uncommon-language\"\u003e“The Miscarriage”\u003c\/a\u003e (in \u003ci\u003ePoetry Magazine\u003c\/i\u003e) \u003cbr\u003e -\u003ca href=\"https:\/\/granta.com\/snakes\/\"\u003e“Snakes”\u003c\/a\u003e (on \u003ci\u003eGranta\u003c\/i\u003e) \u003cbr\u003e -\u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/143939\/a-fierce-and-violent-opening\"\u003e“A fierce and violent opening”\u003c\/a\u003e (on \u003ci\u003ePoetry Foundation\u003c\/i\u003e) \u003cbr\u003e -\u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/143941\/the-ghost-5988d05f28d3c\"\u003e “The ghost”\u003c\/a\u003e (on \u003ci\u003ePoetry Foundation\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/143942\/the-clog\"\u003e“The Clog”\u003c\/a\u003e (on \u003ci\u003ePoetry Foundation\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.surfacemag.com\/articles\/art-detroit-unesco-city-of-design-first-in-usa\/\" target=\"_blank\"\u003e“The Portrait Gallery with Neon Toucans”\u003c\/a\u003e (in \u003ci\u003eSurface\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.newyorker.com\/fiction\/poetry\/2010\/02\/15\/100215po_poem_lasky\" target=\"_blank\"\u003e“Tornado”\u003c\/a\u003e (in \u003ci\u003eThe New Yorker\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/andrewsullivan.thedailybeast.com\/2012\/08\/a-poem-for-saturday.html\" target=\"_blank\"\u003e“What Is This Journey I Am On”\u003c\/a\u003e (on \u003ci\u003eThe Daily Beast\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.gulfcoastmag.org\/index.php?n=2\u0026amp;si=44\u0026amp;s=2685\" target=\"_blank\"\u003e“Genius”\u003c\/a\u003e (in \u003ci\u003eGulf Coast\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2012\/changingseasons.shtml\" target=\"_blank\"\u003e“The changing of the seasons is life and death seen gently ”\u003c\/a\u003e (on \u003ci\u003eVerse Daily\u003c\/i\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/bombsite.com\/articles\/6024\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eBOMBlog\u003c\/i\u003e) \u003cbr\u003e - \u003ci\u003e\u003ca href=\"http:\/\/www.coconutpoetry.org\/lasky1.htm\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e\u003c\/i\u003e (in \u003ci\u003eCoconut\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.everyday-genius.com\/2011\/05\/dorothea-lasky.html\" target=\"_blank\"\u003e“So You Think You Can Move Fast\u003c\/a\u003e” and\u003ca href=\"http:\/\/www.everyday-genius.com\/2010\/10\/dorothea-lasky.html\" target=\"_blank\"\u003e“Fake Diamonds”\u003c\/a\u003e (in \u003ci\u003eEveryday Genius\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.foumagazine.net\/issue1\/DL.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eFou\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.h-ngm-n.com\/h_ngm_n-5\/dorothea-lasky.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eH_NGM_N\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.thewhitereview.org\/poetry\/one-new-poem\/\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eThe White Review\u003c\/i\u003e) \u003cbr\u003e . . . and in Spanish at \u003ci\u003e\u003ca href=\"http:\/\/birdspoems.blogspot.com\/2011\/04\/dorothea-lasky.html\" target=\"_blank\"\u003eBird Poems\u003c\/a\u003e!\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.propellermag.com\/June2018\/HetiLasky062718.html\" target=\"_blank\"\u003e\u003ci\u003ePropeller\u003c\/i\u003e\u003c\/a\u003e, with Sheila Heti \u003cbr\u003e - \u003ca href=\"https:\/\/www.loc.gov\/poetry\/interviews\/dorothealasky.html\" target=\"_blank\"\u003e\u003ci\u003eLibrary of Congress\u003c\/i\u003e\u003c\/a\u003e, with Caitlin Mohney \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrynw.org\/interview-dorothea-lasky\/\" target=\"_blank\"\u003e\u003ci\u003ePoetry Northwest\u003c\/i\u003e\u003c\/a\u003e, with Diana Khoi Nguyen \u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/6890\" target=\"_blank\"\u003e\u003ci\u003eBOMB Magazine\u003c\/i\u003e\u003c\/a\u003e, with Jonathan Aprea \u003cbr\u003e - \u003ca href=\"http:\/\/phonedinpoetry.wordpress.com\/2010\/03\/05\/003-dorothea-lasky\/\" target=\"_blank\"\u003e\u003ci\u003ePhoned-In\u003c\/i\u003e\u003c\/a\u003e, with Luke Degnan \u003cbr\u003e - \u003ca href=\"http:\/\/www.thethepoetry.com\/2010\/04\/all-the-people-of-the-universe-an-interview-with-dorothea-lasky\/\" target=\"_blank\"\u003e\u003ci\u003eThe The Poetry\u003c\/i\u003e\u003c\/a\u003e, with Ben Fama \u003cbr\u003e - \u003ca href=\"http:\/\/phantomlimbpress.com\/Phantom_Limb\/Issue_5_Files\/Interviews_and_Reviews_5\/interview_dorothy_lasky.html\" target=\"_blank\"\u003e\u003ci\u003ePhantom Limb\u003c\/i\u003e\u003c\/a\u003e, with Jeffrey Allen \u003cbr\u003e - \u003ca href=\"http:\/\/thoughtsinterjected.blogspot.com\/2010\/12\/dorothea-lasky-black-life-interview.html\" target=\"_blank\"\u003e\u003ci\u003eThoughts Interjected\u003c\/i\u003e\u003c\/a\u003e, with Nazifa Islam \u003cbr\u003e - \u003ca href=\"http:\/\/www.huffingtonpost.com\/travis-nichols\/could-poetry-start-an-edu_b_4531672.html\" target=\"_blank\"\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/a\u003e, with Travis Nichols \u003cbr\u003e - \u003ca href=\"https:\/\/www.mixcloud.com\/DaphneElizabethLariosStanford\/tps-dorothea-lasky-edition\/\" target=\"_blank\"\u003e\u003ci\u003eRadio Boise\u003c\/i\u003e\u003c\/a\u003e, with The Poetry Show\u003cbr\u003e - \u003ca href=\"http:\/\/www.theadroitjournal.org\/blog\/2018\/7\/24\/a-conversation-with-dorothea-lasky\" target=\"_blank\"\u003e\u003ci\u003eThe Adroit Journal\u003c\/i\u003e\u003c\/a\u003e, with Lauren R. Korn \u003cbr\u003e - \u003ca href=\"https:\/\/lareviewofbooks.org\/article\/you-can-never-be-annihilated-an-interview-with-dorothea-lasky#!\" target=\"_blank\"\u003e\u003ci\u003eLA Review of Books\u003c\/i\u003e\u003c\/a\u003e, with Natalie Eilbert \u003cbr\u003e \u003cbr\u003e \u003cb\u003eArticles by Dorothea Lasky\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.theatlantic.com\/national\/archive\/2012\/10\/what-poetry-teaches-us-about-the-power-of-persuasion\/263551\/\" target=\"_blank\"\u003e“What Poetry Teaches Us About the Power of Persuasion”\u003c\/a\u003e (at \u003ci\u003eThe Atlantic\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/daily.jstor.org\/a-belief-in-ghosts-poetry-and-the-shared-imagination\/%20\" target=\"_blank\"\u003e“A Belief in Ghosts: Poetry and the Shared Imagination”\u003c\/a\u003e (at \u003ci\u003eJSTOR Daily\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.themillions.com\/2009\/04\/national-poetry-month-dorothea-lasky.html\" target=\"_blank\"\u003e“The Poetic ‘Project’ (And Other Poetry-Associated Terms I Hate)”\u003c\/a\u003e (at \u003ci\u003eThe Millions\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrysociety.org\/psa\/poetry\/crossroads\/desert_island\/desert_island_discs_dorthea_lask\/\" target=\"_blank\"\u003eDorothea Lasky's top five “desert island disks”\u003c\/a\u003e (for Poetry Society of America) \u003cbr\u003e - \u003ca href=\"http:\/\/www.concrescentpress.org\/wp-content\/uploads\/2011\/03\/concrescent02.pdf\" target=\"_blank\"\u003e“Hip Hop is American Poetry”\u003c\/a\u003e (in \u003ci\u003eCon \/ crescent\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/coldfrontmag.com\/poets-off-poetry\/a-brief-history-of-my-love-of-stevie-nicks-by-dorothea-lasky\" target=\"_blank\"\u003e“A Brief History of My Love of Stevie Nicks”\u003c\/a\u003e (in \u003ci\u003eColdfront\u003c\/i\u003e) \u003cbr\u003e \u003cbr\u003e\u003c!--END LINKS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eDorothea Lasky Reads Louise Bogan for \u003ci\u003eThe New Yorker\u003c\/i\u003e\u003ciframe height=\"54\" width=\"100%\" src=\"https:\/\/www.wnyc.org\/widgets\/ondemand_player\/thenewyorker\/?share=1#file=\/audio\/json\/1362481\/\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003eDorothea Lasky reads \u003ci\u003eTornado\u003c\/i\u003e\u003ciframe height=\"166\" width=\"500\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981592\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e - Reading of \u003ca href=\"https:\/\/www.newyorker.com\/magazine\/2019\/12\/09\/the-green-lake\" target=\"_blank\"\u003e\"The Green Lake\"\u003c\/a\u003e for the New Yorker \u003cbr\u003e - \u003ca href=\"http:\/\/bagleywrightlectures.org\/dorothealasky\" target=\"_blank\"\u003eLecture “What Is Color in Poetry or Is It the Wild Wing in the Space of the Word?”\u003c\/a\u003e for the Bagley Wright lecture series \u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Lasky.php\" target=\"_blank\"\u003eDorothea Lasky’s page\u003c\/a\u003e on PennSound \u003cbr\u003e- Reading at the \u003ca href=\"http:\/\/writing.upenn.edu\/wh\/calendar\/0207.html#26\" target=\"_blank\"\u003eKelly Writers House\u003c\/a\u003e at UPenn \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e - Lecturing for \u003ca href=\"http:\/\/www.loc.gov\/today\/cyberlc\/feature_wdesc.php?rec=6212\" target=\"_blank\"\u003eThe Library of Congress's Webcast\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Reading for Poeteevee: \u003cbr\u003e \u003ciframe height=\"281\" width=\"500\" src=\"http:\/\/player.vimeo.com\/video\/40115289?byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e Reading “I had a man” from \u003ci\u003e\u003ca href=\"\/products\/thunderbird\"\u003eThunderbird\u003c\/a\u003e:\u003c\/i\u003e\u003cbr\u003e \u003ciframe height=\"281\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/eHrqx_rBc4s\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003eDorothea Lasky’s Tiny Tours\u003c\/b\u003e\u003cbr\u003e Living Room: \u003cbr\u003e \u003ciframe height=\"375\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/3CtC9LmkAS8\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e Kitchen: \u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/oIDcbHw5KSg\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e Bathroom: \u003cbr\u003e\u003ciframe height=\"375\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/9CoOvaOHAsw\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END READING--\u003e\n\u003c\/ul\u003e","brand":"Dorothea Lasky","offers":[{"title":"Default Title","offer_id":189224552,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-lasky.jpg?v=1666041536"},{"product_id":"eric-baus","title":"Eric Baus","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cstrong\u003eEric Baus\u003c\/strong\u003e was born in Fort Wayne, Indiana in 1975. His publications include \u003cem\u003eTuned Droves\u003c\/em\u003e (Octopus Books, 2009), \u003ca href=\"\/products\/the-to-sound\"\u003e\u003cem\u003eThe To Sound\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2004; Winner of the 2002 Verse Prize, selected by Forrest Gander), and the chapbooks \u003cem\u003eThe Space Between Magnets\u003c\/em\u003e (Diaeresis), \u003cem\u003eA Swarm In The Aperture\u003c\/em\u003e (Margin to Margin), and \u003cem\u003eSomething Else The Music Was\u003c\/em\u003e (Braincase Press). He edits Minus House chapbooks, and currently lives in Denver. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003eBaus’ enigmatic phrasing and fugal music pushes outward to, towards the Other. That there is no guarantee of reply gives these poems the sense of vulnerability and imperative that provides a good deal of their emotional weight.\u003cbr\u003e\u003cb\u003eMantis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBaus tugs at the old heart strings like a Romantic, but with his own brand of emotion. His poetry is a sophisticated and thrilling crawl through the garden, all of it fake and all of it real.\u003cbr\u003e\u003cb\u003eOlivia Cronk, \u003ci\u003eBookslut\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eEric Baus gives rise to the alchemical cartography of sound disrupting language to reveal its constructedness through the complex alloy of the sentence and the potential of the sentence to reframe perspective.\u003cbr\u003e\u003cb\u003eJane Sprague, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews of books by Eric Baus\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-to-sound\"\u003e\u003cem\u003eThe To Sound\u003c\/em\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.conjunctions.com\/webcon\/baus.htm\" target=\"_blank\"\u003e“I Know the Letters This Way”\u003c\/a\u003e (in \u003cem\u003eConjuctions\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.fascicle.com\/issue01\/Poets\/baus1.htm\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003cem\u003eFascicle\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/omnidawnblog.blogspot.com\/2008\/11\/poetry-feature-10-eric-baus.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (on \u003cem\u003eOmnidawn\u003c\/em\u003e)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/artrecess.blogspot.com\/2007\/01\/interview-eric-baus-philly-usa-author.html\" target=\"_blank\"\u003e\u003cem\u003eP.F.S. Post\u003c\/em\u003e\u003c\/a\u003e, with Adam Fieled \u003cbr\u003e - \u003ca href=\"http:\/\/jacketmagazine.com\/37\/iv-baus-ivb-king.shtml\" target=\"_blank\"\u003e\u003cem\u003eJacket Magazine\u003c\/em\u003e\u003c\/a\u003e, with Cynthia Arrieu-King \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Baus.php\" target=\"_blank\"\u003eEric Baus' page\u003c\/a\u003e on PennSound\u003cbr\u003e - Reading for the \u003ca href=\"http:\/\/bonmotley.blogspot.com\/2009\/09\/revisit-augusts-reading-with-your-ears.html\" target=\"_blank\"\u003eBon Mot\/Ley Reading Series\u003c\/a\u003e in Cincinnati, Ohio, August 13, 2009\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e \u003cem\u003e\u003cbr\u003e Reading from \u003cem\u003eThe To Sound\u003c\/em\u003e:\u003cbr\u003e \u003ciframe width=\"500\" height=\"375\" src=\"\/\/www.youtube.com\/embed\/54_INQZkFEI\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cem\u003e \u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cem\u003e \u003c\/em\u003e","brand":"Eric Baus","offers":[{"title":"Default Title","offer_id":189228262,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-baus.jpg?v=1663705165"},{"product_id":"michael-earl-craig","title":"Michael Earl Craig","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003cstrong\u003eMichael Earl Craig\u003c\/strong\u003e is from Dayton, Ohio, home of the gas mask and the mood ring. He is the author of \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/iggy-horse\"\u003eIggy Horse\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2023) \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/woods-and-clouds-interchangeable\"\u003e\u003cem\u003eWoods and Clouds Interchangeable\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2019), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/talkativeness\"\u003e\u003cem\u003eTalkativeness\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2014), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/thin-kimono\"\u003e\u003cem\u003eThin Kimono\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2010), \u003cem\u003eYes, Master\u003c\/em\u003e (Fence Books, 2006), \u003cem\u003eCan You Relax in My House\u003c\/em\u003e, (Fence Books, 2002), and the chapbook \u003cem\u003eJombang Jet\u003c\/em\u003e (Factory Hollow Press, 2012). He lives in Montana, where he makes his living as a farrier. He was the 2015-2017 Poet Laureate of Montana.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e...Craig mixes new and old to charming effect, exploring fresh poetic territory while retaining his signature black, deadpan humor.\u003cbr\u003e\u003cb\u003eNate Logan, \u003ci\u003eOverheard Lit\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWoods and Clouds Interchangeable is an affecting collection for anyone in search of an honest language for the mutability of contemporary perception.\u003cbr\u003e\u003cb\u003eNate Duke, \u003ci\u003eThe Adroit Journal\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Quite possibly the funniest poet writing today, Craig’s unadorned poetry tends toward the deadpan and the offbeat, with an almost David Lynch–like sense of the uncanny...\u003cbr\u003e\u003cb\u003e\u003ci\u003eThe Believer\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Craig animates a world we secretly share, and the tension and kilter of his poems reflect \"dreamish autobiographical thoughts\" with great poise.\u003cbr\u003e\u003cb\u003eLia Purpura, \u003ci\u003eThe Antioch Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e I like being in the world of Michael Craig's poems. Anything can happen, and probably will, and it will affect me in some small or large ways that I couldn't have imagined. The precision of their imagery keeps me reeling with delight.\u003cbr\u003e\u003cb\u003eJames Tate\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Michael Earl Craig\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/iggy-horse\"\u003eIggy Horse\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/woods-and-clouds-interchangeable\"\u003eWoods and Clouds Interchangeable\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/books\/products\/talkativeness\"\u003e\u003ci\u003eTalkativeness\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/thin-kimono\"\u003e\u003ci\u003eThin Kimono\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003e\u003ca href=\"https:\/\/www.harborlightnews.com\/articles\/poet-michael-earl-craig-writes-in-the-space-where-humor-and-seriousness-meet\/\"\u003eInterview with Harbow Light News\u003c\/a\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.harborlightnews.com\/articles\/poet-michael-earl-craig-writes-in-the-space-where-humor-and-seriousness-meet\/\"\u003eInterview with Harbor Light News\u003c\/a\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.newyorker.com\/magazine\/2016\/12\/05\/rose-tantrum\" target=\"_blank\"\u003e“Rose Tantrum”\u003c\/a\u003e (in \u003ci\u003eThe New Yorker\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/toc\/2434\" target=\"_blank\"\u003eThree Poems\u003c\/a\u003e (in \u003ci\u003ePoetry Magazine\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.bearparade.com\/touchmyomelet\/\" target=\"_blank\"\u003eTouch My Omelet\u003c\/a\u003e (at \u003ci\u003eBear Parade\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.thenervousbreakdown.com\/mecraig\/2010\/08\/this-i-believe\/\" target=\"_blank\"\u003e“This I Believe”\u003c\/a\u003e (in \u003ci\u003eThe Nervous Breakdown\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/7250\" target=\"_blank\"\u003e Four Poems\u003c\/a\u003e (on \u003ci\u003eBOMBlog\u003c\/i\u003e)\u003cbr\u003e-\u003ca href=\"http:\/\/www.thevolta.org\/twstbs-poem70-mecraig.html\" target=\"_blank\"\u003e “I Am Examining A Small Crumb”\u003c\/a\u003e (at \u003cem\u003eThe Volta\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.granta.com\/New-Writing\/The-More-We-Think-About-It\" target=\"_blank\"\u003e“The More We Think About It”\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.counterpunch.org\/2014\/03\/28\/three-poems-by-michael-earl-craig\/\" target=\"_blank\"\u003e Three Poems\u003c\/a\u003e (in \u003ci\u003eCounterPunch\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.wagsrevue.com\/17\/poetry\/craig1\" target=\"_blank\"\u003e “Perhaps You See Where I Am Heading” \u003c\/a\u003e (in \u003ci\u003eWag's Revue\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e\u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bookslut.com\/features\/2011_01_017028.php\" target=\"_blank\"\u003e\u003ci\u003eBookslut\u003c\/i\u003e\u003c\/a\u003e, with Andrew James Weatherhead\u003cbr\u003e - \u003ca href=\"http:\/\/hoboeye.com\/2009\/01\/hoboeye-qa-michael-earl-craig-montana-usa\/\" target=\"_blank\"\u003e\u003ci\u003eHoboeye\u003c\/i\u003e\u003c\/a\u003e, with Mitchell McInnis\u003cbr\u003e - \u003ca href=\"http:\/\/htmlgiant.com\/feature\/the-rolls-should-be-warm-an-interview-w-michael-earl-craig\/\" target=\"_blank\"\u003e\u003ci\u003eHTMLGiant\u003c\/i\u003e\u003c\/a\u003e, with Zachary Schomburg\u003cbr\u003e - \u003ca href=\"http:\/\/www.nwbooklovers.org\/2011\/05\/11\/its-not-about-about-an-interview-with-poetfarrier-michael-earl-craig-by-john-w-marshall\/\" target=\"_blank\"\u003e\u003ci\u003eNorthwest Book Lovers\u003c\/i\u003e\u003c\/a\u003e, with John Marshall\u003cbr\u003e - \u003ca href=\"http:\/\/www.thenervousbreakdown.com\/mecraig\/2010\/08\/michael-earl-craig-the-tnb-self-interview\/\" target=\"_blank\"\u003e\u003ci\u003eThe Nervous Breakdown\u003c\/i\u003e\u003c\/a\u003e, with himself \u003cbr\u003e- \u003ca href=\"https:\/\/tankmagazine.com\/issue-79\/talks\/michael-earl-craig\/\" target=\"_blank\"\u003e\u003ci\u003eTANK Magazine\u003c\/i\u003e\u003c\/a\u003e, with Rachael Allen\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWritings\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/poetry.arizona.edu\/blog\/where-was-i-adventures-reading-michael-earl-craig\" target=\"_blank\"\u003eWhere Was I|Adventures in Reading\u003c\/a\u003e (in The University of Arizona Poetry Center Blog)\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--BEGIN AUDIO\/VIDEO--\u003e \u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading \u003ca href=\"http:\/\/www.pw.org\/content\/talkativeness_by_michael_earl_craig\" target=\"_blank\"\u003efour poems\u003c\/a\u003e from \u003ca href=\"http:\/\/wavepoetry.com\/products\/talkativeness\"\u003e\u003ci\u003eTalkativeness\u003c\/i\u003e\u003c\/a\u003e, in \u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e\u003cbr\u003e- Episode\u003ca href=\"http:\/\/otherppl.com\/episode-308-michael-earl-craig\/\" target=\"_blank\"\u003e 308\u003c\/a\u003e of OTHERPPL, a conversation between Brad Listi and Michael Earl Craig \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eIn “velvet skies and blacksmith dreams…”:\u003cbr\u003e \u003cobject width=\"500\" height=\"281\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\"\u003e\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cparam name=\"src\" value=\"http:\/\/www.youtube.com\/v\/y2oWXRTB6OY?version=3\u0026amp;hl=en_US\"\u003e\n\u003cparam name=\"allowfullscreen\" value=\"true\"\u003e\n\u003cembed type=\"application\/x-shockwave-flash\" src=\"\/\/www.youtube.com\/v\/y2oWXRTB6OY?version=3\u0026amp;hl=en_US\" allowfullscreen=\"true\" allowscriptaccess=\"always\" height=\"281\" width=\"500\"\u003e\u003c\/object\u003e\u003cbr\u003e \u003cbr\u003e At Butler Creek Ranch as part of the \u003ca href=\"https:\/\/www.wavepoetry.com\/pages\/poetry-bus\"\u003e Poetry Bus Tour\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/PiRYMPxCits\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003c!--END AUDIO\/VIDEO--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Earl Craig","offers":[{"title":"Default Title","offer_id":189296272,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-Craig.jpg?v=1664903080"},{"product_id":"timothy-donnelly","title":"Timothy Donnelly","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003c!--BIO START--\u003e\n\u003cp\u003e\u003cstrong\u003eTimothy Donnelly\u003c\/strong\u003e is the author of \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/chariot\"\u003eChariot\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2023), \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-problem-of-the-many\"\u003eThe Problem of the Many\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2019), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-cloud-corporation\"\u003e\u003cem\u003eThe Cloud Corporation\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2010), which won the 2012 Kingsley Tufts Poetry Award, and \u003cem\u003eTwenty-seven Props for a Production of Eine Lebenszeit\u003c\/em\u003e (Grove, 2003). His chapbook \u003cem\u003eHymn to Life\u003c\/em\u003e was recently published by Factory Hollow Press and with John Ashbery and Geoffrey G. O’Brien he is the co-author of \u003cem\u003eThree Poets\u003c\/em\u003e published by Minus A Press in 2012. He is a recipient of \u003cem\u003eThe Paris Review\u003c\/em\u003e’s Bernard F. Conners Prize and the Poetry Society of America’s Alice Fay Di Castagnola Award as well as fellowships from the New York State Writers Institute and the Guggenheim Memorial Foundation. He is Director of Poetry in the Writing Program at Columbia University’s School of the Arts and lives in Brooklyn with his family.\u003cbr\u003e\u003cbr\u003e(author photo by Ada Donnelly)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eDonnelly’s sensibility has always gathered its strength at the point where essay and lyric meet, where philosophy shades into beautiful brilliant torsion-rich talk, something you might dream of hearing at a dream party in a better world than ours.\u003cbr\u003e\u003cb\u003eJesse Nathan, \u003cem\u003eMcSweeney's\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eEach book represents another dimension of what, twenty years in, looks like a major body of work... Donnelly has worked within formal constraints frequently, from “Accidental Species” in his first book to “Hymn to Life,” the closing poem in \u003ci\u003eThe Problem of the Many.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003ePaul Scott Stanfield, \u003cem\u003eHong Kong Review of Books\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Donnelly is a poet everyone should read.\u003cbr\u003e\u003cb\u003eDavid Wheatley, \u003cem\u003eThe Guardian\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e If Whitman had had a young kid and a Brooklyn apartment, too many bills, and stack of takeout menus in the top drawer of his Ikea desk, he would have written these poems...\u003cbr\u003e\u003cb\u003eDan Chiasson, \u003cem\u003eThe New Yorker\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e [\u003cem\u003eThe Cloud Corporation\u003c\/em\u003e] is an extraordinary collection—the poetry of the future, here, today.\u003cbr\u003e\u003cb\u003eJohn Ashbery, \u003cem\u003eThe London Times\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Dramatic tension, humor, lyrical profundity. This is an utterly ingenious and proudly inclusive voice, incorporating clouds—you cannot turn away from it...\u003cbr\u003e\u003cb\u003eCarol Muske-Dukes, \u003cem\u003eHuffington Post\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Timothy Donnelly meditates on the very terms that make meditation possible—terms such as “knowledge,” “mystery,” “particular,” “mind,” and “will”...and he makes the tough time we have pinning those terms down into one of his typical subjects. His kind of pessimistic introspection, cast in long sentences and in three-line stanzas, might remind you of late Wallace Stevens...\u003cbr\u003e\u003cb\u003eStephanie Burt, \u003cem\u003eColdfront\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Timothy Donnelly is a talented writer...an astonishing technician...\u003cbr\u003e\u003cb\u003eDavid Orr, \u003cem\u003ePoetry\u003c\/em\u003e\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe independence of the imagination must always be defended against mere utility, (Donnelly) implies—even more so when the world makes urgent claims against it.\u003cbr\u003e\u003cb\u003eRobert Archambeau, \u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe Hudson Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eReviews of books by Timothy Donnelly\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/the-problem-of-the-may\"\u003e\u003cem\u003eThe Problem of the Many\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/a\u003e\u003ca href=\"\/products\/the-cloud-corporation\"\u003e\u003cem\u003eThe Cloud Corporation\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"https:\/\/www.thenation.com\/article\/culture\/the-light\/\" target=\"_blank\"\u003e\"The Light\"\u003c\/a\u003e (in the \u003ci\u003eNation\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.surfacemag.com\/articles\/art-detroit-unesco-city-of-design-first-in-usa\/\" target=\"_blank\"\u003e“Roof”\u003c\/a\u003e (in \u003ci\u003eSurface\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.nytimes.com\/2016\/09\/23\/t-magazine\/art\/ed-ruscha-timothy-donnelly-art-poem.html?_r=0\" target=\"_blank\"\u003e“Shame”\u003c\/a\u003e (in the \u003ci\u003eNew York Times\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.newyorker.com\/fiction\/poetry\/2014\/06\/30\/140630po_poem_donnelly\" target=\"_blank\"\u003e“Malamute”\u003c\/a\u003e (in \u003ci\u003eThe New Yorker\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"https:\/\/www.newyorker.com\/magazine\/2017\/11\/27\/unlimited-soup-and-salad\" target=\"_blank\"\u003e“Unlimited Soup and Salad”\u003c\/a\u003e (in \u003ci\u003eThe New Yorker\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.parisreview.com\/viewmedia.php\/prmMID\/5947\" target=\"_blank\"\u003e“Globus Hystericus”\u003c\/a\u003e (in \u003cem\u003eThe Paris Review\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/columbiajournal.org\/issues?issueID=57\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eColumbia: A Journal of Literature and Art\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2010\/histheogony.shtml\" target=\"_blank\"\u003e“His Theogeny”\u003c\/a\u003e and \u003ca href=\"http:\/\/www.versedaily.org\/2010\/thenewintelligence.shtml\" target=\"_blank\"\u003e“The New Intelligence”\u003c\/a\u003e(in \u003cem\u003eVerse Daily\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.theawl.com\/2010\/06\/the-poetry-section-two-poems-by-timothy-donnelly\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (on \u003cem\u003eThe Awl\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23150\" target=\"_blank\"\u003e“Poem Interrupted by Whitesnake”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.memorious.org\/?id=316\" target=\"_blank\"\u003e“Partial Inventory of Airborne Debris”\u003c\/a\u003e (in \u003cem\u003eMemorious\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.everseradio.com\/the-driver-of-the-car-is-unconscious-by-timothy-donnelly\/\" target=\"_blank\"\u003e“The Driver of the Car Is Unconscious”\u003c\/a\u003e (in \u003cem\u003eE-Verse\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.thethepoetry.com\/2011\/06\/poem-of-the-week-timothy-donnelly\" target=\"_blank\"\u003e“In His Tree”\u003c\/a\u003e (on \u003cem\u003eThe The Poetry\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrylondon.co.uk\/magazines\/75\/poem\/apologies-from-the-ground-up\" target=\"_blank\"\u003e“Apologies from the Ground Up”\u003c\/a\u003e (in \u003cem\u003ePoetry London\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/247868\" target=\"_blank\"\u003e“Hymn to Life”\u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e) \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eArticles by Timothy Donnelly\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/5905\" target=\"_blank\"\u003e“A Match Made in Poetry: Yvor Winters vs. Hart Crane”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"https:\/\/www.kenyonreview.org\/2019\/08\/poetry-can-knowingly-privilege-affect-and-beauty-a-conversation-with-timothy-donnelly\/\" target=\"_blank\"\u003e\u003cem\u003eKenyon Review\u003c\/em\u003e\u003c\/a\u003e, with Kristina Marie Darling \u003cbr\u003e - \u003ca href=\"http:\/\/publishersweekly.com\/pw\/by-topic\/authors\/interviews\/article\/44168-and-i-digress-pw-talks-with-timothy-donnelly.html\" target=\"_blank\"\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/a\u003e, with Craig Morgan Teicher \u003cbr\u003e - \u003ca href=\"http:\/\/harpers.org\/blog\/2013\/01\/three-poets\/\" target=\"_blank\"\u003e\u003cem\u003eHarper's Magazine\u003c\/em\u003e\u003c\/a\u003e, with Jess Cotton \u003cbr\u003e - \u003ca href=\"http:\/\/coldfrontmag.com\/features\/spotlight-timothy-donnelly\" target=\"_blank\"\u003e\u003cem\u003eColdfront\u003c\/em\u003e\u003c\/a\u003e, with John Deming \u003cbr\u003e - \u003ca href=\"http:\/\/www.thedaysofyore.com\/timothy-donnelly\/\" target=\"_blank\"\u003e\u003cem\u003eDays of Yore\u003c\/em\u003e\u003c\/a\u003e, with Astri von Arbin Ahlander \u003cbr\u003e - \u003ca href=\"http:\/\/www.guernicamag.com\/blog\/2446\/timothy_donnelly_on_poetry_x_a\/\" target=\"_blank\"\u003e\u003cem\u003eGuernica\u003c\/em\u003e\u003c\/a\u003e, with Sean Patrick Hill \u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2010\/10\/the-rumpus-poetry-book-club-interviews-timothy-donnelly\/\" target=\"_blank\"\u003e\u003cem\u003eThe Rumpus\u003c\/em\u003e\u003c\/a\u003e, with Stephen Elliot \u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e \u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/5ee8ouOYTluCjwciXCvPrB?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.nytimes.com\/2016\/09\/23\/t-magazine\/art\/ed-ruscha-timothy-donnelly-art-poem.html?_r=0\" target=\"_blank\"\u003eReading\u003c\/a\u003e \"Shame,\" for \u003ci\u003e The New York Times Style Magazine\u003c\/i\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.newyorker.com\/books\/page-turner\/poetry-podcast-timothy-donnelly-reads-yusef-komunyakaa\" target=\"_blank\"\u003eReading and discussion\u003c\/a\u003e of “Fortress,” by Yusef Komunyakaa, as well as his own poem, “Malamute,” for \u003ci\u003eThe New Yorker\u003c\/i\u003e poetry podcast\u003cbr\u003e - Reading Roald Dahl's \"Little Red Riding Hood and Wolf\" for \u003ci\u003ePEN America\u003c\/i\u003e \u003ciframe height=\"166\" width=\"100%\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/115835399\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" frameborder=\"no\" allow=\"autoplay\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/www.nypl.org\/audiovideo\/brett-fletcher-lauer-timothy-donnelly-jennifer-kronovet\" target=\"_blank\"\u003eReading and discussion\u003c\/a\u003e with Jennifer Krovonet and \u003ca href=\"\/collections\/authors\/products\/brett-fletcher-lauer\"\u003eBrett Fletcher Lauer\u003c\/a\u003e, for New York Public Library’s \u003cem\u003ePeriodically Speaking\u003c\/em\u003e series\u003cbr\u003e\u003cbr\u003eFootage from the \u003cem\u003e\u003ca href=\"\/products\/the-cloud-corporation\"\u003eThe Cloud Corporation\u003c\/a\u003e\u003c\/em\u003e release party in Brooklyn, including brief interviews with Mary Jo Bang, Mark Strand and Joshua Bell: \u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/wCOFio3lwRY?rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eDiscussing the influence of the internet on writing for the 2012 Poets Forum:\u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/cHlLtMEGh-M?rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading at Claremont University: \u003cbr\u003e \u003ciframe height=\"281\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/c1MqzMXYLIQ\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Timothy Donnelly","offers":[{"title":"Default Title","offer_id":189297612,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-Donnelly.jpg?v=1664903173"},{"product_id":"graham-foust","title":"Graham Foust","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cstrong\u003eGraham Foust\u003c\/strong\u003e is the author of several collections of poetry, including \u003cem\u003eA Mouth in California\u003c\/em\u003e (Flood Editions, 2009) and \u003cem\u003eTo Anacreon in Heaven and Other Poems \u003c\/em\u003e(Flood Editions, April 2013). He teaches at the University of Denver. \u003cspan\u003eWith \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/samuel-frederick\"\u003eSamuel Frederick\u003c\/a\u003e,\u003cspan\u003e he has translated three volumes of poetry by \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/ernst-meister\"\u003eErnst Meister\u003c\/a\u003e\u003cspan\u003e, including \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/in-times-rift\"\u003eIn Time’s Rift\u003c\/a\u003e \u003c\/em\u003e\u003cspan\u003e(Wave Books, 2012), \u003c\/span\u003e\u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/wallless-space\"\u003eWallless Space\u003c\/a\u003e \u003c\/i\u003e\u003cspan\u003e(Wave Books, 2014), which was shortlisted for ALTA's National Poetry in Translation Award, \u003cspan\u003eand \u003c\/span\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003e\u003ci\u003eOf Entirety Say the Sentence\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e (Wave Books, 2015). He has most recently translated Meister's \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/uncollected-later-poems-1968-1979\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUncollected Later Poems 1968-1979\u003c\/a\u003e\u003c\/em\u003e (November 2023).\u003c\/span\u003e\u003c\/span\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e \u003cbr\u003e \u003cbr\u003e Like Stevens, Foust writes intricate poems that explore a world from which meaning has departed; the poet seeks to restore it, however tentatively, through the powers of artifice…Foust’s echoes and borrowings feel less like modernist literary allusion and more like covers, or misremembered lyrics, tracking the daily, demotic ways that language passes through us, only very briefly ours.\u003cbr\u003e\u003cstrong\u003eBen Lerner, \u003cem\u003eHarper’s Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Foust’s poems are fragmentary, hushed, and stripped down, they radiate lushness.\u003cbr\u003e\u003cstrong\u003eSandra Lim, \u003cem\u003eBoston Review\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Foust has achieved a wide reputation in and beyond experimental poetry circles for his clipped, breathless poems, often no longer than one or two haiku, but packing an intimate punch that belies their length...Commenting on contemporary American life without explicitly describing it, Foust remains a poet to watch.\u003cbr\u003e\u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePoetry translation is such tricky and unappreciated work—“translation is impossible,” Graham Foust and \u003ca href=\"http:\/\/wavepoetry.com\/products\/samuel-frederick\"\u003eSamuel Frederick\u003c\/a\u003e declare in their introduction to a volume of Ernst Meister's work in which they've performed that exact miracle.\u003cbr\u003e\u003cstrong\u003eArielle Greenberg, \u003ci\u003eAmerican Poetry Review\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe translators of \u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/wallless-space\"\u003eWallless Space\u003c\/a\u003e\u003c\/i\u003e were brave to take on Meister’s dense and unusual poetry, and so far their work has been excellent. … Foust and Frederick have preserved the phonetic elements of Meister’s verse—assonance, alliteration, rhyme, anaphora—without sacrificing the poet’s distilled diction and powerfully short dimeter and trimeter lines.\u003cbr\u003e\u003cstrong\u003eChristopher Shannon,\u003ci\u003e Words without Borders\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith precision, Foust and Frederick intone Meister’s philosophical and poetic torque, dialing in on the underlying struggle: the elusive, expanding surplus of time; the baffling dissonance keyed into life.\u003cbr\u003e\u003cstrong\u003eDouglas Piccinnini, \u003ci\u003eThe Volta\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Meister's poetry, very often, seems to be composed of small words, short ones, shaped by only a few letters – but the short words are not necessarily suitable to be spoken quickly, in passing, rather they obstruct fast reading, they seem to become long words, they expand. \u003cbr\u003e\u003cstrong\u003ePeter Waterhouse, \u003cem\u003ea Perimeter\u003c\/em\u003e\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books translated by Graham Foust\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003e\u003cem\u003eOf Entirety Say the Sentence\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/wallless-space\"\u003e\u003ci\u003eWallless Space\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/in-times-rift\"\u003e\u003cem\u003eIn Time's Rift\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - Graham Foust's \u003ca href=\"http:\/\/portfolio.du.edu\/gfoust2\" target=\"_Blank\"\u003efaculty page at University of Denver\u003c\/a\u003e\u003cbr\u003e - Pictures from Graham Foust's visit to the \u003ca href=\"http:\/\/wavepoetry.com\/products\/ernst-meister\"\u003eErnst Meister\u003c\/a\u003e archives: \u003ca href=\"http:\/\/wavepoetry.tumblr.com\/post\/100753581575\/graham-foust-and-samuel-frederick-have-embarked-on\" target=\"_blank\"\u003ePart 1\u003c\/a\u003e and \u003ca href=\"http:\/\/wavepoetry.tumblr.com\/post\/100835570695\/graham-foust-and-samuel-frederick-have-embarked-on\" target=\"_blank\"\u003ePart 2\u003c\/a\u003e \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems in translation\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22471\" target=\"_blank\"\u003ePoem by Ernst Meister\u003c\/a\u003e (at the \u003ci\u003eAcademy of American Poets\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"https:\/\/harpers.org\/archive\/2017\/02\/remainers\/%0A\" target=\"_blank\"\u003e “Remainers”\u003c\/a\u003e (in \u003cem\u003eHarper’s Magazine\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.thevolta.org\/twstbs-poem64-gfoust.html\" target=\"_blank\"\u003e “They Will Sew the Blue Sail”\u003c\/a\u003e (in \u003cem\u003ethe Volta\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bostonreview.net\/poetry\/slave-jaggerrichards-graham-foust\" target=\"_blank\"\u003e“Slave (Jagger\/Richards)”\u003c\/a\u003e (in the \u003cem\u003eBoston Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bostonreview.net\/poetry\/good-historian-graham-foust\" target=\"_blank\"\u003e“The Good Historian”\u003c\/a\u003e (in the \u003cem\u003eBoston Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/apublicspace.org\/magazine\/detail\/foust_two_poems\" target=\"_blank\"\u003e“Babel”\u003c\/a\u003e (in \u003cem\u003eA Public Space\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.shampoopoetry.com\/ShampooTwentysix\/foust.html\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003cem\u003eShampoo\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.noojournal.com\/view.php?mode=1\u0026amp;issue=weekly\u0026amp;id=383\" target=\"_blank\"\u003e“Found Poems”\u003c\/a\u003e (in \u003cem\u003eNoo\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/jjgallaher.blogspot.com\/2010\/01\/graham-fousts-poetry.html\" target=\"_blank\"\u003e“Politics”\u003c\/a\u003e (in \u003cem\u003eNothing to Say \u0026amp; Saying It\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/issue23\/two_poems1\/\" target=\"_blank\"\u003e “Everyone's Juvenilia”\u003c\/a\u003e (in \u003ci\u003eJubilat\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/frontpsych.com\/graham-foust-interview\/\" target=\"_blank\"\u003e\u003ci\u003eFrontier Psychiatrist\u003c\/i\u003e\u003c\/a\u003e, with Gina Myers\u003cbr\u003e - \u003ca href=\"http:\/\/studioonereadingseries.blogspot.com\/2009\/11\/paul-ebenkamp-interviews-graham-foust.html\" target=\"_blank\"\u003e\u003ci\u003eStudio One\u003c\/i\u003e\u003c\/a\u003e, with Paul Ebenkamp\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eArticles\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/jacketmagazine.com\/07\/spicer-foust.html\" target=\"_blank\"\u003e“Listening to Poetry: Jack Spicer and the fiftieth-anniversary issue of \u003cem\u003ePoetry\u003c\/em\u003e”\u003c\/a\u003e (in \u003cem\u003eJacket Magazine\u003c\/em\u003e)\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading with Mary Jo Bang for the \u003ca href=\"https:\/\/www.catranslation.org\/event\/the-center-at-litquake-mary-jo-bang-and-graham-foust\/\"\u003eCenter of the Art of Translation \u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e Graham Foust and \u003ca href=\"\/collections\/authors\/products\/samuel-frederick\"\u003eSamuel Frederick\u003c\/a\u003e read from their translation of Ernst Meister at the Henry Art Gallery, during the 2011 \u003ca href=\"http:\/\/www.wavepoetry.com\/pages\/3-days-of-poetry\"\u003e3 Days of Poetry: Poetry in Translation\u003c\/a\u003e festival:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/N1T0U_YO9LY\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003e Reading at UC Berkeley for their Lunch Poems series:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/kBNjHgd6BhI\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Graham Foust","offers":[{"title":"Default Title","offer_id":189298192,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-foust.jpg?v=1666038945"},{"product_id":"samuel-frederick","title":"Samuel Frederick","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003cb\u003eSamuel Frederick\u003c\/b\u003e is the author of \u003ci\u003eNarratives Unsettled: Digression in Robert Walser, Thomas Bernhard, and Adalbert Stifter\u003c\/i\u003e (Northwestern University Press, 2012). He is an assistant professor of German at the Pennsylvania State University. With \u003ca href=\"http:\/\/wavepoetry.com\/products\/graham-foust\"\u003eGraham Foust\u003c\/a\u003e he has translated three volumes of poetry by \u003ca href=\"http:\/\/wavepoetry.com\/products\/ernst-meister\"\u003eErnst Meister\u003c\/a\u003e, \u003cspan\u003eincluding \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/in-times-rift\"\u003eIn Time’s Rift\u003c\/a\u003e \u003c\/em\u003e\u003cspan\u003e(Wave Books, 2012), \u003c\/span\u003e\u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/wallless-space\"\u003eWallless Space\u003c\/a\u003e \u003c\/i\u003e\u003cspan\u003e(Wave Books, 2014), which was shortlisted for ALTA's National Poetry in Translation Award, and \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003e\u003ci\u003eOf Entirety Say the Sentence\u003c\/i\u003e\u003c\/a\u003e (Wave Books, 2015). He has most recently translated Meister's \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/uncollected-later-poems-1968-1979\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUncollected Later Poems 1968-1979\u003c\/a\u003e\u003c\/em\u003e (November 2023).\u003c\/span\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e...Frederick’s translations have a wonderful lapidary style in which every word is the subject of thought; in which it’s possible to trace the clean, careful steps of the mind...\u003cbr\u003e\u003cstrong\u003eAmanda DeMarco, \u003ci\u003eReadux\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePoetry translation is such tricky and unappreciated work—“translation is impossible,” \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/graham-foust\"\u003eGraham Foust\u003c\/a\u003e and Samuel Frederick declare in their introduction to a volume of Ernst Meister's work in which they've performed that exact miracle.\u003cbr\u003e\u003cstrong\u003eArielle Greenberg, \u003ci\u003eAmerican Poetry Review\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe translators of \u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/wallless-space\"\u003eWallless Space\u003c\/a\u003e\u003c\/i\u003e were brave to take on Meister’s dense and unusual poetry, and so far their work has been excellent. … Foust and Frederick have preserved the phonetic elements of Meister’s verse—assonance, alliteration, rhyme, anaphora—without sacrificing the poet’s distilled diction and powerfully short dimeter and trimeter lines.\u003cbr\u003e\u003cstrong\u003eChristopher Shannon,\u003ci\u003e Words without Borders\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWith precision, Foust and Frederick intone Meister’s philosophical and poetic torque, dialing in on the underlying struggle: the elusive, expanding surplus of time; the baffling dissonance keyed into life.\u003cbr\u003e\u003cstrong\u003eDouglas Piccinnini, \u003ci\u003eThe Volta\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Meister's poetry, very often, seems to be composed of small words, short ones, shaped by only a few letters – but the short words are not necessarily suitable to be spoken quickly, in passing, rather they obstruct fast reading, they seem to become long words, they expand. \u003cbr\u003e\u003cstrong\u003ePeter Waterhouse, \u003cem\u003ea Perimeter\u003c\/em\u003e\u003c\/strong\u003e \u003cbr\u003e \u003cbr\u003e\u003cb\u003eReviews of books translated by Samuel Frederick\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003eOf Entirety Say the Sentence\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/wallless-space\"\u003e\u003ci\u003eWallless Space\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/in-times-rift\"\u003e\u003ci\u003eIn Time's Rift\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cb\u003ePoems in translation\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22471\" target=\"_blank\"\u003ePoem by Ernst Meister\u003c\/a\u003e (at the \u003ci\u003eAcademy of American Poets\u003c\/i\u003e)\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eSamuel Frederick and \u003ca href=\"\/collections\/authors\/products\/graham-foust\"\u003eGraham Foust\u003c\/a\u003e read from their translation of Ernst Meister at the Henry Art Gallery, during the 2011 \u003ca href=\"http:\/\/www.wavepoetry.com\/pages\/3-days-of-poetry\"\u003e3 Days of Poetry: Poetry in Translation\u003c\/a\u003e festival:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/N1T0U_YO9LY\" width=\"500\" height=\"281\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Samuel Frederick","offers":[{"title":"Default Title","offer_id":189298992,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-frederick.jpg?v=1666039158"},{"product_id":"anselm-berrigan","title":"Anselm Berrigan","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cstrong\u003eAnselm Berrigan\u003c\/strong\u003e is the author of many books of poetry including most recently, \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/dont-forget-to-love-me\"\u003e\u003cem\u003eDon't Forget to Love Me\u003c\/em\u003e \u003c\/a\u003e(Wave Books, 2024). His titles also include: \u003cem\u003ePregrets\u003c\/em\u003e, (Black Square Editions, 2021), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/something-for-everybody\"\u003e\u003cem\u003eSomething for Everybody\u003c\/em\u003e\u003c\/a\u003e, (Wave Books, 2018), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/come-in-alone\"\u003e\u003cem\u003eCome In Alone\u003c\/em\u003e\u003c\/a\u003e (Wave Books,  2016), \u003cem\u003ePrimitive State\u003c\/em\u003e (Edge, 2015), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/notes-from-irrelevance\"\u003e\u003cem\u003eNotes from Irrelevance\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2011), \u003cem\u003eFree Cell\u003c\/em\u003e (City Lights Books, 2009), \u003cem\u003eSome Notes on My Programming\u003c\/em\u003e (Edge, 2006), \u003cem\u003eZero Star Hotel\u003c\/em\u003e (Edge, 2002), and \u003cem\u003eIntegrity and Dramatic Life\u003c\/em\u003e (Edge, 1999). He is also the editor of \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/what-is-poetry-just-kidding-i-know-you-know-interviews-from-the-poetry-project-newsletter-1983-2009\"\u003e\u003cem\u003eWhat is Poetry? (Just Kidding, I Know You Know): Interviews from the Poetry Project Newsletter (1983–2009)\u003c\/em\u003e\u003c\/a\u003e and co-author of two collaborative books: \u003cem\u003eLoading\u003c\/em\u003e, with visual artist Jonathan Allen (Brooklyn Arts Press, 2013), and \u003cem\u003eSkasers\u003c\/em\u003e, with poet John Coletti (Flowers \u0026amp; Cream, 2012). He was the poetry editor for \u003cem\u003eThe Brooklyn Rail \u003c\/em\u003efrom 2008 through 2023. With Alice Notley and Edmund Berrigan he co-edited \u003cem\u003eThe Collected Poems of Ted Berrigan\u003c\/em\u003e (U. California, 2005) and the \u003cem\u003eSelected Poems of Ted Berrigan\u003c\/em\u003e (U. California, 2011). More recently, he co-edited \u003cem\u003eGet The Money! Collected Prose of Ted Berrigan\u003c\/em\u003e (City Lights, 2022) with Notley, Edmund Berrigan, and Nick Sturm. A member of the subpress publishing collective, he has published books by Hoa Nguyen, Steve Carey, Adam DeGraff, and Brendan Lorber.  From 2003-2007 he was Artistic Director of The Poetry Project at St. Mark’s Church, where he also hosted the Wednesday Night Reading Series for four years. He teaches writing classes at Pratt Institute and Brooklyn College, and was a longtime Co-Chair in Writing at the Milton Avery Graduate School of the Arts interdisciplinary MFA program. Berrigan was granted an Individual Artists Award from the Foundation of Contemporary Arts in 2017, and was also awarded a 2015 Process Space Residency by the Lower Manhattan Cultural Council, and a Robert Rauschenberg Residency by the Robert Rauschenberg Foundation in 2014. He was a New York State Foundation for the Arts fellow in Poetry for 2007, and has received three grants from the Fund for Poetry.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e(Author photo by Michael Grimaldi) \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003eAnselm Berrigan’s voice continues be one of the most refreshing in contemporary American poetry, for its singular welding of candor, political awareness, and humor that attempts, with a very high rate of success, to co-opt the commercial and political jargon of our times to return it to higher purposes.\u003cbr\u003e\u003cb\u003eVirginia Konchan, \u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFor Brooklyn poet Anselm Berrigan, the political arrives in pieces, settling across his sprawling poems like dew or debris. Berrigan has always matched his experimental drive with a personable quality...\u003cbr\u003e\u003cb\u003eMichael Brodeur, \u003cem\u003eBoston Globe\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAnselm Berrigan's voice continues be one of the most refreshing in contemporary American poetry, for its singular welding of candor, political awareness, and humor that attempts, with a very high rate of success, to co-opt the commercial and political jargon of our times to return it to higher purposes...\u003cbr\u003e\u003cb\u003eVirginia Konchan, \u003cem\u003eGalatea Resurrects\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAnselm Berrigan's free radical poetry chops your hands off mid-line, drops the book into your lap, and caresses you with disquiet indie pop allusions and echoes of ubiquitous advertising absurdities as it cheers on that last ill-intentioned pint before the crestfallen exit from the pub on a Monday night while ambitiously and unambiguously telling you \u003ci\u003eit might not be OK, but I wouldn't know anyway.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eJason Eric Jensen, \u003ci\u003eThe Brake Lights\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews of books by Anselm Berrigan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/something-for-everybody\"\u003e\u003cem\u003eSomething For Everybody\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/come-in-alone\"\u003e\u003cem\u003eCome In Alone\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/notes-from-irrelevance\"\u003e\u003cem\u003eNotes from Irrelevance\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/146000\/in-betweener\" target=\"_blank\"\u003e “In Betweener” \u003c\/a\u003e(in \u003ci\u003ePoetry Magazine\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.frieze.com\/issue\/article\/15-poems\/\" target=\"_blank\"\u003e “Rectangle 79” \u003c\/a\u003e(in \u003ci\u003eFrieze Magazine\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/hyperallergic.com\/67852\/complementary-noteboke-by-anselm-berrigan\/\" target=\"_blank\"\u003e “Complementary Noteboke” \u003c\/a\u003e (on \u003cem\u003eHyperallergic\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/electiveaffinitiesusa.blogspot.com\/2010\/12\/anselm-berrigan.html\" target=\"_blank\"\u003ePoems\u003c\/a\u003e (in \u003cem\u003eElective Affiities\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/isola-di-rifiuti.blogspot.com\/2009\/09\/anselm-berrigans-free-cell.html\" target=\"_blank\"\u003ePoems\u003c\/a\u003e (in \u003cem\u003eIsola di Rifiuti\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"https:\/\/www.poets.org\/poetsorg\/poet\/anselm-berrigan\" target=\"_blank\"\u003eSeveral poems by Berrigan\u003c\/a\u003e (at \u003cem\u003ePoets.org\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.wnyc.org\/story\/36180-anselm-berrigan\/\" target=\"_blank\"\u003e“We're Not Gonna Turn Me In”\u003c\/a\u003e (on the \u003cem\u003eLeonard Lopate Show\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"http:\/\/bombmagazine.org\/article\/10029\/poems\" target=\"_blank\"\u003e Four Poems\u003c\/a\u003e (in \u003ci\u003eBOMBlog\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/recluse.poetryproject.org\/issue-10\/anselm-berrigan\/\" target=\"_blank\"\u003e Eight Poems \u003c\/a\u003e (at \u003cem\u003eThe Recluse\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArticles\u003c\/strong\u003e\u003cbr\u003e- Berrigan\u003cspan\u003e’\u003c\/span\u003es blog entries at \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/author\/aberrigan\/\" target=\"_blank\"\u003eThe Poetry Foundation\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterviews and Discussions\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.fayettevilleflyer.com\/2013\/04\/23\/flyer-profile-anselm-berrigan\/\" target=\"_blank\"\u003e\u003cem\u003eFayetteville Flyer\u003c\/em\u003e\u003c\/a\u003e, with Matthew Henriksen\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/article\/242334\" target=\"_blank\"\u003e\u003cem\u003eThe Poetry Foundation\u003c\/em\u003e\u003c\/a\u003e, with Bethlehem Shoals\u003cbr\u003e- \u003ca href=\"http:\/\/jacketmagazine.com\/33\/anderson-gordon-rev-berrigan.shtml\" target=\"_blank\"\u003e\u003cem\u003eJacket\u003c\/em\u003e\u003c\/a\u003e, Noah Eli Gordon and Erik Anderson in conversation about Anselm Berrigan's work \u003cbr\u003e- \u003ca href=\"http:\/\/theconversant.org\/?p=6594\" target=\"_blank\"\u003e\u003ci\u003eThe Conversant\u003c\/i\u003e\u003c\/a\u003e, with Andy Fitch\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Berrigan-Anselm.php\"\u003eAnselm Berrigan's page\u003c\/a\u003e on PennSound \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e- Reading for \u003ci\u003ePoeteevee\u003c\/i\u003e:\u003cbr\u003e\u003ciframe height=\"375\" width=\"500\" src=\"http:\/\/player.vimeo.com\/video\/39955594?byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003cem style=\"line-height: 1.5;\"\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Anselm Berrigan","offers":[{"title":"Default Title","offer_id":193968072,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/Anselm_-_shadows_-web.jpg?v=1724946822"},{"product_id":"john-godfrey","title":"John Godfrey","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Godfrey\u003c\/strong\u003e was born in Massena, N.Y. in 1945. He is the author of 14 collections of poetry, including \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-city-keeps\"\u003e\u003cem\u003eThe City Keeps: Selected and New Poems 1966-2014\u003c\/em\u003e\u003c\/a\u003e (Wave Books, May 2016). He received an A.B. from Princeton University in 1967, and took a B.S. in Nursing from Columbia University in 1994. He has received fellowships from the General Electric Foundation (1984), the Foundation for Contemporary Arts (2009), and the Z Foundation (2013). He retired in 2011 after 17 years as a nurse clinician in HIV\/AIDS. He has lived in the East Village of Manhattan since the 1960s.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eWinner of a Foundation for Contemporary Arts Grant for 2009\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e (Author photo by John Sarsgard) \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eJohn Godfrey is a karma yogi—to be useful in the world to those who suffer, and to write these black jewel-like fractured poems for our contemplation.\u003cbr\u003e\u003cb\u003eBarbara Henning\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWe walk with Godfrey but also feel two steps behind—and it’s this constant feeling of walking next to him yet needing to catch up, the tension of intimate distance, that keeps us engaged.\u003cbr\u003e\u003cb\u003eGina Myers, \u003ci\u003eBookslut\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eHe incorporates vernacular, he blows fuses on clichés, and he scalpels away bookkeeping words to jump-cut high energy, emotive phrasings. Blink and you’ll miss it.\u003cbr\u003e\u003cb\u003eForrest Gander, \u003ci\u003eHarriet Blog\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eGodfrey's jumpy, sometimes disjointed poems belong to an exciting recent tradition: they describe day-to-day, block-to-block, moment-to-moment life in the downtown Bohemia of New York, as Ted Berrigan (among others) did in the 1960s and 1970s. In short lines and disconnected phrases, Godfrey considers the ups and downs of sexual attraction...and the ever-changing cityscapes he sees.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eReviews of books by John Godfrey\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/city-of-corners\"\u003e\u003ci\u003eCity of Corners\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"\/products\/the-city-keeps\"\u003e\u003ci\u003eThe City Keeps: Selected and New Poems 1966-2014\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"https:\/\/www.poetryfoundation.org\/poems-and-poets\/poems\/detail\/90101#poem\" target=\"_blank\"\u003e\"In the Chamber\"\u003c\/a\u003e in \u003ci\u003ePoetry\u003c\/i\u003e \u003cbr\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/poetryproject.org\/ted-roeders-portraits-of-poets-john-godfrey\/\" target=\"_blank\"\u003eA Portrait of John Godfrey\u003c\/a\u003e on \u003ci\u003eThe Poetry Project\u003c\/i\u003e \u003cbr\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/brooklynrail.org\/2015\/11\/poetry\/john-godfrey\" target=\"_blank\"\u003eEight Poems\u003c\/a\u003e (in \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e) \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading \u003ca href=\"https:\/\/media.sas.upenn.edu\/pennsound\/authors\/Godfrey\/Brown_4-21-94\/Godfrey-John_09_Pouring-Gulf_Brown-University_4-21-94.mp3\" target=\"_blank\"\u003e“Pouring Gulf”\u003c\/a\u003e at Brown University\u003cbr\u003e - \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Godfrey.html?\" target=\"_blank\"\u003eJohn Godfrey’s page\u003c\/a\u003e at PennSound\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e- Reading his poetry for \u003ci\u003eThe Poetry Project's\u003c\/i\u003e \u003ca href=\"http:\/\/vimeo.com\/62674082\" target=\"_blank\"\u003ePortraits of Poets Series\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eOn writing:\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"\/\/player.vimeo.com\/video\/63018218?byline=0\u0026amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" webkitallowfullscreen=\"webkitallowfullscreen\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading with John Koethe at \u003ci\u003eThe Poetry Project\u003c\/i\u003e:\u003cbr\u003e \u003ciframe width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/6p2erDSZhnE\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"John Godfrey","offers":[{"title":"Default Title","offer_id":193970912,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-godfrey.jpg?v=1666039288"},{"product_id":"arielle-greenberg","title":"Arielle Greenberg","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eArielle Greenberg\u003c\/b\u003e is the author of \u003ci\u003eMy Kafka Century\u003c\/i\u003e (Action Books, 2005) and \u003ca href=\"\/collections\/books\/products\/given\"\u003e\u003ci\u003eGiven\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2002), along with the chapbooks \u003ci\u003eShake Her\u003c\/i\u003e (Dusie Kollektiv, edited and made by Jen Hofer, 2009) and \u003ci\u003eFarther Down: Songs from the Allergy Trials\u003c\/i\u003e (New Michigan Press, 2003). Her poems have appeared in journals including the \u003ci\u003eAmerican Poetry Review, Denver Quarterly, Black Warrior Review, Crazyhorse\u003c\/i\u003e and \u003ci\u003eAmerican Letters \u0026amp; Commentary,\u003c\/i\u003e as well as the 2004 and 2005 editions of \u003ci\u003eBest American Poetry\u003c\/i\u003e and other anthologies. She serves as poetry editor for the journal \u003ci\u003eBlack Clock\u003c\/i\u003e and is one of the founding editors of the journal \u003ci\u003eCourt Green\u003c\/i\u003e, and is the founder and moderator of the poet-moms listserv. She is co-editor, with \u003ca href=\"\/collections\/authors\/products\/rachel-zucker\"\u003eRachel Zucker\u003c\/a\u003e, of the anthology \u003ci\u003eWomen Poets on Mentorship: Efforts and Affections\u003c\/i\u003e (University of Iowa Press, 2008) and, with Lara Glenum, of the poetry anthology \u003ci\u003eGurlesque\u003c\/i\u003e (Saturnalia, 2010). The recipient of a Saltonstall individual artist's grant and a MacDowell Colony residency, she is an associate professor at Columbia College Chicago and is currently living in Belfast, working on an oral history of the current back–to–the–land movement in Waldo County. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eGreenberg makes dazzling explorations into the secrets embedded in language. Greenberg deals with words as strange objects that offer obscure meanings which might explain life, but she is no simple \"experimental\" writer--rather, she remembers that what poetry does best is produce complex meaning in the never-ending possibilities language affords.\u003cbr\u003e\u003cb\u003eMichael R. Allen, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eArielle Greenberg...delivers, up-to-date, intellectually challenging comic verse, a nose and a half ahead of most of her peers: her best work remains both slippery and sharp, like ice skates in use.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublisher's Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Arielle Greenberg\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/given\"\u003e\u003ci\u003eGiven\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.ariellegreenberg.net\/\" target=\"_blank\"\u003eArielle Greenberg’s website\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/16829\" target=\"_blank\"\u003e“Honey”\u003c\/a\u003e (on \u003ci\u003ePoets.org\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.caffeinedestiny.com\/poetry\/greenberg.html\" target=\"_blank\"\u003e“Some Dark Holler”\u003c\/a\u003e (in \u003ci\u003eCaffeine Destiny\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.coconutpoetry.org\/greenberg1.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eCoconut\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/webdelsol.com\/Double_Room\/issue_six\/Arielle_Greenberg1.htm\" target=\"_blank\"\u003e“Crime Scene”\u003c\/a\u003e (in \u003ci\u003eDouble Room\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol15\/poem_4\/#sidebar\" target=\"_blank\"\u003e“The Thunder Room”\u003c\/a\u003e (in \u003ci\u003eJubilat\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.octopusmagazine.com\/Issue01\/Templates\/arielle_greenberg.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eOctopus Magazine\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bombmagazine.org\/article\/1000161\/three-poems-5\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eBOMB Magazine\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.asu.edu\/pipercwcenter\/how2journal\/vol_3_no_2\/mentoring\/interview_greenberg_zucker.html\" target=\"_blank\"\u003e\u003ci\u003eHow2\u003c\/i\u003e\u003c\/a\u003e, with \u003ca href=\"\/collections\/authors\/products\/rachel-zucker\"\u003eRachel Zucker\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.melusine21cent.com\/mag\/node\/91\" target=\"_blank\"\u003e\u003ci\u003eMelusine\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/minimalbooks.blox.pl\/2009\/06\/ARIELLE-GREENBERG-INTERVIEW-part-1.html\" target=\"_blank\"\u003e\u003ci\u003eMinimalbooks\u003c\/i\u003e\u003c\/a\u003e, with Piotr Siwecki\u003cbr\u003e - \u003ca href=\"http:\/\/www.southeastreview.org\/2009\/greenberg0106.php\" target=\"_blank\"\u003e\u003ci\u003eThe Southeast Review\u003c\/i\u003e\u003c\/a\u003e, with Levity Tomkinson \u003cbr\u003e - \u003ca href=\"http:\/\/www.abradstreet.com\/post\/49376302488\/a-bradstreet-interview-with-rachel-zucker-arielle\" target=\"_bank\"\u003e\u003ci\u003eA. Bradstreet\u003c\/i\u003e\u003c\/a\u003e, with \u003ca href=\"http:\/\/wavepoetry.com\/products\/rachel-zucker\" target=\"_blank\"\u003eRachel Zucker \u003c!--END LINKS--\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading \u003ca href=\"http:\/\/www.pbs.org\/newshour\/poetry\/mother-live-buffy-vampire-slayers-california\/\" target=\"_blank\"\u003e“I Am Not Saying Your Mother is a Vampire”\u003c\/a\u003e for PBS NewsHour\u003cbr\u003e\u003cbr\u003eReading \"Afterschool Special\":\u003cbr\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/16904884\" height=\"375\" width=\"500\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arielle Greenberg","offers":[{"title":"Default Title","offer_id":193971752,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-greenberg.jpg?v=1666039386"},{"product_id":"christian-hawkey","title":"Christian Hawkey","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eChristian Hawkey\u003c\/b\u003e is the author of \u003ci\u003ePetitions for an Alien Relative\u003c\/i\u003e (a chapbook, hand held editions, 2010), \u003ci\u003eVentrakl\u003c\/i\u003e (Ugly Duckling Presse, 2010), \u003ca href=\"\/products\/citizen-of\" i=\"\"\u003e\u003ci\u003eCitizen Of\u003c\/i\u003e\u003c\/a\u003e (Wave Books, 2007), \u003ci\u003eHour, Hour\u003c\/i\u003e, a chapbook which includes drawings by the artist Ryan Mrowzowski (Delirium Press, 2006), and \u003ca href=\"\/products\/the-book-of-funnels\"\u003e\u003ci\u003eThe Book of Funnels\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2004), winner of the 2006 Kate Tufts Discovery Award. In 2006 he was given a Creative Capital Innovative Literature Award and he has also received awards from the Poetry Fund and the Academy of American Poets. He teaches at Pratt Institute in Brooklyn, New York. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWithin a limited set of parameters, with a limited way of defining this and at the risk of courting hyperbole I want to tell you that Christian Hawkey is a superhero. Christian Hawkey can do things in poems that normal humans can not do.\u003cbr\u003e\u003cb\u003eMathias Svalina, \u003ci\u003eOctopus Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eHis language is bright and fierce and playful, and his poetry seems to whisper loudly into your face, to pluck at your ribs, to move you into a huge people-sized aquarium and, once you’re acquainted with your fellow inhabitants, to fill with breathable green water through which you will see and feel everything from now on.\u003cbr\u003e\u003cb\u003eJoshua Marie Wilkinson, \u003ci\u003eCranky\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Christian Hawkey\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/citizen-of\"\u003e\u003ci\u003eCitizen Of\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-book-of-funnels\"\u003e\u003ci\u003eThe Book of Funnels\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.kickingwind.com\/10506.html\" target=\"_blank\"\u003eKate Greenstreet’s \u003ci\u003eKicking Wind\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/bombmagazine.org\/articles\/don-mee-choi-and-christian-hawkey\/\"\u003eWith Don Mee Choi, \u003ci\u003eBOMB\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.notnostrums.com\/hawkey.html\" target=\"_blank\"\u003e\u003ci\u003eNotnostrums\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading at \u003ca href=\"http:\/\/ia300125.us.archive.org\/3\/items\/Set2001ChristianHawkeyreadingatZekesGallery\/Christian.mp3\" target=\"_blank\"\u003eZeke’s Gallery\u003c\/a\u003e in Montreal\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e - Reading for \u003ca href=\"\/collections\/authors\/products\/caconrad\"\u003eCAConrad's\u003c\/a\u003e video series \u003ci\u003e\u003ca href=\"http:\/\/jupiter88poetry.blogspot.com\/2012\/01\/91-christian-hawkey.html\" target=\"_blank\"\u003eJupiter 88\u003c\/a\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Christian Hawkey","offers":[{"title":"Default Title","offer_id":193972172,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-hawkey.jpg?v=1666039477"},{"product_id":"franck-andre-jamme","title":"Franck André Jamme","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eFranck André Jamme\u003c\/b\u003e has published fifteen books of poems and fragments since 1981, as well as numerous illustrated books (with Jaume Plensa, James Brown, Zao Wou Ki, Marc Couturier, Suzan Frecon, Yang Jie Chang, Olivier Debre, Acharya Vyakul, Philippe Favier). He has been praised by Edmond Jabes, Henri Michaux and René Char (whose Complete Works he has edited in La Pléiade), and has been translated by John Ashbery. He is also a specialist and curator of contemporary Indian Tantric, Brut and tribal arts (for Magiciens de la terre at Centre Pompidou, Fondation Cartier and Galerie du Jour\/Agnes b., Paris, the CCA and Meridian Gallery, San Francisco, Feature Gallery, The Drawing Center and Lawrence Markey Gallery, NYC). He has published numerous works in the United States, including \u003ci\u003eMoon Wood\u003c\/i\u003e (Selavy Press, 2000); \u003ci\u003eExtracts from the Life of a Beetle\u003c\/i\u003e (Black Square, 2000); \u003ci\u003eThe Recitation of Forgetting\u003c\/i\u003e (Black Square, 2003); \u003ci\u003eAnother Silent Attack\u003c\/i\u003e (Black Square\/Brooklyn Rail, 2006); \u003ca href=\"http:\/\/wavepoetry.com\/collections\/books\/products\/new-exercises\"\u003e \u003ci\u003eNew Exercises\u003c\/i\u003e\u003c\/a\u003e (Wave Books, 2008). He is one of the authors of \u003ci\u003eThe Yale Book of French Poetry\u003c\/i\u003e, 2004. For his life work, he received in 2005 the Grand Prix de Poesie de la Societe des Gens de Lettres. He lives in Paris and Burgundy. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e[Jamme's] poems succeed as poems because they succeed both as typographic constructions...and as quotable phrases with a provocative, almost mystical sensibility behind them.\u003cbr\u003e\u003cb\u003eStephen Burt, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Franck André Jamme\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/new-exercises\"\u003e\u003ci\u003eNew Exercises\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/sigliopress.com\/bill-berkson-interviews-franck-andre-jamme\/\" target=\"_blank\"\u003e\u003ci\u003eSiglio\u003c\/i\u003e\u003c\/a\u003e, with Bill Berkson\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/XCP\/XCP_182_Howald-Jamme-Delville_2-01-09.mp3\" target=\"_blank\"\u003eReading\u003c\/a\u003e from and discussing \u003ca href=\"\/products\/new-exercises\"\u003e\u003ci\u003eNew Exercises\u003c\/i\u003e\u003c\/a\u003e on Cross-Cultural Poetics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Franck André Jamme","offers":[{"title":"Default Title","offer_id":193972642,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-jamme.jpg?v=1666040395"},{"product_id":"tyehimba-jess","title":"Tyehimba Jess","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003cstrong\u003eTyehimba Jess\u003c\/strong\u003e is the author of \u003ca href=\"http:\/\/wavepoetry.com\/products\/leadbelly\"\u003e\u003cem\u003eleadbelly\u003c\/em\u003e\u003c\/a\u003e and the Pulitzer Prize–winning \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/olio\"\u003eOlio\u003c\/a\u003e\u003c\/em\u003e. \u003cem\u003eleadbelly\u003c\/em\u003e was a winner of the 2004 National Poetry Series. \u003cem\u003eLibrary Journal\u003c\/em\u003e and \u003cem\u003eBlack Issues Book Review\u003c\/em\u003e both named it one of the \"Best Poetry Books of 2005.\" Jess's second book, \u003cem\u003eOlio\u003c\/em\u003e, won the 2017 Pulitzer Prize in Poetry, the 2017 Anisfield-Wolf Book Award in Poetry, and the 2017 Book Award for Poetry from the Society of Midland Authors. It was also a finalist for the 2016 National Books Critics Circle Award, 2017 PEN\/Jean Stein Book Award, and the 2017 Kingsley Tufts Poetry Award. \u003cem\u003eLibrary Journal\u003c\/em\u003e called it a \"daring collection, which blends forthright, musically acute language with portraiture\" and \u003cem\u003ePublishers Weekly\u003c\/em\u003e, in a starred review, called it \"Encyclopedic, ingenious, and abundant\" and selected it as one of the five best poetry books of 2016.\u003c\/p\u003e\n\u003cp\u003eJess, a Cave Canem and NYU alumnus, received a 2004 Literature Fellowship from the National Endowment for the Arts, and was a 2004-2005 Winter Fellow at the Provincetown Fine Arts Work Center. Jess is also a veteran of the 2000 and 2001 Green Mill Poetry Slam Team, and won a 2000 – 2001 Illinois Arts Council Fellowship in Poetry, the 2001 \u003cem\u003eChicago Sun-Times\u003c\/em\u003e Poetry Award, and a 2006 Whiting Fellowship. He exhibited his poetry at the 2011 TEDxNashville Conference. Jess is the Poetry and Fiction Editor of the \u003cem\u003eAfrican American Review\u003c\/em\u003e and is Associate Professor of English at College of Staten Island.\u003c\/p\u003e\n\u003cp\u003eJess' fiction and poetry have appeared in anthologies such as \u003cem\u003eAngles of Ascent: A Norton Anthology of Contemporary African American Poetry\u003c\/em\u003e, \u003cem\u003eBeyond The Frontier: African American Poetry for the Twenty-First Century, Role Call: A Generational Anthology of Social and Political Black Literature and Art, Bum Rush the Page: A Def Poetry Jam, Power Lines: Ten Years of Poetry from Chicago's Guild Complex, Slam: The Art of Performance Poetry. \u003c\/em\u003eHis poetry has appeared in journals such as\u003cem\u003e American Poetry Review, Brilliant Corners, Ploughshares, \u003c\/em\u003e\u003cem\u003eObsidian III: Literature in the African Diaspora, Warpland: A Journal of Black Literature and Ideas,\u003c\/em\u003e\u003cem\u003e Mosaic, American Poetry Review, Indiana Review, Nashville Review \u003c\/em\u003eand \u003cem\u003e580 Split.\u003c\/em\u003e\u003c\/p\u003e\n\u003c!---BIO END----\u003e\n\u003cp\u003e(Author photo by John Midgley)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Tyehimba Jess...coaxes an astonishingly rich world from the wood and steel scraps of the life he finds before him...Jess is an extraordinarily good poet. Employing an impressive variety of voices and forms, he plays all twelve strings strapped to the box.\u003cbr\u003e\u003cb\u003eDavid Daniel, \u003ci\u003ePloughshares\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eJess’s work displays a deep sense of cool black consciousness, especially in regard to musicality. He works with an expressive tradition that blends sensibilities of field holler, spiritual encodings, gospel moan and groan, work song cadence, blue notes, and jook joint jazz. Simply put, for Tyehimba Jess, music is serious possibility.\u003cbr\u003e\u003cb\u003eHoward Ramsby II, \u003ci\u003eSou'wester\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Tyehimba Jess\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/leadbelly\"\u003e\u003ci\u003eleadbelly\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/olio\"\u003e\u003ci\u003eOlio\u003c\/i\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e For even more information, check \u003ca href=\"http:\/\/www.tyehimbajess.net\/\" target=\"_blank\"\u003eTyehimba Jess' website.\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.oxfordamerican.org\/magazine\/item\/818-general-james-bethune-and-john-bethune-introduce-blind-tom\" target=\"_blank\"\u003e“General James Bethune and John Bethune Introduce Blind Tom”\u003c\/a\u003e (in \u003ci\u003eOxford American\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/granta.com\/jess-two-poems\/\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/251904#poem\" target=\"_blank\"\u003e“Sissieretta Jones”\u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"https:\/\/www.poets.org\/poetsorg\/poem\/hagar-wilderness\" target=\"_blank\"\u003e“Hagar in the Wilderness”\u003c\/a\u003e (in \u003ci\u003ePoets.org\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.pw.org\/content\/quotleadbelly039s_lessonsquot_tyehimba_jess\" target=\"_blank\"\u003e“leadbelly's lessons”\u003c\/a\u003e (in \u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/bombmagazine.org\/article\/9328827\/two-poems\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eBOMB\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.webdelsol.com\/Perihelion\/jess.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003ePerihelion\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003e Interviews \u003c\/b\u003e \u003cbr\u003e- \u003ca href=\"http:\/\/cavecanempoets.org\/dogbytes-interview-tyehimba-jess\/\" target=\"_blank\"\u003e\u003ci\u003eCave Canem\u003c\/i\u003e\u003c\/a\u003e, DOGBYTES\u003cbr\u003e- \u003ca href=\"http:\/\/lithub.com\/tyehimba-jess-on-excavating-popular-music-through-poetry\/\" target=\"_blank\"\u003e\u003ci\u003eLiterary Hub\u003c\/i\u003e\u003c\/a\u003e, with Adam Fitzgerald\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/features\/articles\/detail\/89226\" target=\"_blank\"\u003e\u003ci\u003ePoetry Foundation\u003c\/i\u003e\u003c\/a\u003e, with Kyla Marshell \u003cbr\u003e - \u003ca href=\"http:\/\/theconversant.org\/?p=7581\" target=\"_blank\"\u003e\u003ci\u003eThe Conversant\u003c\/i\u003e\u003c\/a\u003e, with Laura Swearingen-Steadwell \u003cbr\u003e - \u003ca href=\"http:\/\/wamc.org\/post\/book-show-1529-tyehimba-jess\" target=\"_blank\"\u003e\u003ci\u003eThe Moth Radio Hour\u003c\/i\u003e\u003c\/a\u003e, with Joe Donahue\u003cbr\u003e - \u003ca href=\"http:\/\/www.thefourthriver.com\/index.php\/2013\/07\/telling-two-stories-in-one-breath-an-interview-with-tyehimba-jess\" target=\"_blank\"\u003e\u003ci\u003eThe Fourth River\u003c\/i\u003e\u003c\/a\u003e, with Jessica Kinnison\u003cbr\u003e -\u003ca href=\"http:\/\/latenightlibrary.org\/tyehimba-jess\/\" target=\"_blank\"\u003e\u003ci\u003eLate Night Library\u003c\/i\u003e\u003c\/a\u003e, with Anne Rasmussen \u003cbr\u003e \u003cbr\u003e\u003cb\u003eBlog Posts\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"https:\/\/www.poetryfoundation.org\/harriet\/2016\/11\/breaking-bubbles\/\" target=\"_blank\"\u003eBreaking Bubbles\u003c\/a\u003e (in \u003ci\u003eHarriet\u003c\/i\u003e) \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e \u003cbr\u003e\u003ciframe width=\"500\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/316223866\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/257651084\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/245111348\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"500\" height=\"166\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e - A \u003ca href=\"https:\/\/www.commonpodcast.com\/home\/2018\/1\/31\/episode-45-tyehimba-jess\"\u003econversation\u003c\/a\u003e between Tyehimba Jess and Rachel Zucker on \u003ci\u003eCommonplace\u003c\/i\u003e podcast. \u003cbr\u003e- A \u003ca href=\"https:\/\/tinhouse.com\/podcast\/tyehimba-jess-olio\/\" target=\"_blank\"\u003econversation\u003c\/a\u003e between Tyehimba Jess and David Naimon on \u003ci\u003eBetween the Covers\u003c\/i\u003e podcast. \u003cbr\u003e - A \u003ca href=\"http:\/\/www.missourireview.com\/audiovisual\/2015\/12\/10\/a-conversation-with-tyehimba-jess-and-f-douglas-brown\/\" target=\"_blank\"\u003econversation\u003c\/a\u003e with Tyehimba Jess and F. Douglas Brown on \u003ci\u003eThe Missouri Review\u003c\/i\u003e Soundbooth podcast. \u003cbr\u003e - An archive of readings at the \u003ca href=\"http:\/\/www.fishousepoems.org\/?cat=33\" target=\"_blank\"\u003eFishouse\u003c\/a\u003e \u003cbr\u003e - \u003ca href=\"https:\/\/www.cc-seas.columbia.edu\/wkcr\/audio\/studio-tyehimba-jess\" target=\"_blank\"\u003eStudio A\u003c\/a\u003e with Tyehimba Jess on WKCR 89.9 FM NY \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e - Reading \u003ca href=\"https:\/\/www.brinkerhoffpoetry.org\/poems\/blind-boones-blessings\" target=\"_blank\"\u003e“Blind Boone’s Blessings”\u003c\/a\u003e, filmed by Matthew Thompson. \u003cbr\u003e\u003cbr\u003ePresenting at TEDxNashville:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/OmtH0A5mVnA?rel=0\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e \u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading \"Mercy\" at \u003ca href=\"http:\/\/poets.org\" target=\"_blank\"\u003e\u003cem\u003ePoets.org\u003c\/em\u003e\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/wBv_QcDkYmg\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e \u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading \"Blind Boone's Escape\" at Merrimack College:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/pB-BSS_SOGg\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e \u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading at Fred Wildlife Refuge in Seattle:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/l0yiIZoJXOI\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e \u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003ePerforming “Another Man Done” as part of the Migration Series Poetry Suite in support of the Museum of Modern Art exhibit \"One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North\": \u003cbr\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/9DGg8XAiY2w\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003ePerforming “Negro Migration” as part of the Migration Series Poetry Suite in support of the Museum of Modern Art exhibit \"One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North\": \u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/C7GAKmFjZfA\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading and discussion for the Pan African Literary Forum at the New School\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/KeSEQFHs7Pc?%20start=\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eArts@UNH interview by Randall Horton:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/BBhHpbT4k5Y?rel=0\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReimagining Poetry's Form: lecture presented at the 1st Festival of the New Black Imagination:\u003cbr\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/31670301\" width=\"500\" height=\"281\" allowfullscreen=\"allowfullscreen\" frameboard=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tyehimba Jess","offers":[{"title":"Default Title","offer_id":193973072,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-jess.jpg?v=1666040502"},{"product_id":"caroline-knox","title":"Caroline Knox","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003cstrong\u003eCaroline Knox\u003c\/strong\u003e's most recent publications are \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/hear-trains\" target=\"_blank\"\u003e\u003cem\u003eHear Trains\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2019), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/to-drink-boiled-snow\"\u003e\u003cem\u003eTo Drink Boiled Snow\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2015), \u003cem\u003e\u003ca href=\"\/products\/nine-worthies\"\u003eNine Worthies\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2010) and \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/flemish\"\u003eFlemish\u003c\/a\u003e \u003c\/em\u003e(Wave Books, 2013). \u003ca href=\"\/products\/quaker-guns\"\u003e\u003cem\u003eQuaker Guns\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2008) received a Recommended Reading Award 2009 from the Massachusetts Center for the Book. \u003ca href=\"\/products\/he-paves-the-road-with-iron-bars\"\u003e\u003cem\u003eHe Paves the Road with Iron Bars\u003c\/em\u003e\u003c\/a\u003e, published by Verse Press in 2004, won the Maurice English Award 2005 for a book by a poet over 50. \u003ca href=\"\/products\/a-beaker\"\u003e\u003cem\u003eA Beaker: New and Selected Poems\u003c\/em\u003e\u003c\/a\u003e appeared from Verse Press in 2002. Her previous books are \u003cem\u003eThe House Party\u003c\/em\u003e and \u003cem\u003eTo Newfoundland\u003c\/em\u003e (Georgia 1984, 1989), and \u003cem\u003eSleepers Wake\u003c\/em\u003e (Timken 1994).\u003cbr\u003e \u003cbr\u003e Her work has appeared in \u003cem\u003eAmerican Scholar, Boston Review, Harvard Magazine, Massachusetts Review, New Republic, Paris Review, Ploughshares, Poetry\u003c\/em\u003e (whose Bess Hokin Prize she won), \u003cem\u003eTriQuarterly\u003c\/em\u003e, \u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e, and \u003cem\u003eYale Review\u003c\/em\u003e. Her poems have been in \u003cem\u003eBest American Poetry\u003c\/em\u003e (1988 and 1994), and on \u003cem\u003ePoetry Daily\u003c\/em\u003e. Six poems are anthologized in \u003cem\u003eThe Norton Anthology of Postmodern American Poetry, Second Edition. \u003c\/em\u003eA chapbook appeared from Five Hundred Places, edited by the artist Jason Dodge, in 2013; thirteen poems from \u003cem\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/to-drink-boiled-snow\"\u003eTo Drink Boiled Snow\u003c\/a\u003e \u003c\/em\u003ecomprise this book.\u003cbr\u003e \u003cbr\u003e She has received awards from the National Endowment for the Arts, the Ingram Merrill Foundation, the Massachusetts Cultural Council (1996, 2006), The Fund for Poetry, and the Yale\/Mellon Visiting Faculty Program. She was the judge for the Alice Fay DiCastagnola Award of the Poetry Society of America in Spring 2003, and was a Visiting Fellow at Harvard in 2003-2004. With Matthea Harvey and Peter Gizzi, she was a judge of the James Laughlin Award 2007. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e(Author photo by Juliana Knox)\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e She is often obscure, but her allusions are as much a sign of camaraderie as of scholarly pretension, her poems a pert crystallization impossible in more narrative poetry.\u003cbr\u003e\u003cb\u003e\u003cem\u003eThe New Yorker\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e [Knox’s] poems are a tour de force of torque. They are under pressure. They are pressure, applied to language, applied to what the mind can do, and the senses. . . . Knox [has a] gift not only for incision and intellectual agility, but also emotional resonance.\u003cbr\u003e\u003cb\u003eMary Ann Samyn, \u003cem\u003eElectronic Poetry Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Her poems invite the more intellectual emotions: bemusement, the breathlessness of newborn understanding. They’re a treat for anyone who likes to have her brainstrings tugged.\u003cbr\u003e\u003cb\u003ePolly Shurman, \u003cem\u003eThe Village Voice \u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e One might argue that nothing is sacred in Caroline Knox’s work, but it would be truer to its spirit to say that everything is sacred here—and all are welcome.\u003cbr\u003e\u003cb\u003eRebecca Frank, \u003cem\u003eBoston Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Any word be it rose or usufruct is occasion for a larkishness. \"We trip and drop deeply\" over and into the drifts of her lines. A most inquisitive poet who relishes living inside her expansive vocabulary; one who has been faxing by the midnight oil while so many others were dipping their quills into dry sockets. Caroline Knox reminds us how whangy and interesting it all is.\u003cbr\u003e\u003cb\u003eC.D. Wright\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eReviews of books by Caroline Knox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/hear-trains\"\u003eHear Trains\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/to-drink-boiled-snow\"\u003e\u003cem\u003eTo Drink Boiled Snow\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/flemish\"\u003e\u003cem\u003eFlemish\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/nine-worthies\"\u003e\u003cem\u003eNine Worthies\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/quaker-guns\"\u003e\u003cem\u003eQuaker Guns\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/he-paves-the-road-with-iron-bars\"\u003e\u003cem\u003eHe Paves the Road with Iron Bars\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/a-beaker\"\u003e\u003cem\u003eA Beaker\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.mapliterary.org\/caroline-knox.html\" target=\"_blank\"\u003e“Double-Dare”\u003c\/a\u003e (in \u003ci\u003eMap Literary\u003c\/i\u003e) \u003cbr\u003e - Excerpt from \u003ca href=\"http:\/\/superstitionreview.asu.edu\/blog\/2014\/12\/11\/guest-post-caroline-knox\/\" target=\"_blank\"\u003e“Objects”\u003c\/a\u003e (on \u003ci\u003es[r] blog\u003c\/i\u003e)\u003cbr\u003e - Collection of \u003ca href=\"http:\/\/www.thecommononline.org\/bio\/caroline-knox\" target=\"_blank\"\u003epoems\u003c\/a\u003e (in \u003ci\u003eThe Common\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23091\" target=\"_blank\"\u003eExcerpt from “Subjects”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"https:\/\/yewjournal.com\/spring-2016\/caroline-knox-donna-ruff\/\" target=\"_blank\"\u003e“Three Poems”\u003c\/a\u003e (in \u003ci\u003eYew Journal\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.thethepoetry.com\/2012\/04\/poem-of-the-week-caroline-knox\/\" target=\"_blank\"\u003e“The Scottish Play”\u003c\/a\u003e (in \u003cem\u003eThe The Poetry\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/notnostrums.com\/Knox.html\" target=\"_blank\"\u003e“Harley Lyric”\u003c\/a\u003e (in \u003cem\u003eNotnostrums\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.foumagazine.net\/issue3\/15.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eFou\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/flemish-caroline-knox\" target=\"_blank\"\u003e“Flemish”\u003c\/a\u003e (in \u003cem\u003eBoston Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.octopusmagazine.com\/Issue13\/Knox.htm#one\" target=\"_blank\"\u003e“Marston”\u003c\/a\u003e (in \u003cem\u003eOctopus Magazine\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.newamericanwriting.com\/24\/knox.htm\" target=\"_blank\"\u003e“Coordinates”\u003c\/a\u003e (in \u003cem\u003eNew American Writing\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2008\/dresspattern.shtml\" target=\"_blank\"\u003e“Dress Pattern with an Interior”\u003c\/a\u003e (on \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/caroline-knox-my-husband-sat-up\" target=\"_blank\"\u003e“My Husband Sat Up”\u003c\/a\u003e (in \u003cem\u003eBoston Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/16781\" target=\"_blank\"\u003e“His Heart”\u003c\/a\u003e (in \u003cem\u003ePoets.org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.epoetry.org\/issues\/issue6\/text\/cnotes\/ck.htm\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eElectronic Poetry Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.fenceportal.org\/?page_id=521\" target=\"_blank\"\u003e“Glassworks”\u003c\/a\u003e (in \u003cem\u003eFence\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol3\/poem_8\/\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003cem\u003eJubilat\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.slope.org\/archive\/issue15\/mainknox.phtml\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eSlope\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.expressmilwaukee.com\/article-20638-to-drink-boiled-snow.html\" target=\"_blank\"\u003e“To Drink Boiled Snow”\u003c\/a\u003e (in \u003cem\u003eExpress Milwaukee\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/coconutpoetry.org\/knox17\" target=\"_blank\"\u003e “Poem for Other Poems”\u003c\/a\u003e (on \u003cem\u003eCoconut Poetry\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssays\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/blog.superstitionreview.asu.edu\/2015\/11\/07\/guest-posts-caroline-knox-two-middle-aged-springer-spaniels\/\" target=\"_blank\"\u003e“Two Middle-aged Springer Spaniels”\u003c\/a\u003e (in \u003cem\u003eSuperstition Review\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol3\/interview\/\" target=\"_blank\"\u003e\u003ci\u003eJubilat\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.thethepoetry.com\/2013\/06\/painting-with-caroline-knox\" target=\"_blank\"\u003e\u003ci\u003eThe The Poetry\u003c\/i\u003e\u003c\/a\u003e, with Sarah Eggers \u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/7512\" target=\"_blank\"\u003e\u003ci\u003eBOMBLOG\u003c\/i\u003e\u003c\/a\u003e, with Jason Dodge\u003cbr\u003e - \u003ca href=\"https:\/\/robmclennan.blogspot.com\/2019\/08\/12-or-20-second-series-questions-with_16.html\" target=\"_blank\"\u003e\u003ci\u003eRob McLennan's Blog\u003c\/i\u003e\u003c\/a\u003e, with Rob McLennon\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - At \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/State-of-the-Union_2008\/State-of-the-Union_09-Knox_CUNY_10-30-08.mp3\"\u003e\u003cem\u003eState of the Union\u003c\/em\u003e: a Poetry Reading\u003c\/a\u003e (Knox was one of fifty contributors to \u003ca href=\"\/products\/state-of-the-union\"\u003e\u003cem\u003eState of the Union: 50 Political Poems\u003c\/em\u003e\u003c\/a\u003e)\u003cbr\u003e- Reading \u003ca href=\"https:\/\/www.thecommononline.org\/they-had-it-in-mind\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e“They had it in mind”\u003c\/a\u003e for \u003cem\u003eThe Common\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab5\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Caroline Knox","offers":[{"title":"Default Title","offer_id":193973512,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-knox.jpg?v=1666040776"},{"product_id":"anthony-mccann","title":"Anthony McCann","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cstrong\u003eAnthony McCann\u003c\/strong\u003e is the author of five volumes of poetry including \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/i-am-the-dead-who-you-take-care-of-me\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eI am the dead, who, you take care of me\u003c\/a\u003e\u003c\/em\u003e (November 2023), and \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/thing-music\"\u003eThing Music\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2014). His non-fiction prose work, \u003cem\u003eShadowlands—\u003c\/em\u003eon the 2016 armed occupation of the Malheur National Wildlife Refuge—was a finalist for the California Book Award and the Reading the West Award. Anthony is the current director of the MFA Program in Creative Writing at the California Institute of the Arts. He lives with this family in the Mojave Desert. \u003c\/p\u003e\n\u003cp\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e McCann demonstrates that the truth surrounds us all; our best way of connecting with it is through compassion and love. With equal parts exuberance and dread, the speaker encourages us to “waste the whole day feeling these things.”\u003cbr\u003e\u003cb\u003eNate Pritts, \u003cem\u003eBoston Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e For McCann, a poem is a thing capable of astonishing a reader, as well as a thing able to represent the astonishment of its speaker. As a result, speaker and reader alike are willing to remain in the position of observers of beauty, both of objects and the language which colors them.\u003cbr\u003e\u003cb\u003eJennifer Moore, \u003cem\u003eAnother Chicago Magazine\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e You might not “get” exactly what he is saying but you will feel what he is meaning. You will be moved by something pre-historic and radiant. Which is to say: you will be moved by this mysterious, lyric, ecstatic thing: poetry.\u003cbr\u003e\u003cb\u003eMatthew Dickman, \u003cem\u003eTin House\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eReviews of books by Anthony McCann\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/thing-music\"\u003e\u003cem\u003eThing Music\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/i-heart-your-fate\"\u003e\u003cem\u003eI ♥ Your Fate\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/moongarden\"\u003e\u003cem\u003eMoongarden\u003c\/em\u003e\u003c\/a\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e-\u003ca href=\"http:\/\/brooklynrail.org\/2017\/02\/poetry\/Anthony-McCann\" target=\"_blank\"\u003e Eight poems\u003c\/a\u003e (in \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e) \u003cbr\u003e -\u003ca href=\"http:\/\/spoketoosoonjournal.com\/?p=102\" target=\"_blank\"\u003e “This Living Hand”\u003c\/a\u003e (in \u003cem\u003eSpoke to Soon\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.pen.org\/poetry\/day\" target=\"_blank\"\u003e“The Day” \u003c\/a\u003e (in \u003cem\u003ePEN America\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrysociety.org\/psa\/poetry\/crossroads\/own_words\/Anthony_McCann\/\" target=\"_blank\"\u003e“Mouth Guitar,”\u003c\/a\u003e with commentary (at the Poetry Society of America) \u003cbr\u003e-\u003ca href=\"http:\/\/ghosttownlitmag.com\/anthony-mccann\" target=\"_blank\"\u003e Three Poems\u003c\/a\u003e (in \u003cem\u003eGhost Town\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.brooklynrail.org\/2009\/05\/poetry\/four-poems\" target=\"_blank\"\u003eFour poems \u003c\/a\u003e (in \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"http:\/\/www.h-ngm-n.com\/h_ngm_n-8\/2009\/4\/14\/anthony-mccann.html\" target=\"_blank\"\u003e Five poems\u003c\/a\u003e, and \u003ca href=\"http:\/\/www.hubcapart.com\/h-ngm-n\/426.htm\" target=\"_blank\"\u003ea poetics statement with seven poems\u003c\/a\u003e (in \u003cem\u003eH_NGM_N\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/19103\" target=\"_blank\"\u003e“Woe to the Wildebeest, Whose Flesh Is to Be Torn” \u003c\/a\u003e (in \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eInterviews and Discussions\u003c\/strong\u003e\u003cbr\u003e - Anthony McCann interviews himself at \u003ca href=\"http:\/\/www.thenervousbreakdown.com\/amccann\/2014\/12\/anthony-mccann-the-tnb-self-interview-3\/\" _blank=\"\" target=\"\"\u003e\u003ci\u003eThe Nervous Breakdown\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/thefanzine.com\/articles\/poetry\/539\/my_shovel_--_sparkles_like_words-_anthony_mccann_dig_and_dialogue\" target=\"_blank\"\u003e\u003cem\u003eFanzine\u003c\/em\u003e\u003c\/a\u003e, with Andrew James Weatherhead\u003cbr\u003e - Anthony McCann and \u003ca href=\"\/collections\/authors\/products\/matthew-rohrer\"\u003eMatthew Rohrer\u003c\/a\u003e interview each other at \u003ca href=\"http:\/\/studioonereadingseries.blogspot.com\/2011\/05\/anthony-mccann-and-matthew-rohrer-in.html\" target=\"_blank\"\u003e\u003cem\u003eStudio One\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eArticles\u003c\/strong\u003e\u003cbr\u003e - “Open Door” article about Ljubljana for \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2011\/01\/ljubljana\/#more-21409\" target=\"_blank\"\u003eThe Poetry Foundation\u003c\/a\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/69831704\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/textsound\/17\/McCann-Anthony_10_Mouth-Guitar_Textsound_Issue-17_Fence-Books-Mix-Tape.mp3\" _blank=\"\" target=\"\"\u003e“Mouth Guitar”\u003c\/a\u003e at PennSound\u003cbr\u003e - \u003ca href=\"https:\/\/media.sas.upenn.edu\/pennsound\/groups\/textsound\/17\/McCann-Anthony_09_Let-The-Right-One-In_Textsound_Issue-17_Fence-Books-Mix-Tape.mp3\" target=\"_blank\"\u003e“Let The Right One In”\u003c\/a\u003e at PennSound\u003cbr\u003e- Reading for Machine Project's Mystery Theater Poetry Archives:\u003cbr\u003e\u003ciframe width=\"500\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/213897339\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eAnthony McCann reads from I AM THE DEAD, WHO, YOU TAKE CARE OF ME in Joshua Tree, CA. \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Q1_4slIgYs?si=7a7lrejnCgiKLnMo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading at City Lights Books:\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ADB4DR2AJLw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u0026amp;amp;amp;amp;lt;br \/\u0026amp;amp;amp;amp;gt;\u0026amp;amp;amp;amp;lt;br \/\u0026amp;amp;amp;amp;gt;Reading from \u0026amp;amp;amp;amp;lt;a href=\"\/products\/i-heart-your-fate\"\u0026amp;amp;amp;amp;gt;\u0026amp;amp;amp;amp;lt;em\u0026amp;amp;amp;amp;gt;I ♥ Your Fate\u0026amp;amp;amp;amp;lt;\/em\u0026amp;amp;amp;amp;gt;\u0026amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;gt; for the \u0026amp;amp;amp;amp;lt;a href=\"http:\/\/www.huffingtonpost.com\/anis-shivani\/video-book-readings_b_822987.html#s240331\u0026amp;amp;amp;amp;amp;amp;title=Anthony_McCann_reads\" target=\"_blank\"\u0026amp;amp;amp;amp;gt;\u0026amp;amp;amp;amp;lt;em\u0026amp;amp;amp;amp;gt;Huffington Post\u0026amp;amp;amp;amp;lt;\/em\u0026amp;amp;amp;amp;gt;\u0026amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;gt;:\u0026amp;amp;amp;amp;lt;br \/\u0026amp;amp;amp;amp;gt; \u0026amp;amp;amp;amp;lt;iframe src=\"\/\/www.youtube.com\/embed\/ABHj8lKo-d0\" height=\"375\" width=\"500\"\u0026amp;amp;amp;amp;gt;\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anthony McCann","offers":[{"title":"Default Title","offer_id":193974462,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/web-McCann-2.28.25.jpg?v=1761692592"},{"product_id":"richard-meier","title":"Richard Meier","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRichard Meier\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ehas published six books of poetry, including most \u003c\/span\u003e\u003cspan\u003erecently \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-companion\" target=\"_blank\" rel=\"noopener\"\u003e\u003cem\u003eA Companion\u003c\/em\u003e\u003c\/a\u003e \u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003e(\u003c\/span\u003eWave Books, 2025)\u003c\/span\u003e\u003cspan\u003e\u003ci\u003e, \u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003esister volume to \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-duration\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/a-duration\u0026amp;source=gmail\u0026amp;ust=1757898159889000\u0026amp;usg=AOvVaw3rvph4HhHIFsCGvOZVTQzG\" target=\"_blank\"\u003e\u003cem\u003eA Duration\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e (Wave Books, 2023). Previous publications are \u003c\/span\u003e\u003cem\u003eFebruary March April April\u003c\/em\u003e\u003cspan\u003e (Oxeye Press, 2017), \u003c\/span\u003e\u003cem\u003eIn the Pure Block of the Whole Imaginary\u003c\/em\u003e\u003cspan\u003e (Omnidawn, 2012), \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/shelley-gave-jane-a-guitar\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/shelley-gave-jane-a-guitar\u0026amp;source=gmail\u0026amp;ust=1757898159889000\u0026amp;usg=AOvVaw144iFKN_8I_L4ZoObf0MPc\" target=\"_blank\"\u003eShelley Gave Jane a Guitar\u003c\/a\u003e\u003cspan\u003e (Wave Books, 2006), and \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/terrain-vague\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/terrain-vague\u0026amp;source=gmail\u0026amp;ust=1757898159889000\u0026amp;usg=AOvVaw25f8jznKaRxeoalAwoFLOD\" target=\"_blank\"\u003eTerrain Vague\u003c\/a\u003e\u003cspan\u003e, selected by Tomaz Salamun for the Verse Prize and published by Verse Press in 2001.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003c\/p\u003e\nI realized what a gift it was to still have such pockets of genuine being, if we allow ourselves the time. And that is just what reading works like Richard Meier’s \u003ci\u003eA Duration\u003c\/i\u003e prepares a person to be mindful of. [. . .] Like the poetry of Rosmarie Waldrop or Iliassa Sequin, \u003ci\u003eA Duration\u003c\/i\u003e operates by a different kind of logic, a different mode of thinking—like trying to write on a plane experiencing turbulence.\u003cbr\u003e\u003cb\u003eAbigail Chabitnoy, \u003ci\u003eColorado Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe reader is sometimes jerked into a world subtly or radically altered, with the poem’s subject, setting, or other details changed… The effect is momentary confusion—and delight. Repeated across a book, this device kindles a sense of dream logic, or of daydreaming while ambling with a friend. There is flora, fauna, weather, and domestic detail, yet the poems live in a cerebral space.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSylee Gore,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePoetry Foundation\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003cp class=\"MsoNormal\"\u003eIn his second book, \u003cem\u003eShelley Gave Jane a Guitar\u003c\/em\u003e, Richard Meier takes his title from Percy Bysshe Shelley’s gift of a poem and guitar to Jane Williams shortly before he died at sea. In Shelley’s poem, a guitar waits for the gentle reader\/musician to play it; it stands in for both the poem and the giver. By evoking Shelley in his title, Meier renders the myth of poetry and the poet inherent to Shelley’s name and also suggests something about the transfer of experience into language and the gift of language to another. ...The poetry is vested in the world and in looking carefully even if this means losing its bearings. It is sensual and lyrical as awkward love poems, showing a self-awareness tempered by self-effacement, and it is lovely for this humility.\u003cbr\u003e\u003cstrong\u003eJ’lyn Chapman, \u003ci\u003eDenver Quarterly\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Richard Meier\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-duration\"\u003e\u003cem\u003eA Duration\u003c\/em\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/shelley-gave-jane-a-guitar\"\u003e\u003ci\u003eShelley Gave Jane a Guitar\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"\/products\/terrain-vague\"\u003e\u003ci\u003eTerrain Vague\u003c\/i\u003e\u003c\/a\u003e \u003c!--END REVIEWS--\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.randomhouse.com\/boldtype\/0401\/poetrymonth\/meier.html\" target=\"_blank\"\u003e“Conflicting Testimony”\u003c\/a\u003e (in \u003ci\u003eBold Type\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"https:\/\/www.bostonreview.net\/richard-meier-endless-topic\" target=\"_blank\"\u003e“Endless Topic”\u003c\/a\u003e (in \u003ci\u003eBoston Review\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/lit.konundrum.com\/poetry\/meierr_poems1.htm\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eKonundrum Engine Literary Review\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/realpoetik.blogspot.com\/2009\/08\/richard-meier.html\" target=\"_blank\"\u003eUntitled\u003c\/a\u003e (in \u003ci\u003eRealPoetik\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.h-ngm-n.com\/h_ngm_n-5\/Richard-Meier.html\" target=\"_blank\"\u003eNine poems and an introduction\u003c\/a\u003e (in \u003ci\u003eH_ngm_n\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/slope27.tumblr.com\/\" target=\"_blank\"\u003e\u003ci\u003eThe Weather at Five O’Clock\u003c\/i\u003e\u003c\/a\u003e, a collaboration with Sandra Doller, Lucas Farrell, Lisa Fishman, Sara Mumolo, Brandon Shimoda, and Jared Stanley\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cbr\u003e\u003cb\u003eA reading from \u003ci\u003eA Duration\u003c\/i\u003e:\u003c\/b\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/B1x7BjeYOCE?si=0QP1a-9ZWn6Ysf-x\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“In the Pure Block of the Whole Imaginary”\u003c\/b\u003e:\u003cbr\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44982120\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Richard Meier","offers":[{"title":"Default Title","offer_id":193974872,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/Richard_Meier_headshot_b_w.jpg?v=1721924339"},{"product_id":"eileen-myles","title":"Eileen Myles","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cstrong\u003eEileen Myles\u003c\/strong\u003e was born in Cambridge, Mass. in 1949, was educated in catholic schools, graduated from U. Mass. (Boston) in 1971 and moved to New York City in 1974 to be a poet. Myles quickly became part of the reading, publishing and performance scene in the East Village, editing \u003cem\u003edodgems\u003c\/em\u003e in the late 70s and becoming part of the community of St. Mark’s Poetry Project where they studied and were friends with Ted Berrigan, Alice Notley, Paul Violi and Bill Zavatsky. In 1979 they were assistant to poet James Schuyler. Myles was Artistic Director of the Poetry Project in 1984-86. Myles is a vivid interpreter of their own work and travels widely in the US and Canada and internationally giving readings and performances. They are the author of more than a dozen volumes of poetry, fiction, and nonfiction including, \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/snowflake-different-streets\"\u003eSnowflake\/different streets\u003c\/a\u003e (Wave Books, 2012), \u003cem\u003e\u003ca href=\"\/products\/sorry-tree\"\u003eSorry, Tree\u003c\/a\u003e\u003c\/em\u003e (Wave Books, 2007), \u003cem\u003eChelsea Girls\u003c\/em\u003e, \u003cem\u003eNot Me\u003c\/em\u003e, \u003cem\u003eSkies\u003c\/em\u003e, \u003cem\u003eThe New Fuck You\/adventures in lesbian reading\u003c\/em\u003e, \u003cem\u003eCool for You\u003c\/em\u003e, and \u003cem\u003eThe Importance of Being Iceland: Travel Essays in Art\u003c\/em\u003e, and \u003cem\u003eInferno (A Poet’s Novel) \u003c\/em\u003epublished by OR books and winner of the Lambda Literary Award for Lesbian Fiction. They wrote the libretti for \u003cem\u003eHell\u003c\/em\u003e, an opera with music composed by Michael Webster which was performed on both coasts, 2004-2006. They have received a Guggenheim fellowship, a Warhol\/Creative Capital art writers’ grant, and the Shelley Memorial Award from the Poetry Society of America. Myles contributes to a wide number of publications including \u003cem\u003eArtForum\u003c\/em\u003e, \u003cem\u003eBookforum\u003c\/em\u003e, \u003cem\u003eParkett\u003c\/em\u003e, and \u003cem\u003eThe Believer\u003c\/em\u003e. They are a Professor Emeritus at UC San Diego where they taught for five years. They live in New York.\u003cbr\u003e \u003cbr\u003e \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e Myles is a voice of reason and a voice of courage. Above all, she’s a voice of taking your art completely seriously while not taking yourself too seriously at all.\u003cbr\u003e\u003cb\u003eEmily Gould, \u003cem\u003ePoetry Magazine\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Myles, now something of a wise yet still utterly hip elder of the poetry world, has always been the subject of her own poems, although never in a self-aggrandizing way; instead, she continually espouses a welcoming atmosphere, a narrative tone that enacts something of a friendship with her readers...\u003cbr\u003e\u003cb\u003e\u003cem\u003eReview of Contemporary Fiction\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Whether she's writing poetry, essays, novels, or memoir, Myles is quite simply one of the best stylists in the business right now. Her voice...is so singular and specific to her that it comes back around and gathers the weight of the universal.\u003cbr\u003e\u003cb\u003ePaul Constant, \u003cem\u003eThe Stranger\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Conversational yet exact, Myles navigates contemporary landscape with seemingly effortless wit and tenderness.\u003cbr\u003e\u003cb\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Myles isn’t afraid to explore the impersonal truth of things. Her firm and rooted sense of the poem gives her a marvelous inner authority others fail to achieve.\u003cbr\u003e\u003cb\u003eDale Smith, \u003cem\u003eBookslut\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eReviews of books by Eileen Myles\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/snowflake-different-streets\"\u003e\u003cem\u003eSnowflake\/different streets\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"\/products\/sorry-tree\"\u003e\u003cem\u003eSorry, Tree\u003c\/em\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.eileenmyles.com\" target=\"_blank\"\u003eEileen Myles’ website\u003c\/a\u003e\u003cbr\u003e - A \u003cem\u003ewhole website\u003c\/em\u003e devoted strictly to loving Eileen Myles: \u003cem\u003e\u003ca href=\"http:\/\/fuckyeaheileenmyles.tumblr.com\/\" target=\"_blank\"\u003eFuck Yeah Eileen Myles\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e - Poems, articles, recordings, and blog posts by Eileen Myles \u003ca href=\"http:\/\/www.poetryfoundation.org\/bio\/eileen-myles#about\" target=\"_blank\"\u003eat the Poetry Foundation\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/146003\/dear-adam\" target=\"_blank\"\u003e“Dear Adam”\u003c\/a\u003e (in \u003cem\u003ePoetry)\u003c\/em\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/146004\/a-hundred-per-cent\" target=\"_blank\"\u003e“A hundred per cent”\u003c\/a\u003e (in \u003cem\u003ePoetry)\u003c\/em\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/146005\/transmission\" target=\"_blank\"\u003e“Transmission”\u003c\/a\u003e (in \u003cem\u003ePoetry)\u003c\/em\u003e \u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/246850\" target=\"_blank\"\u003e“Dream”\u003c\/a\u003e (in \u003cem\u003ePoetry)\u003c\/em\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/naplitmag.com\/issues\/nap2_9\/myles.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eNAP\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22890\" target=\"_blank\"\u003e“Choke”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2012\/04\/national-poetry-month-day-13-15-minutes-by-eileen-myles\/\" target=\"_blank\"\u003e“15 Minutes”\u003c\/a\u003e (in \u003cem\u003eThe Rumpus\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.pen.org\/poetry\/two-poems-eileen-myles\" target=\"_blank\"\u003eTwo Poems\u003c\/a\u003e (at \u003cem\u003ePEN America\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/theamericanreader.com\/author\/eileen-myles\/\" target=\"_blank\"\u003e“Washington”\u003c\/a\u003e (in \u003cem\u003eThe American Reader\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"https:\/\/www.newyorker.com\/magazine\/2020\/03\/09\/march-3\" _blank=\"\"\u003e“March 3”\u003c\/a\u003e (in \u003cem\u003eThe New Yorker\u003c\/em\u003e)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eArticles\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.bookforum.com\/inprint\/1705\/7016\" target=\"_blank\"\u003e“Inside the Tour”\u003c\/a\u003e (in \u003cem\u003eBookforum\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/harriet\/2011\/05\/eileens-poem\/\" target=\"_blank\"\u003e“Eileen's Poem”\u003c\/a\u003e (on \u003cem\u003eThe Poetry Foundation\u003c\/em\u003e)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eInterviews and Discussions\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/lithub.com\/eileen-myles-locker-room-banter-is-just-another-name-for-patriarchy\/\" target=\"_blank\"\u003e\u003cem\u003eLiterary Hub\u003c\/em\u003e\u003c\/a\u003e, with Christopher Lydon \u003cbr\u003e - \u003ca href=\"http:\/\/www.theliteraryreview.org\/interview\/interview-with-eileen-myles\/\" target=\"_blank\"\u003e\u003cem\u003eThe Literary Review\u003c\/em\u003e\u003c\/a\u003e, with Morgan Parker \u003cbr\u003e - \u003ca href=\"http:\/\/thehairpin.com\/2012\/04\/an-email-interview-with-poet-eileen-myles-and-a-poem\" target=\"_blank\"\u003e\u003cem\u003eThe Hairpin\u003c\/em\u003e\u003c\/a\u003e, with Edith Zimmerman \u003cbr\u003e - \u003ca href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\/bw080228eileen_myles_and_mag\" target=\"_blank\"\u003eKCRW’s \u003ci\u003eBookworm\u003c\/i\u003e\u003c\/a\u003e, with Michael Silverblatt (also includes Wave author \u003ca href=\"\/collections\/authors\/products\/maggie-nelson\" target=\"_blank\"\u003eMaggie Nelson\u003c\/a\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/htmlgiant.com\/random\/what-is-experimental-literature-five-questions-eileen-myles\/\" target=\"_blank\"\u003e\u003cem\u003eHTMLGiant\u003c\/em\u003e\u003c\/a\u003e, with Christopher Higgs \u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2011\/04\/the-rumpus-interview-with-eileen-myles-2\/\" target=\"_blank\"\u003e\u003cem\u003eThe Rumpus\u003c\/em\u003e\u003c\/a\u003e, with Chelsey Johnson \u003cbr\u003e - \u003ca href=\"http:\/\/www.bookforum.com\/paper\/archive\/20101124\" target=\"_blank\"\u003e\u003cem\u003eBookForum\u003c\/em\u003e\u003c\/a\u003e, with Jesse Pearson\u003cbr\u003e - \u003ca href=\"http:\/\/www.vice.com\/read\/eileen-myles-jonathan-galassi-on-poetry-272-v16n12\" target=\"_blank\"\u003e\u003cem\u003eVice Magazine\u003c\/em\u003e\u003c\/a\u003e, with Jonathan Galassi\u003cbr\u003e - \u003ca href=\"http:\/\/www.artinamericamagazine.com\/news-features\/interviews\/eileen-myles\/\" target=\"_blank\"\u003e\u003cem\u003eArt in America Magazine\u003c\/em\u003e\u003c\/a\u003e, with Kayla Guthrie \u003cbr\u003e - \u003ca href=\"http:\/\/www.afterellen.com\/an-interview-with-eileen-myles\/11\/2010\/\" target=\"_blank\"\u003e\u003cem\u003eAfter Ellen\u003c\/em\u003e\u003c\/a\u003e, with Trish Bendix\u003cbr\u003e - \u003ca href=\"http:\/\/www.brooklynrail.org\/2009\/07\/poetry\/eileen-myles-with-jeremy-sigler\" target=\"_blank\"\u003e\u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e\u003c\/a\u003e, with Jeremy Sigler\u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e \u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44567263\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Myles.html\" target=\"_blank\"\u003eEileen Myles' page\u003c\/a\u003e on PennSound\u003cbr\u003e - At \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/State-of-the-Union_2008\/State-of-the-Union_08-Myles_CUNY_10-30-08.mp3\" target=\"_blank\"\u003e\u003cem\u003eState of the Union\u003c\/em\u003e: a Poetry Reading\u003c\/a\u003e (Myles was one of fifty contributors to \u003ca href=\"\/products\/state-of-the-union\"\u003e\u003cem\u003eState of the Union: 50 Political Poems\u003c\/em\u003e\u003c\/a\u003e)\u003cbr\u003e - \u003cem\u003e\u003ca href=\"http:\/\/www.cabinetmagazine.org\/events\/nelson.php\" target=\"_blank\"\u003eCABINET\u003c\/a\u003e\u003c\/em\u003e reading with \u003ca href=\"\/collections\/authors\/products\/maggie-nelson\"\u003eMaggie Nelson\u003c\/a\u003e, Wayne Koestenbaum and others\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e - Reading and an interview with Myles by \u003ca href=\"http:\/\/www.france24.com\/en\/20120720-avignon-2012-eileen-myles-en-culture\" target=\"_blank\"\u003eFrance 24\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eReading at Artists' Television Access in San Francisco for Small Press Traffic:\u003cbr\u003e \u003ciframe width=\"500\" height=\"331\" src=\"http:\/\/player.vimeo.com\/video\/38787026?portrait=0\u0026amp;color=ffffff\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003e Reading for Small Press Traffic:\u003cbr\u003e \u003ciframe width=\"500\" height=\"375\" src=\"\/\/www.youtube.com\/embed\/DV_Aq4F-LT4\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e Reading for Poeteevee:\u003cbr\u003e \u003ciframe width=\"500\" height=\"375\" src=\"http:\/\/player.vimeo.com\/video\/39937407?byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eileen Myles","offers":[{"title":"Default Title","offer_id":193976582,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-myles.jpg?v=1666120386"},{"product_id":"sawako-nakayasu","title":"Sawako Nakayasu","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003eSawako Nakayasu is an artist working with language, performance, and translation—separately and in various combinations. She has lived mostly in the US and Japan, briefly in France and China, and translates from Japanese. Her books include \u003ca href=\"https:\/\/www.wavepoetry.com\/collections\/forthcoming\/products\/some-girls-walk-into-the-country-they-are-from\"\u003e\u003cem\u003eSome Girls Walk Into The Country They Are From\u003c\/em\u003e\u003c\/a\u003e (Wave, 2020), \u003cem\u003ePink Waves\u003c\/em\u003e (Omnidawn), \u003cem\u003eThe Ants \u003c\/em\u003e(Les Figues Press), and the translation of \u003cem\u003eThe Collected Poems of Chika Sagawa \u003c\/em\u003e(Canarium Books), as well as \u003cem\u003eMouth: Eats Color—Sagawa Chika Translations, Anti-translations, \u0026amp; Originals\u003c\/em\u003e (reprint forthcoming, Wave Books), a multilingual work of both original and translated poetry. She is co-editor, with Eric Selland, of an anthology of 20\u003csup\u003eth\u003c\/sup\u003e Century Japanese Poetry (forthcoming, New Directions). She teaches at Brown University.\u003c\/p\u003e\n\u003cp\u003e(Photo by Mitsuo Okamoto) \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNakayasu's hypnotic thrust is at times reminiscent of the musical minimalism of composers like Phillip Glass or Steve Reich. Yet she avoids total abstraction just as she avoids hermeticism.\u003cbr\u003e\u003cb\u003eLaura Wright, \u003ci\u003eAmerican Book Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNakayasu’s field is a stretch of land in which to store or build things. In which to set the stage or contemplate emptiness. The field is an experiment. There is “a cast of many.” The field might contain a glass jar of ants or “an emergency message.” When you lay down in the field at night you are felt by the earth, by the wind, by the smooth sky. You are held.\u003cbr\u003e\u003cb\u003eCaryl Pagel, \u003ci\u003eKenyon Review\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eSawako Nakayasu—writer, antologist, Baudelaire’s sister—turns daily life inside out and upside down then puts it into perfect little boxes. Here we follow the lines of black legged, syntactical units—the words—as they cross and they tickle the heart of the matter with us.\u003cbr\u003e\u003cb\u003eJohn Granger\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eNakayasu writes intentionally on the fence of genres and further blurs the lines among literary forms, something that—regardless of our tendency to categorize and in spite of any genre purists left in our blurry, blurry world—enchants us as readers and excites us craft-wise as writers.\u003cbr\u003e\u003cb\u003eMichelle Dove, \u003ci\u003eSmall Press Book Review\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eSawako Nakayasu’s work epitomizes unpredictability in language and interactions with other beings. She slips between fact and imagination, and from one art medium (and language) to another, producing work in various iterations, with improvisations.\u003cbr\u003e\u003cb\u003eDenise Newman, \u003ci\u003eWorld Literature Today\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.sawakonakayasu.net\/\" target=\"_blank\"\u003eSawako Nakayasu’s website\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.dusie.org\/_A4__Insect_Country.pdf\" target=\"_blank\"\u003e\u003ci\u003eInsect Country\u003c\/i\u003e\u003c\/a\u003e (chapbook, printed in a limited edition by Dusie Press)\u003c\/p\u003e\n\u003cp\u003e- \u003ca href=\"https:\/\/bombmagazine.org\/articles\/from-some-girls-walk-into-the-country-they-are-from\/\"\u003efrom\u003ci\u003eSome Girls Walk Into The Country They Are From\u003c\/i\u003e\u003c\/a\u003e (BOMB)\u003c\/p\u003e\n\u003cp\u003e- \u003ca href=\"https:\/\/blacksunlit.com\/2019\/02\/two-poems-by-sawako-nakayasu\/\"\u003eTwo Poems\u003c\/a\u003e (Black Sun Lit)\u003c\/p\u003e\n\u003cp\u003e- \u003ca href=\"https:\/\/coloradoreview.colostate.edu\/features\/ten-girls\/\"\u003e\u003ci\u003eTen Girls Stepping Into And Out Of The Light\u003c\/i\u003e\u003c\/a\u003e (Colorado Review)\u003c\/p\u003e\n\u003cp\u003e- \u003ca href=\"https:\/\/believermag.com\/logger\/two-poems-by-sawako-nakayasu\/\"\u003eTwo Poems\u003c\/a\u003e (Believer Mag) \u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003e\u003ca href=\"https:\/\/coloradoreview.colostate.edu\/an-interview-with-colorado-review-contributor-and-poet-sawako-nakayasu\/\" target=\"_blank\"\u003eColorado Review\u003c\/a\u003e\u003c\/em\u003e, with Jordan Osborne\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003e\u003ca href=\"http:\/\/www.sawakonakayasu.net\/mouth-eats-color-an-interview-with-thomas-fink\/\" target=\"_blank\"\u003eThe Aviary\u003c\/a\u003e\u003c\/em\u003e, with Steven Karl and Hitomi Yoshio\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003e\u003ca href=\"https:\/\/www.asymptotejournal.com\/interview\/an-interview-sawako-nakayasu\/\" target=\"_blank\"\u003eAsymptote Journal\u003c\/a\u003e\u003c\/em\u003e, with Lindsey Webb\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003e\u003ca href=\"http:\/\/eeevee2.blogspot.com\/2011\/09\/interview-with-sawako-nakayasu-about.html\" target=\"_blank\"\u003eAsk\/Tell Blog\u003c\/a\u003e\u003c\/em\u003e, with Thomas Fink\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003e\u003ca href=\"http:\/\/www.sawakonakayasu.net\/mouth-eats-color-an-interview-with-thomas-fink\/\" target=\"_blank\"\u003eSawako Nakayasu\u003c\/a\u003e\u003c\/em\u003e, with Thomas Fink\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - 10 poems recited and recorded on \u003ca href=\"https:\/\/www.lyrikline.org\/en\/poems\/cusp-upon-cusp-cosmophonican-questions-15240\" target=\"_blank\"\u003eLyrik Line\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e- Finnish composer Maija Hynninen \u003ca href=\"https:\/\/www.youtube.com\/watch?v=pnAndY_bl84\u0026amp;fbclid=IwAR3MN3Cpn2MaOwmkbjzlKw8eVMEM6NDN1n0T2rOEx9yNVUh0vdH4T2CjsWI\" target=\"_blank\"\u003e set a poem from \u003ci\u003eTexture Notes\u003c\/i\u003e (Letter Machine Editions) to music\u003c\/a\u003e. The sheet music can be found \u003ca href=\"hhttps:\/\/core.musicfinland.fi\/works\/texture-notes-weak-strong\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e- \u003ca href=\"http:\/\/www.writing.upenn.edu\/pennsound\/x\/Nakayasu.html\" target=\"_blank\"\u003eSawako Nakayasu's page\u003c\/a\u003e on PennSound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sawako Nakayasu","offers":[{"title":"Default Title","offer_id":193976682,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-nakayasu.jpg?v=1666120497"},{"product_id":"hoa-nguyen","title":"Hoa Nguyen","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eHoa Nguyen\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e is the author of several books of poetry, including\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/a-thousand-times-you-lose-your-treasure\u0026amp;source=gmail\u0026amp;ust=1646238500443000\u0026amp;usg=AOvVaw0K8ikQqzP8o_wwGbwjrhn8\" href=\"https:\/\/www.wavepoetry.com\/products\/a-thousand-times-you-lose-your-treasure\" target=\"_blank\"\u003e\u003ci\u003e\u003cspan\u003e A Thousand Times You Lose Your Treasure \u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e(Wave Books, 2021),\u003cspan\u003e \u003c\/span\u003ethe winner of the Canada Book Award and a finalist for the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eKingsley Tufts Poetry Award\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e, National Book Award and the Governor General’s Literary Award\u003ci\u003e\u003cspan\u003e; \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/as-long-as-trees-last\u0026amp;source=gmail\u0026amp;ust=1646238500443000\u0026amp;usg=AOvVaw3FKivFMopSJnFYAp9ufTPw\" href=\"https:\/\/www.wavepoetry.com\/products\/as-long-as-trees-last\" target=\"_blank\"\u003e\u003ci\u003e\u003cspan\u003eAs Long As Trees Last\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e; \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/red-juice-poems-1998-2008\u0026amp;source=gmail\u0026amp;ust=1646238500443000\u0026amp;usg=AOvVaw1p5TBSpz72aboOBEnoq1va\" href=\"https:\/\/www.wavepoetry.com\/products\/red-juice-poems-1998-2008\" target=\"_blank\"\u003e\u003ci\u003e\u003cspan\u003eRed Juice\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e; and \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wavepoetry.com\/products\/violet-energy-ingots\u0026amp;source=gmail\u0026amp;ust=1646238500443000\u0026amp;usg=AOvVaw1GV6DfA73_7GfWfWy0C7rx\" href=\"https:\/\/www.wavepoetry.com\/products\/violet-energy-ingots\" target=\"_blank\"\u003e\u003ci\u003e\u003cspan\u003eViolet Energy Ingots\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e, which received a 2017 Griffin Prize nomination. Recipient of a 2019 Pushcart Prize and a 2020 Neustadt International Prize for Literature nomination, her writing has garnered attention from such outlets as The PBS News Hour, \u003ci\u003e\u003cspan\u003eGranta\u003c\/span\u003e\u003c\/i\u003e, \u003ci\u003e\u003cspan\u003eThe Walrus\u003c\/span\u003e\u003c\/i\u003e, \u003ci\u003e\u003cspan\u003eNew York Times\u003c\/span\u003e\u003c\/i\u003e, CBC Books, and \u003ci\u003e\u003cspan\u003ePoetry\u003c\/span\u003e\u003c\/i\u003e, among others. Born in the Mekong Delta and raised and educated in the United States, Nguyen has lived in Tkaronto since 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e(Author photo by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWaylon Hart\u003c\/span\u003e) \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e I come back to Hoa Nguyen’s poems all the time and every single time I find a new world of meaning.\u003cbr\u003e\u003cb\u003eGabrielle Calvocoressi, \u003ci\u003ePEN America\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003eNguyen’s commitment to writing the everyday, the (auto)biographical, the political, and the environmental, often in complex constellations, has given us a suite of collections and chapbooks of singular voice. She operates within a lyric mode that moves fluidly across confession, playful linguistic experiment, and collage, with political investment often in view.\u003cbr\u003e\u003cb\u003ePatrick Flanery, \u003cem\u003eChicago Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eHoa Nguyen's poems probe dailiness to divorce us from our base assumptions about how language might present the world to us. Her poems are also funny, and they strangely develop their own language games which comprise some of the most inviting lyrics I've found in a living poet.\u003cbr\u003e\u003cb\u003eJoshua Marie Wilkinson, \u003ci\u003eBookslut\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e[Hoa Nguyen's poems] impart a sense of how one might look at the various parts of a life and let them speak out without settling into simple dichotomies.\u003cbr\u003e\u003cb\u003e\u003ci\u003eAmerican Poets\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003eNguyen makes poetry that sticks in the heart and the craw, and she deserves to be widely and aggressively read...\u003cbr\u003e\u003cb\u003eSeth Abramson, \u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003eNguyen remains one of the most powerful, vivid, and even visceral contemporary poets working today.\u003cbr\u003e\u003cb\u003eDan Shewan, \u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003eReviews of books by Hoa Nguyen\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-thousand-times-you-lose-your-treasure\"\u003e\u003cem\u003eA Thousand Times You Lose Your Treasure\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/violet-energy-ingots\"\u003e\u003cem\u003eViolet Energy Ingots\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/red-juice-poems-1998-2008\"\u003e\u003ci\u003eRed Juice: Poems 1998-2008\u003c\/i\u003e\u003c\/a\u003e \u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/as-long-as-trees-last\"\u003e\u003ci\u003eAs Long As Trees Last\u003c\/i\u003e\u003c\/a\u003e \u003cbr\u003e \u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e- \u003ca href=\"http:\/\/hoa-nguyen.com\/\" title=\"Link: http:\/\/hoa-nguyen.com\/\" target=\"_blank\"\u003eHoa Nguyen's website \u0026amp; blog\u003c\/a\u003e \u003cbr\u003e - Nguyen on \u003ca href=\"http:\/\/fact-simile.blogspot.ca\/2012\/02\/februarys-fact-simile-poet-trading-card.html\" target=\"_blank\"\u003ea Fact-Simile Poet Trading Card! \u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.brickbooks.ca\/week-68-hoa-nguyen-presented-by-amy-carlberg\/\" target=\"_blank\"\u003eProfile of Nguyen\u003c\/a\u003e by Amy Carlberg\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e \u003cbr\u003e-\u003ca href=\"https:\/\/brooklynrail.org\/2020\/04\/criticspage\/from-A-Thousand-Times-You-Lose-Your-Treasure\"\u003eTwo poems\u003c\/a\u003e from \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-thousand-times-you-lose-your-treasure\"\u003e\u003cem\u003eA Thousand Times You Lose Your Treasure\u003c\/em\u003e\u003c\/a\u003e (in the \u003cem\u003eBrooklyn Rail\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/www.underbellymag.com\/hoa-nguyen\"\u003eEssay\u003c\/a\u003e on the poetic process and revision, including two poem drafts from \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/a-thousand-times-you-lose-your-treasure\"\u003e\u003cem\u003eA Thousand Times You Lose Your Treasure\u003c\/em\u003e\u003c\/a\u003e (in \u003cem\u003eUnderbelly\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/saigoneer.com\/vietnam-literature\/18211-two-vietnam-poems-by-hoa-nguyen,-inspired-by-saigon-ghost-stories\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eSaigoneer\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"http:\/\/puritan-magazine.com\/two-poems-nguyen-2019\/\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eThe Puritan\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/brooklynrail.org\/2018\/12\/poetry\/four-Nguyen\"\u003eFour Poems\u003c\/a\u003e (in \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/www.poets.org\/poetsorg\/poem\/ficus-carica-sonnet\"\u003e“Ficus Carica Sonnet”\u003c\/a\u003e (in Academy of American Poets)\u003cbr\u003e-\u003ca href=\"http:\/\/carte-blanche.org\/articles\/hoa-nguyen-narrative-poem-after\/\"\u003e“Narrative Poem…” \u003c\/a\u003e(in \u003cem\u003eCarte Blanc\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/www.poetryfoundation.org\/poems\/144232\/cold-sore-lip-red-coat\"\u003e“Cold Sore Lip Red Coat”\u003c\/a\u003e (in \u003cem\u003ePoetryNow\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/142864\/dang-you-then-a-dang\"\u003e \"Dang You Then a Dang\"\u003c\/a\u003e (in \u003cem\u003ePoetry\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.talismanmag.net\/nguyen.html\" target=\"_blank\"\u003e “Strummer” \u003c\/a\u003e(in \u003ci\u003eTalisman\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.granta.com\/New-Writing\/Two-Poems-Hoa-Nguyen\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"https:\/\/www.poets.org\/poetsorg\/poet\/hoa-nguyen\" target=\"_blank\"\u003eSeveral poems\u003c\/a\u003e (on \u003ci\u003ePoets.org\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.therustytoque.com\/poetry-hoa-nguyen.html\" target=\"_blank\"\u003e“How The Sun Shivers”\u003c\/a\u003e (in \u003ci\u003eThe Rusty Toque\u003c\/i\u003e)\u003cbr\u003e -\u003ca href=\"http:\/\/www.summerstockjournal.com\/2014\/11\/hoa-nguyen.html\" target=\"_blank\"\u003e “For the Pisces Full Moon”\u003c\/a\u003e (in \u003ci\u003eSummer Stock\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.dusie.blogspot.ca\/2013\/04\/tuesday-poem-4-hoa-nguyen-angel-going.html\" target=\"_blank\"\u003e“Angel Going Pow”\u003c\/a\u003e (on \u003ci\u003eDusie\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.pen.org\/poetry\/two-poems-hoa-nguyen\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (on \u003ci\u003ePen America\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/elevenelevenjournal.com\/issue-14\/hoa-nguyen\/\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eEleven Eleven Journal\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/poem\/247382\" target=\"_blank\"\u003e“Unused Baby”\u003c\/a\u003e (on \u003ci\u003eThe Poetry Foundation\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/lareviewofbooks.org\/essay\/new-poems-hoa-nguyen\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in the \u003ci\u003eLos Angeles Review of Books\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.brooklynrail.org\/2014\/05\/poetry\/hoa-nguyen\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/docs.tenderjournal.co.uk\/tender-5.pdf\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e from \u003ci\u003e\u003ca href=\"http:\/\/wavepoetry.com\/products\/red-juice-poems-1998-2008\"\u003eRed Juice\u003c\/a\u003e\u003c\/i\u003e (in \u003ci\u003etender\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/lithub.com\/do-i-plunge\/\" target=\"_blank=\"\u003e“Do I Plunge”\u003c\/a\u003e (on \u003ci\u003eLit Hub\u003c\/i\u003e) \u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/thewalrus.ca\/walrus-poetry-prize-interview\/\" target=\"_blank\"\u003e \u003ci\u003eThe Walrus\u003c\/i\u003e\u003c\/a\u003e, with Michael Prior \u003cbr\u003e - \u003ca href=\"http:\/\/jacket2.org\/content\/itf-smith-and-nguyen\" target=\"_blank\"\u003e \u003ci\u003eJacket2\u003c\/i\u003e\u003c\/a\u003e, with Stephen McLaughlin \u003cbr\u003e - \u003ca href=\"http:\/\/www.bookslut.com\/features\/2008_01_012155.php\" target=\"_blank\"\u003e\u003ci\u003eBookslut\u003c\/i\u003e\u003c\/a\u003e, with Joshua Marie Wilkinson \u003cbr\u003e - \u003ca href=\"http:\/\/www.openbooktoronto.com\/news\/%E2%80%9Ci_want_blur_there%E2%80%9D_interview_with_hoa_nguyen_0\" target=\"_blank\"\u003e\u003ci\u003eOpen Book Toronto\u003c\/i\u003e\u003c\/a\u003e, with James Lindsay \u003cbr\u003e - \u003ca href=\"http:\/\/www.kirkusreviews.com\/blog\/poetry\/conversation-poet-hoa-nguyen\/\" target=\"_blank\"\u003e\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/a\u003e, with Jessa Crispin \u003cbr\u003e - \u003ca href=\"http:\/\/www.artcritical.com\/2015\/03\/31\/paul-maziar-with-hoa-nguyen\/\" target=\"_blank\"\u003e\u003ci\u003ePoetry and Pho: Hoa Nguyen shares Lyricism and a Recipe\u003c\/i\u003e\u003c\/a\u003e, with Paul Maziar\u003cbr\u003e - \u003ca href=\"http:\/\/www.thevolta.org\/ewc3-hnguyen-p2.html\" target=\"_blank\"\u003e\u003ci\u003eEvening Will Come\u003c\/i\u003e\u003c\/a\u003e, with Alexandra Mathieu \u003cbr\u003e - \u003ca href=\"http:\/\/wsm.wsu.edu\/discovery\/index.php\/tag\/hoa-nguyen\" target=\"_blank\"\u003e\u003ci\u003eWashington State Magazine\u003c\/i\u003e\u003c\/a\u003e, with Angela Sams \u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/7048\" target=\"_blank\"\u003e\u003ci\u003eBOMBLOG\u003c\/i\u003e\u003c\/a\u003e, with Iris Cushing \u003cbr\u003e - \u003ca href=\"http:\/\/gestureliteraryjournal.com\/?p=999\" target=\"_blank\"\u003e\u003ci\u003eGesture\u003c\/i\u003e\u003c\/a\u003e, with Brenna Lee \u003cbr\u003e - \u003ca href=\"http:\/\/www.dailypublic.com\/articles\/03082018\/hoa-nguyen-just-buffalos-studio-series\" target=\"_blank\"\u003e\u003ci\u003eThe Public\u003c\/i\u003e\u003c\/a\u003e, with Keven Thurston \u003cbr\u003e\u003ci\u003e- \u003ca href=\"https:\/\/www.youtube.com\/watch?time_continue=6\u0026amp;v=mVwrCUUPQ-M\" target=\"_blank\"\u003eTraces: Hoa Nguyen\u003c\/a\u003e\u003c\/i\u003e, with Project 40 Collective\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e \u003cbr\u003e- Reading \u003ca href=\"https:\/\/renaissancesociety.org\/publishing\/821\/reading-hoa-nguyen\/\" target=\"_blank\"\u003ein response to works by Miho Dohi\u003c\/a\u003e for the Renaissance Society \u003cbr\u003e- Reading \u003ca href=\"https:\/\/www.poetryfoundation.org\/podcasts\/144760\/cold-sore-lip-red-coat\" target=\"_blank\"\u003e\"Cold Sore Lip Red Coat\"\u003c\/a\u003e for PoetryNow at the Poetry Foundation\u003cbr\u003e- Lecture \u003ca href=\"http:\/\/bagleywrightlectures.org\/hoanguyen\" target=\"_blank\"\u003e “Living Room”\u003c\/a\u003e for the Bagley Wright lecture series on teaching creative writing \u003cbr\u003e - Four readings at \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Poetry-Politic.php\" target=\"_blank\"\u003ePennSound\u003c\/a\u003e \u003cbr\u003e - \u003ca href=\"https:\/\/jacket2.org\/content\/itf-smith-and-nguyen\" target=\"_blank\"\u003eInterviewed with Dale Smith\u003c\/a\u003e for Jacket2 \u003cbr\u003e \u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eHoa Nguyen @ City Lights for Wave Books\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nyn55XP-va0?si=Ukzijs0o2s0uYTNp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cbr\u003eReading at the Poetry Project with Jesse Seldess:\u003ciframe src=\"\/\/www.youtube.com\/embed\/7mXB_6cEGjk?rel=0\u0026amp;start=1058\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003eHoa Nguyen reads from her work at Counterpath:\u003cbr\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/60405138?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"375\" width=\"500\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--End Reading--\u003e\n\u003c\/ul\u003e","brand":"Hoa Nguyen","offers":[{"title":"Default Title","offer_id":193976762,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-nguyen.jpg?v=1666120936"},{"product_id":"philip-nikolayev","title":"Philip Nikolayev","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Visual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003ePhilip Nikolayev\u003c\/b\u003e lives in Cambridge, Massachusetts, with his wife, the poet Katia Kapovich, and their daughter Sophia. His collections of poems are \u003ca href=\"\/products\/monkey-time\"\u003e\u003ci\u003eMonkey Time\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2003, winner of the 2001 Verse Prize) and \u003ci\u003eLetters from Aldenderry\u003c\/i\u003e (Salt Publishing, 2006). He co-edits \u003ci\u003eFulcrum: an annual of poetry and aesthetics\u003c\/i\u003e. His poems have also appeared in such journals as \u003ci\u003eThe Paris Review\u003c\/i\u003e, \u003ci\u003eGrand Street\u003c\/i\u003e, \u003ci\u003eVerse\u003c\/i\u003e, \u003ci\u003eStand\u003c\/i\u003e, \u003ci\u003eJacket,\u003c\/i\u003e and many others. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003eThere is ample indication that there are no limits to Nikolayev’s abilities. There are traditionally lyric poems and extreme avant garde experiments alongside each other in this collection. In some instances traditional genres and methods are combined with avant garde measures in the same poem.\u003cbr\u003e\u003cb\u003eBen Mazer, \u003ci\u003eJacket Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePhilip Nikolayev is a subverter of form and language. He is starkly innovative, but in an unpredictable and non 'school'-oriented way. His is a poetics in 'cahoots' with a self-created idiomatic Russian-American English, that like Nabokov's adds to the possibilities of the word, of the line, of the overall form of expression in the text. His poems address both the cross-cultural space of the work's evolution, and the transitory world of potential readerships.\u003cbr\u003e\u003cb\u003eJohn Kinsella\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Philip Nikolayev\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/monkey-time\"\u003e\u003ci\u003eMonkey Time\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/fulcrumpoetry.com\/\" target=\"-blank\"\u003e\u003ci\u003eFulcrum Annual\u003c\/i\u003e\u003c\/a\u003e, edited by Nikolayev \u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/thebatterseareview.com\/poems\/149-philip-nikolayev-3\" target=\"_blank\"\u003e\"Blackout\"\u003c\/a\u003e (in \u003ci\u003eThe Batter Sea Review\u003c\/i\u003e)\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading at the \u003ca href=\"http:\/\/www.loc.gov\/poetry\/media\/poetpoem2.html\" target=\"_blank\"\u003eLibrary of Congress\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVisual\u003c\/b\u003e\u003cbr\u003ePoet Philip Nikolayev Reads Poem at 46 Poetry International Festival in Rotterdam \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6kyiCq7ktJQ?si=RN6R-lazDoncLs-T\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003eLecture by Poet Philip Nikolayev on Sep 12, 2014 at the Grolier Poetry Bookshop in Harvard Square \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K5Ewk2BCHWw?si=e8HyKmEVx7jaCs8K\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003eSergey Gandlevsky and Philip Nikolayev Present a Bilingual Poetry Reading at Boston College \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v-uFEX8xJ1s?si=lIKHZNMCy5fawMC9\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Philip Nikolayev","offers":[{"title":"Default Title","offer_id":193976782,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/p.nikolayevphoto.png?v=1681943168"},{"product_id":"geoffrey-nutter","title":"Geoffrey Nutter","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003eGeoffrey Nutter is the author of \u003cem\u003eA Summer Evening\u003c\/em\u003e (winner of the 2001 Colorado Prize), \u003ca href=\"https:\/\/www.wavepoetry.com\/collections\/books\/products\/waters-leaves-and-other-poems\"\u003e\u003cem\u003eWater’s Leaves \u0026amp; Other Poems\u003c\/em\u003e\u003c\/a\u003e (Winner of the 2004 Verse Press Prize), \u003ca href=\"https:\/\/www.wavepoetry.com\/collections\/books\/products\/christopher-sunset\"\u003e\u003cem\u003eChristopher Sunset \u003c\/em\u003e\u003c\/a\u003e(winner of the 2011 Sheila Motton Book Award), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-rose-of-january\"\u003e\u003cem\u003eThe Rose of January\u003c\/em\u003e \u003c\/a\u003e(Wave Books, 2013), and \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/cities-at-dawn\"\u003e\u003cem\u003eCities at Dawn\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2016), and \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/giant-moth-perishes?_pos=1\u0026amp;_psq=giant\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eGiant Moth Perishes\u003c\/em\u003e \u003c\/a\u003e(Wave Books, 2021). He recently traveled in China, giving lectures, workshops, and readings as a participant in the Sun Yat-sen University Writers’ Residency. Geoffrey’s poems have been translated into Spanish, French, and Mandarin. Soir d’été, a bilingual edition of his poems translated into French by poets Molly Lou Freeman and Julien Marcland, was recently published in France, and a German translation of his book \u003cem\u003eWater’s Leaves \u0026amp; Other Poems\u003c\/em\u003e will appear in 2021. He has taught poetry at Princeton, Columbia, University of Iowa, NYU, the New School, and 92nd Street Y. He currently teaches Greek and Latin Classics at Queens College. He runs the Wallson Glass Poetry Seminars in New York City.\u003c\/p\u003e\n\u003c!--END BIO--\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eWhatever’s smuggled into these poems—the Petronas Towers, Afghanistan cliffs, Lugers and New Jersey—obeys the abstract logic at the heart of descriptive writing: the sweet ease of writing’s intangibility, its virtual tease. \u003cbr\u003e\u003cb\u003eAdam Fitzgerald, \u003cem\u003eThe American Reader\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThank goodness for Geoffrey Nutter, whose poetry seems to be powered equally by sunlight, virtue, wonder, and humility.\u003cbr\u003e\u003cb\u003eNate Pritts, \u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eNutter is a poet whose hand rests on the rudder, but who is also confident enough to let his poem-ships follow the current underneath. It’s a movement similar to the way dreams progress...where the propulsive force of associative imagery leads each poem forward down the page.\u003cbr\u003e\u003cb\u003eMichelle Taransky, \u003ci\u003eTime Out Chicago\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eGeoffrey Nutter writes about things—or so it seems. Poems about strawberries, battleships, and elevators begin on track and morph into burgeoning blossoms. The poems unfurl smoothly and astonishingly, 'winding toward a pinnacle.'\u003cbr\u003e\u003cb\u003eJeffrey Cyphers Wright, \u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Geoffrey Nutter\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/giant-moth-perishes?_pos=1\u0026amp;_psq=giant\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eGiant Moth Perishes\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/cities-at-dawn\"\u003e\u003cem\u003eCities at Dawn\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/the-rose-of-january\"\u003e\u003ci\u003eThe Rose of January\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/christopher-sunset\"\u003e\u003ci\u003eChristopher Sunset\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/waters-leaves-and-other-poems\"\u003e\u003ci\u003eWater's Leaves and Other Poems\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cbr\u003e\u003cstrong\u003eWebsite\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"http:\/\/wallsonglass.com\" target=\"_blank\"\u003eWallson Glass\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e-\u003ca href=\"https:\/\/www.washingtonsquarereview.com\/issue-42\"\u003e\"The Almost Summer\" and \"The Continuum\"\u003c\/a\u003e (in \u003cem\u003eWashington Square\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"http:\/\/www.ronslate.com\/the-faerie-queene-and-anthropomorphic-landscape\/\"\u003e\"The Faerie Queen\" and \"Anthropomorphic Landscape\"\u003c\/a\u003e (\u003cem\u003eOn The Seawall\u003c\/em\u003e)\u003cbr\u003e-\u003ca href=\"https:\/\/www.foundryjournal.com\/nutter.html\"\u003e\"The Pyrotechnicians\"\u003c\/a\u003e (in \u003cem\u003eThe Foundry\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.octopusmagazine.com\/Issue13\/Nutter.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eOctopus\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/gulfcoastmag.org\/online\/winter-2015\/two-fishermen\/\" target=\"_blank\"\u003e“Two Fishermen”\u003c\/a\u003e (in \u003ci\u003eGulf Coast\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.theawl.com\/2011\/06\/three-poems-by-geoffrey-nutter\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eThe Awl\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/augurybooks.com\/2012\/07\/19\/new-poem-by-geoffrey-nutter\/\" target=\"_blank\"\u003e“These Great Sentinels”\u003c\/a\u003e (in \u003ci\u003eAugury Books\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/pinwheeljournal.com\/poets\/geoffrey-nutter\/\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003ci\u003ePinwheel\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.petripress.org\/2012\/08\/biography-by-geoffrey-nutter.html\" target=\"_blank\"\u003e“Biography”\u003c\/a\u003e (in \u003ci\u003ePetri Press\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/winteranthology.com\/?vol=4\u0026amp;author=nutter\" target=\"_blank\"\u003eFour poems \u003c\/a\u003e(in \u003cem\u003eThe Winter Anthology\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.everseradio.com\/remember-telephone-book-geoffrey-nutter\/?utm_source=feedburner\u0026amp;utm_medium=feed\u0026amp;utm_campaign=Feed%3A+EverseRadio+(E-Verse+Radio)\" target=\"_blank\"\u003e“Remember the Telephone Book”\u003c\/a\u003e (in \u003cem\u003eE-Verse Radio\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/resistancejournal.com\/geoffrey-nutter\/\" target=\"_blank\"\u003eSeven Poems\u003c\/a\u003e (in \u003cem\u003eResistance Journal\u003c\/em\u003e)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/phantombooks.net\/?portfolio=geoffrey-nutter\" target=\"_blank\"\u003e\u003cem\u003ePhantom Limb\u003c\/em\u003e\u003c\/a\u003e, with Jeffrey Allen \u003cbr\u003e - \u003ca href=\"http:\/\/robmclennan.blogspot.com\/2013\/08\/12-or-20-second-series-questions-with.html\" target=\"_blank\"\u003e\u003cem\u003eRob Mclennan's Blog\u003c\/em\u003e\u003c\/a\u003e, with Rob Mclennan\u003cbr\u003e- \u003cem\u003e\u003ca href=\"https:\/\/augurybooks.com\/2015\/07\/07\/interview-geoffrey-nutter-on-teaching-poetry\/\" target=\"_blank\"\u003eAugury Books\u003c\/a\u003e, with Emily Kaufman\u003cbr\u003e- \u003ca href=\"https:\/\/paulsemel.com\/exclusive-interview-giant-moth-perishes-author-geoffrey-nutter\/\" target=\"_blank\"\u003ePaul Semel's Blog\u003c\/a\u003e\u003c\/em\u003e, with Paul Semel\u003c\/p\u003e\n\u003c!--END LINKS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe height=\"166\" width=\"100%\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981636\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/bettermagazine.org\/002\/geoffreynutter.html\" target=\"_blank\"\u003e\"Portraits of Our Fathers\"\u003c\/a\u003e in \u003ci\u003eBetter Magazine\u003c\/i\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/digital.lib.uiowa.edu\/cdm\/singleitem\/collection\/vwu\/id\/3362\/rec\/3415\" target=\"_blank\"\u003eReading and Q\u0026amp;A\u003c\/a\u003e with Cort Day at Prairie Lights Bookstore\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e At a MAKE Reading for the Mission Creek Festival Lit Crawl:\u003cbr\u003e\u003ciframe height=\"375\" width=\"500\" src=\"\/\/www.youtube.com\/embed\/tiLFSkcwtPk\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eReading at the New York Poetry Festival\u003cbr\u003e\u003ciframe height=\"281\" width=\"500\" src=\"https:\/\/player.vimeo.com\/video\/46206187\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END CURRENT READINGS--\u003e\n\u003c\/ul\u003e","brand":"Geoffrey Nutter","offers":[{"title":"Default Title","offer_id":193976812,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-nutter.jpg?v=1666121204"},{"product_id":"peter-richards","title":"Peter Richards","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003ePeter Richards\u003c\/b\u003e was born in 1967 in Urbana, Illinois. He is a recipient of a Massachusetts Cultural Council Grant in Poetry, an Iowa Arts Fellowship, an Academy of American Poets Prize, and the John Logan Award. His poems have appeared in \u003ci\u003eAgni, Colorado Review, Denver Quarterly, Fence, The Yale Review,\u003c\/i\u003e and other journals. He is the author of \u003ca href=\"\/collections\/authors\/products\/oubliette\"\u003e\u003ci\u003eOubliette\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2001), which won the Massachusetts Center for the Book Honors Award, \u003ca href=\"\/collections\/authors\/products\/nude-siren\"\u003e\u003ci\u003eNude Siren\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2003), and \u003ci\u003eHelsinki\u003c\/i\u003e (Action Books, 2011). \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003eA relevant heir to Keats, Richards [has] demonstrated negative capability in the teeth of post-modernity, as well as the ability to \"load every line with ore\" and consistently delight by surprise. With his convincing pathos and spine-chilling linguistic daring, he made most other young poets look either smug, glib, or lazy by comparison.\u003cbr\u003e\u003cb\u003eMatt Miller, \u003cem\u003eIowa Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Peter Richards\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/collections\/authors\/products\/nude-siren\"\u003e\u003ci\u003eNude Siren\u003c\/i\u003e\u003c\/a\u003e \u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/collections\/authors\/products\/oubliette\"\u003e\u003ci\u003eOubliette\u003c\/i\u003e\u003c\/a\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.cortlandreview.com\/features\/08\/winter\/richards.html\" target=\"_blank\"\u003e“She”\u003c\/a\u003e (in \u003ci\u003eThe Cortland Review\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.epoetry.org\/issues\/issue3\/text\/cnotes\/pr.html\" target=\"_blank\"\u003e\u003ci\u003eFour poems\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eElectronic Poetry Review\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eArticles\u003c\/b\u003e\u003cbr\u003e - Essay by D.A. Powell on figurative language in poetry, \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/19478\" target=\"_blank\"\u003e which includes a discussion of Peter Richards’ poem, \"The Moon is a Moon\"\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cem\u003eCheck back for more!\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Peter Richards","offers":[{"title":"Default Title","offer_id":193976832,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-Richards.jpg?v=1673461194"},{"product_id":"matthew-rohrer","title":"Matthew Rohrer","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cstrong\u003eMatthew Rohrer\u003c\/strong\u003e is the author of \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/army-of-giants\"\u003e\u003cem\u003eArmy of Giants\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2024), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-sky-contains-the-plans?_pos=1\u0026amp;_sid=824dce517\u0026amp;_ss=r\" target=\"_blank\"\u003e\u003cem\u003eThe Sky Contains the Plans\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2020), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-others\"\u003e\u003cem\u003eThe Others\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2017), which was the winner of the 2017 Believer Book Award, \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/surrounded-by-friends\"\u003e\u003cem\u003eSurrounded by Friends\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2015), \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/destroyer-and-preserver\"\u003e\u003cem\u003eDestroyer and Preserver\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2011), \u003cem\u003eA Plate of Chicken\u003c\/em\u003e (Ugly Duckling Presse, 2009), \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/rise-up\"\u003e\u003cem\u003eRise Up\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2007) and \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/a-green-light\"\u003e\u003cem\u003eA Green Light\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2004), which was shortlisted for the 2005 Griffin Poetry Prize. He is also the author of \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/satellite\"\u003e\u003cem\u003eSatellite\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2001), and co-author, with Joshua Beckman, of \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/copy-of-nice-hat-thanks\"\u003e\u003cem\u003eNice Hat. Thanks.\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2002), and the audio CD \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/titles\/products\/adventures-while-preaching-the-gospel-of-beauty\"\u003e\u003cem\u003eAdventures While Preaching the Gospel of Beauty\u003c\/em\u003e\u003c\/a\u003e. He has appeared on NPR’s \u003cem\u003eAll Things Considered\u003c\/em\u003e and \u003cem\u003eThe Next Big Thing\u003c\/em\u003e. His first book, \u003cem\u003eA Hummock in the Malookas\u003c\/em\u003e was selected for the National Poetry Series by Mary Oliver in 1994. He lives in Brooklyn, New York, and teaches at NYU. He can be reached at luminousfork@gmail.com.\u003cbr\u003e\u003cbr\u003e(Photo credit: Gary Kenney)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003eEven through the clamor of war, garbage trucks, stolen cars, and crying babies, Rohrer maintains an alluring tranquility, a Taoist chill to temper a casualness that might otherwise get flagged as too hip. Li Po and Rumi drink jugs of wine, “Wu Wei\" presides calmly over the lovely closing poem that takes his name, and clouds drift from one poem to the next.\u003cbr\u003e\u003cb\u003eMichael Brodeur, \u003cem\u003eThe Boston Globe\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eRohrer’s frequently beautiful, brief poems are rooted in specific images that initially seem unrelated—but which ultimately form a unity as meditations on how the ordinary distractions of everyday life can be seen as the source for almost everything important in life.\u003cbr\u003e\u003cb\u003eKen Tucker, \u003cem\u003eEntertainment Weekly\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eRohrer writes poems that crackle and sputter, often branching toward new meaning and emotion within the span of a single line.\u003cbr\u003e\u003cb\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews of books by Matthew Rohrer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-sky-contains-the-plans\" target=\"_blank\"\u003eThe Sky Contains the Plans\u003c\/a\u003e \u003cem\u003e\u003ca href=\"\/products\/the-others\"\u003e\u003cbr\u003e\u003cbr\u003eThe Others\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/surrounded-by-friends\"\u003e\u003cem\u003eSurrounded by Friends\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/destroyer-and-preserver\"\u003e\u003cem\u003eDestroyer and Preserver\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/rise-up\"\u003e\u003cem\u003eRise Up\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/a-green-light\"\u003e\u003cem\u003eA Green Light\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/satellite\"\u003e\u003cem\u003eSatellite\u003c\/em\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/theoffingmag.com\/poetry\/two-poems-by-matthew-rohrer\/\" target=\"_blank\"\u003eTwo Poems\u003c\/a\u003e (in \u003ci\u003eThe Offing\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/tmagazine.blogs.nytimes.com\/2014\/09\/05\/a-picture-and-poem-on-paris\/?_r=0\" target=\"_blank\"\u003e“The Sun Goes Down on the City of Light” \u003c\/a\u003e (in \u003ci\u003eT Magazine\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.nytimes.com\/2014\/12\/09\/science\/mars-observed.html?_r=0\" target=\"_blank\"\u003e“There Is Absolutely Nothing Lonelier” \u003c\/a\u003e (in \u003ci\u003eThe New York Times\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23533\" target=\"_blank\"\u003e“After Catullus”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.themorningnews.org\/archives\/lunch_poems\/poem_for_starlings.php\" target=\"_blank\"\u003e“Poem for Starlings”\u003c\/a\u003e (in \u003cem\u003eThe Morning News\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.thethepoetry.com\/2010\/12\/poem-of-the-week-matthew-rohrer\/\" target=\"_blank\"\u003e“[Do you get any reception here?]”\u003c\/a\u003e (in \u003cem\u003eThe The Poetry\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/21957\" target=\"_blank\"\u003e“The Emperor”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23169\" target=\"_blank\"\u003e“Pavilion of Leaves”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.lapetitezine.org\/issue_24\/matthew_rohrer_enough_with_abstraction.htm\" target=\"_blank\"\u003e“Enough with Abstraction”\u003c\/a\u003e (in \u003cem\u003eLa Petite Zine\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/poetrying.wordpress.com\/2010\/11\/10\/epithalamium-matthew-rohrer\/\" target=\"_blank\"\u003e“Epithalamium”\u003c\/a\u003e (in \u003cem\u003ePoetrying\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.versedaily.org\/2011\/frommars.shtml\" target=\"_blank\"\u003e“From Mars”\u003c\/a\u003e (in \u003cem\u003eVerse Daily\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/paperbagazine.com\/paperbag_1_matthew_1.html\" target=\"_blank\"\u003e“The Terrorists”\u003c\/a\u003e (in \u003cem\u003epaperbag\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.loadedbicycle.com\/rohrer1.html\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eLoaded Bicycle\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/bio\/matthew-rohrer#about\" target=\"_blank\"\u003eA selection of poems\u003c\/a\u003e (at \u003cem\u003eThe Poetry Foundation\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/thecreativeindependent.com\/people\/poet-matthew-rohrer-on-challenging-your-own-process\/\" target=\"_blank\"\u003e\u003cem\u003eThe Creative Independent\u003c\/em\u003e\u003c\/a\u003e, with Willis Plummer\u003cbr\u003e- \u003ca href=\"http:\/\/blog.bestamericanpoetry.com\/the_best_american_poetry\/2016\/02\/writing-as-a-kind-of-improvisation-matthew-rohrer-in-conversation-with-kristina-marie-darling.html\" target=\"_blank\"\u003e\u003cem\u003eBest American Poetry Blog\u003c\/em\u003e\u003c\/a\u003e, with Kristina Marie Darling \u003cbr\u003e- \u003ca href=\"http:\/\/htmlgiant.com\/author-spotlight\/much-more-interesting-than-this-is-whether-or-not-ufos-are-real-an-interview-with-matthew-rohrer\/\" target=\"_blank\"\u003e\u003cem\u003eAndrew-vs-Books\u003c\/em\u003e\u003c\/a\u003e, with Andrew James Weatherhead \u003cbr\u003e- \u003ca href=\"http:\/\/www.bookslut.com\/features\/2010_08_016416.php\" target=\"_blank\"\u003e\u003cem\u003eBookslut\u003c\/em\u003e\u003c\/a\u003e, with Ruth Tobias \u003cbr\u003e- \u003ca href=\"http:\/\/bombmagazine.org\/article\/4419\/matthew-rohrer-poultry-and-poetry\" target=\"_blank\"\u003e\u003cem\u003eBOMBlog\u003c\/em\u003e\u003c\/a\u003e, with Susie Deford \u003cbr\u003e- Matthew Rohrer and \u003ca href=\"\/collections\/authors\/products\/anthony-mccann\"\u003eAnthony McCann\u003c\/a\u003e interview each other at \u003ca href=\"http:\/\/studioonereadingseries.blogspot.com\/2011\/05\/anthony-mccann-and-matthew-rohrer-in.html\" target=\"_blank\"\u003e\u003cem\u003eStudio One\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.believermag.com\/issues\/201206\/?read=interview_koestenbaum_rohrer_zucker\" target=\"_blank\"\u003e \u003ci\u003eThe Believer\u003c\/i\u003e\u003c\/a\u003e, with \u003ca href=\"http:\/\/wavepoetry.com\/collections\/authors\/products\/rachel-zucker\" target=\"_blank\"\u003e Rachel Zucker\u003c\/a\u003e and Wayne Koestenbaum \u003cbr\u003e- \u003ca href=\"http:\/\/www.neonpajamas.com\/blog\/matthew-rohrer-interview?fbclid=IwAR1LjELBj-55i41VNqd-88H3o5dklR8bqKAA4y7i-2iBsRX5uemNTDxT7e4\" target=\"_blank\"\u003e \u003ci\u003eNeon Pajamas\u003c\/i\u003e\u003c\/a\u003e, with Ben Niespodziany\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArticles\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetrynw.org\/matthew-rohrer-hey-there-mr-blue\/\" target=\"_blank\"\u003eOn Electric Light Orchestra\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e On collaborations with Joshua Beckman\u003c\/strong\u003e \u003cbr\u003e- \u003ca href=\"http:\/\/www.villagevoice.com\/2003-11-25\/books\/poetic-champions-beckman-and-rohrer-compose-on-the-fly\/\" target=\"_blank\"\u003eJordan Davis, \u003cem\u003eThe Village Voice\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.bostonphoenix.com\/boston\/events\/perform\/documents\/03310720.asp\" target=\"_blank\"\u003eNina MacLaughin, \u003cem\u003eThe Boston Pheonix\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- Interview with \u003ca href=\"\/collections\/authors\/products\/joshua-beckman\"\u003eJoshua Beckman\u003c\/a\u003e and Matthew Rohrer in \u003ca href=\"http:\/\/pbq.drexel.edu\/matt-longabucco-interview-with-matthew-rohrer-joshua-beckman\/\" target=\"_blank\"\u003e\u003cem\u003ePainted Bride Quarterly\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/poem\/177709\" target=\"_blank\"\u003eThree collaborative poems \u003c\/a\u003e (in \u003cem\u003eOctopus\u003c\/em\u003e) \u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003ca style=\"color: rgb(0, 0, 0);\" href=\"https:\/\/softunion.online\/library\/the-art-of-the-book\"\u003eRead Matthew Rohrer's conversation with MD Wheatley for \u003ci\u003eSoft Union\u003c\/i\u003e, “The Art of the Book,” in which he discusses not only \u003ci\u003eArmy of Giants\u003c\/i\u003e \u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003ca style=\"color: rgb(0, 0, 0);\" href=\"https:\/\/softunion.online\/library\/the-art-of-the-book\"\u003ebut the trajectory of his life as a poet.\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAudio\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e- Summer Poem\u003cbr\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981952\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" height=\"166\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e-Matthew Rohrer reads \u003ca href=\"http:\/\/www.pw.org\/content\/surrounded_by_friends_by_matthew_rohrer\"\u003efive poems\u003c\/a\u003e from \u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/surrounded-by-friends\"\u003eSurrounded by Friends\u003c\/a\u003e\u003c\/i\u003e for \u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Rohrer.html\" target=\"_blank\"\u003eMatthew Rohrer’s page\u003c\/a\u003e on PennSound\u003cbr\u003e- Readings at the \u003ca href=\"http:\/\/www.knoxwritershouse.com\/The_Knox_Writers_House_Site\/The_Knox_Writers_House___Matthew_Rohrer.html\" target=\"_blank\"\u003eKnox Writers' House\u003c\/a\u003e\u003cbr\u003e- Matthew Rohrer reads \u003ca href=\"http:\/\/www.pbs.org\/newshour\/poetry\/weekly-poem-matthew-rohrer-reads-poem-written-with-basho\/\" target=\"_blank\"\u003e“Poem Written With Basho”\u003c\/a\u003e for PBS NewsHour\u003cbr\u003e- Matthew Rohrer and \u003ca href=\"\/collections\/authors\/products\/joshua-beckman\"\u003eJoshua Beckman’s\u003c\/a\u003e collaborative \u003ca href=\"http:\/\/moma.org\/explore\/inside_out\/2010\/04\/22\/more-eavesdropping-art-poetry-and-everyday-encounters\/#more-5681\" target=\"_blank\"\u003ereading at the Museum of Modern Art\u003c\/a\u003e in NYC, Spring 2010 \u003cbr\u003e- A discussion of Rohrer’s poems, the imagination, and the Superbowl at \u003ca href=\"http:\/\/www.poetryfoundation.org\/journal\/audioitem.html?id=2794\" target=\"_blank\"\u003e\u003cem\u003eThe Poetry Foundation\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- The editors of \u003ci\u003ePoetry\u003c\/i\u003e magazine discuss Rohrer's “\u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/248990\" target=\"_blank\"\u003ePoem Written with Bashō\u003c\/a\u003e” at \u003ca href=\"http:\/\/www.poetryfoundation.org\/features\/audioitem\/4868\" target=\"_blank\"\u003e\u003cem\u003eThe Poetry Foundation\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- An \u003ca href=\"http:\/\/www.commonpodcast.com\/home\/2016\/8\/1\/episode-5-matthew-rohrer\" target=\"_blank\"\u003einterview\u003c\/a\u003e with Matthew Rohrer about \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/surrounded-by-friends\"\u003e\u003cem\u003eSurrounded by Friends\u003c\/em\u003e\u003c\/a\u003e, for Rachel Zucker’s blog \u003ca href=\"http:\/\/www.commonpodcast.com\/about\/\" target=\"_blank\"\u003eCommonplace\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading at the \u003ca href=\"https:\/\/vimeo.com\/122766227\" target=\"_blank\"\u003eGrolier Poetry Bookshop\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/122766227\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eOpening the \u003ca href=\"http:\/\/www.griffinpoetryprize.com\/awards-and-poets\/speeches\/matthew-rohrer-2007-awards\/\" target=\"_blank\"\u003e2007 Griffin Poetry Prize Awards\u003c\/a\u003e: \u003cbr\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/12857794?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003eCollage Hour from \u003ci\u003eA Green Light\u003c\/i\u003e (Wave Books, 2004): \u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hnzEgHJqn3w\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Matthew Rohrer","offers":[{"title":"Default Title","offer_id":193976872,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-rohrer.jpg?v=1666121906"},{"product_id":"mary-ruefle","title":"Mary Ruefle","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cstrong\u003eMary Ruefle\u003c\/strong\u003e is the author of many books, including, most recently, \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-book\"\u003eThe Book\u003c\/a\u003e\u003c\/em\u003e (September 2023) along with \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/dunce\" target=\"_blank\"\u003e\u003cem\u003eDunce\u003c\/em\u003e\u003c\/a\u003e  (Wave Books, 2019), which was a finalist for the 2020 Pulitzer Prize, longlisted for the National Book Award and the National Book Critics’ Circle Award, as well as a finalist for the LA Times Book Prize. She is also the author of \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/my-private-property\"\u003e\u003cem\u003eMy Private Property\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2016), \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/trances-of-the-blast\"\u003e\u003cem\u003eTrances of the Blast\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2013), \u003ca href=\"\/products\/madness-rack-and-honey\"\u003e\u003cem\u003eMadness, Rack, and Honey: Collected Lectures\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2012), a finalist for the National Book Critics Circle Award in Criticism, and \u003ca href=\"\/products\/selected-poems\"\u003e\u003cem\u003eSelected Poems\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2010), winner of the William Carlos Williams Award from the Poetry Society of America. She has also published a comic book, \u003cem\u003eGo Home and Go to Bed!\u003c\/em\u003e (Pilot Books\/Orange Table Comics, 2007), and is an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries and published in \u003ca href=\"\/products\/a-little-white-shadow\"\u003e\u003cem\u003eA Little White Shadow\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2006). Ruefle is the recipient of numerous honors, including the Robert Creeley Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, where she serves as the state’s poet laureate.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePhoto credit: Libby Lewis Photography\u003c\/i\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Ruefle’s lectures pleasantly bend your mind by sending you tripping along a path of philosophy, history, word play, sly jokes, blunt truths and beautifully crafted lies. \u003cbr\u003e\u003cb\u003eMike Andrelczyk, \u003cem\u003eLancaster Online\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Straightforward in form, comic and companionable in tone, blessed with the Martian gift of seeing the strange in the ordinary and vice-versa...\u003cbr\u003e\u003cb\u003eJoel Brouwer, \u003cem\u003ePoetry\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eRuefle’s speakers muse in a very deliberate, declarative syntax in a lot of universalities, generalities, and absolutes, speaking often for all of us. \u003cbr\u003e\u003cb\u003eAdrien Blevins, \u003cem\u003ePloughshares\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eFor more than thirty years, she has freshened American poetry by humbly glorifying both the inner life and the outward experience. \u003cbr\u003e\u003cb\u003eRodney Jones, \u003cem\u003ePoetry Society of America\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e [She is] a poet of visionary imagination, abiding sensitivity, and melancholy humor. \u003cbr\u003e\u003cb\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eRuefle is clearly one of the best American poets writing, and her body of work is remarkable for its spiritual force, intelligence, stylistic virtuosity, and adventurousness. \u003cbr\u003e\u003cb\u003eTony Hoagland, \u003cem\u003eOn the Seawall\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Ruefle is the Poet Laureate of the City of Ideas — surreal and lyrical and deeply moving at the same time. \u003cbr\u003e\u003cb\u003eMichael Klein, \u003cem\u003eLos Angeles Review of Books\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThey record small moments with sweeping scope, moments in which the speed of thought seems to outpace real time.\u003cbr\u003e\u003cb\u003eElisa Gabbert, \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eEach poem radiates with the intensity of her attention and reveals the mysteriousness deep within daily life.\u003cbr\u003e\u003cb\u003eLisa Grgas, \u003cem\u003eThe Adroit Journal\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eRuefle makes the impossible connect, and her connections seem comforting, and all-encompassing. \u003cbr\u003e\u003cem\u003e\u003cb\u003eRob Mclennan\u003c\/b\u003e\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003eHer observant, humorous, tender, heartbreaking, atmospheric writing is the kind of writing to have in your backpack (just in case) at all times.\u003cbr\u003e\u003cb\u003eBen Niespodziany, \u003cem\u003eneonpajamas\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eReviews of books by Mary Ruefle\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/my-private-property\"\u003e\u003cem\u003eMy Private Property\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/trances-of-the-blast\"\u003e\u003cem\u003eTrances of the Blast\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003ca href=\"\/products\/madness-rack-and-honey\"\u003eMadness, Rack, and Honey: Collected Lectures\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/selected-poems\"\u003e\u003cem\u003eSelected Poems\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/the-most-of-it\"\u003e\u003cem\u003eThe Most of It\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/a-little-white-shadow\"\u003e\u003cem\u003eA Little White Shadow\u003c\/em\u003e\u003c\/a\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c!--END REVIEWS--\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/maryruefle.com\/\" target=\"_blank\"\u003eMary Ruefle’s website\u003c\/a\u003e, featuring more of her erasure books\u003cbr\u003e - Visit our very own \u003ca href=\"http:\/\/8.12.36.246\/erasures\/\" target=\"_blank\"\u003eerasures site\u003c\/a\u003e, where you can learn more about erasure books (like \u003ca href=\"\/products\/a-little-white-shadow\"\u003e\u003cem\u003eA Little White Shadow\u003c\/em\u003e\u003c\/a\u003e), and make your own erasures!\u003cbr\u003e - Read Mary Ruefle's erasure book \u003cem\u003eMelody\u003c\/em\u003e in its entirety \u003ca href=\"http:\/\/www.gwarlingo.com\/2012\/the-sunday-poem-mary-ruefle\/\" target=\"_blank\"\u003eat Gwarlingo \u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems \u0026amp; essays\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.theparisreview.org\/poetry\/6445\/two-poems-mary-ruefle\" target=\"_blank\"\u003e“Milk Shake”\u003c\/a\u003e (in \u003ci\u003e The Paris Review\u003c\/i\u003e) \u003cbr\u003e -\u003ca href=\"https:\/\/harpers.org\/author\/maryruefle\/\" target=\"_blank\"\u003e Pieces by Ruefle in \u003ci\u003eHarper’s\u003c\/i\u003e \u003c\/a\u003e \u003cbr\u003e -\u003ca href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/153201\/grasshopper\" target=\"_blank\"\u003e \"Grasshopper\" in the May 2020 issue of \u003c\/a\u003e (in \u003ci\u003ePoetry\u003c\/i\u003e)\u003cbr\u003e -\u003ca href=\"https:\/\/harpers.org\/author\/maryruefle\/\" target=\"_blank\"\u003e Pieces by Ruefle in \u003ci\u003eHarper’s\u003c\/i\u003e \u003c\/a\u003e \u003cbr\u003e -\u003ca href=\"http:\/\/granta.com\/search\/Mary%20Ruefle\/\" target=\"_blank\"\u003e Poems and an Essay\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23532\" target=\"_blank\"\u003e“Mimosa”\u003c\/a\u003e (on\u003cem\u003e Poets.org\u003c\/em\u003e) \u003cbr\u003e -\u003ca href=\"http:\/\/www.bostonreview.net\/poetry\/mary-ruefle-two-poems\" target=\"_blank\"\u003e “Literal” and “Broken Spoke”\u003c\/a\u003e\u003ca href=\"http:\/\/www.bostonreview.net\/NPM2013\/mary_ruefle_1_poem.php\" target=\"_blank\"\u003e\u003c\/a\u003e (in\u003cem\u003e Boston Review\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.newyorker.com\/fiction\/poetry\/2012\/10\/08\/121008po_poem_ruefle\" target=\"_blank\"\u003e“Open Letter to my Ancestors”\u003c\/a\u003e (in\u003cem\u003e The New Yorker\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/article\/244158\" target=\"_blank\"\u003e“On Fear”\u003c\/a\u003e (on\u003cem\u003e The Poetry Foundation\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/poems.com\/special_features\/prose\/essay_ruefle.php\" target=\"_blank\"\u003e“Kangaroo Beach”\u003c\/a\u003e (in\u003cem\u003e Poetry Daily\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"https:\/\/www.aprweb.org\/poems\/platonic\"\u003e“Platonic”\u003c\/a\u003e \u003cspan id=\"goog_1118562898\"\u003e\u003c\/span\u003e(in\u003cem\u003e American Poetry Review\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.fenceportal.org\/?page_id=557\" target=\"_blank\"\u003e“The Great Loneliness”\u003c\/a\u003e and \u003ca href=\"http:\/\/www.fenceportal.org\/?page_id=699\" target=\"_blank\"\u003e“The Tragic Drama of Joy”\u003c\/a\u003e (in \u003cem\u003eFence\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/archive\/poem.html?id=178610\" target=\"_blank\"\u003eExcerpts\u003c\/a\u003e from \u003ca href=\"\/products\/a-little-white-shadow\"\u003e\u003cem\u003eA Little White Shadow\u003c\/em\u003e\u003c\/a\u003e (on \u003cem\u003ethe Poetry Foundation\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.storyscapejournal.com\/issue9\/stories\/the-day.php\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003cem\u003eStoryspace\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poolpoetry.com\/Ruefle%202006.html\" target=\"_blank\"\u003e“Ballad”\u003c\/a\u003e (in \u003cem\u003ePOOL\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2008\/aboutmaryruefletmoi.shtml\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (at \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/docs.tenderjournal.co.uk\/tender-5.pdf\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003ci\u003etender\u003c\/i\u003e)\u003cbr\u003e - from \u003ca href=\"http:\/\/www.batcityreview.org\/mary-ruefle\" target=\"”_blank”\"\u003e “Twenty-two Short Lectures”\u003c\/a\u003e (in \u003cem\u003eBat City Review\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.theparisreview.org\/blog\/2016\/12\/12\/becoming-invisible-an-interview-with-mary-ruefle\/\" target=\"_blank\"\u003e\u003cem\u003eThe Paris Review\u003c\/em\u003e\u003c\/a\u003e, with Caitlin Youngquist \u003cbr\u003e - \u003ca href=\"http:\/\/frontporchjournal.com\/a-conversation-with-mary-ruefle\/?platform=hootsuite\" target=\"_blank\"\u003e\u003cem\u003eFront Porch\u003c\/em\u003e\u003c\/a\u003e, with Katherine Stingley \u003cbr\u003e - \u003ca href=\"http:\/\/www.divedapper.com\/interview\/mary-ruefle\/\" target=\"_blank\"\u003e\u003cem\u003eDivedapper\u003c\/em\u003e\u003c\/a\u003e, with Kaveh Akbar \u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/6789\" target=\"_blank\"\u003e\u003cem\u003eBomb Magazine\u003c\/em\u003e\u003c\/a\u003e, with E.C. Belli\u003cbr\u003e - \u003ca href=\"http:\/\/www.kenyonreview.org\/2013\/08\/virtues-of-madness-and-vices-of-honey-an-interview-with-mary-ruefle\/\" target=\"_blank\"\u003e\u003ci\u003eThe Kenyon Review\u003c\/i\u003e\u003c\/a\u003e, with Andrew King \u003cbr\u003e - \u003ca href=\"http:\/\/www.brooklynrail.org\/2014\/07\/books\/the-life-long-sentence\" target=\"_blank\"\u003e\u003ci\u003eThe Brooklyn Rail\u003c\/i\u003e\u003c\/a\u003e, with Tony Leuzzi \u003cbr\u003e - \u003ca href=\"https:\/\/theadroitjournal.org\/2019\/10\/24\/on-grief-and-gratitude-a-conversation-with-mary-ruefle\/\" target=\"_blank\"\u003e\u003ci\u003eThe Adroit Journal\u003c\/i\u003e\u003c\/a\u003e, with Lisa Grgas \u003cbr\u003e - \u003ca href=\"http:\/\/www.neonpajamas.com\/blog\/mary-ruefle-interview\" target=\"_blank\"\u003e\u003ci\u003eneonpajamas\u003c\/i\u003e\u003c\/a\u003e, with Ben Niespodziany \u003cbr\u003e- \u003ca href=\"https:\/\/newschoolwriting.org\/interview-with-2019-nbcc-poetry-finalist-mary-ruefle\/\"\u003e\u003ci\u003eThe New School\u003c\/i\u003e\u003c\/a\u003e, with Tina Chung \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.kcrw.com\/culture\/shows\/bookworm\/mary-ruefle-dunce\/embed-player?autoplay=false\" width=\"100%\" height=\"62\" scrolling=\"no\" seamless=\"seamless\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/73548352\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/63064716\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e \u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/713253613\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.wmfapodcast.com\/episodes\/mary-ruefle\"\u003e\u003cem\u003eCultivating Patience w. Mary Ruefle\u003c\/em\u003e\u003c\/a\u003e: an episode of WMFA\u003cbr\u003e - \u003ca href=\"http:\/\/www.loc.gov\/today\/cyberlc\/feature_wdesc.php?rec=6869\u0026amp;loclr=rssloc\" target=\"_blank\"\u003e The Life of A Poet: Mary Ruefle\u003c\/a\u003e, as part of The Library of Congress Webcasts collection \u003cbr\u003e - Ryan Van Winkle interviewed Mary Ruefle in her home for the \u003ca href=\"http:\/\/scottishpoetrylibrary.podomatic.com\/entry\/2012-08-25T22_00_00-07_00\" target=\"_blank\"\u003eScottish Poetry Library podcast\u003c\/a\u003e\u003cbr\u003e - Discussing her \u003ca href=\"\/products\/selected-poems\"\u003e\u003cem\u003eSelected Poems\u003c\/em\u003e\u003c\/a\u003e on \u003ca href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\/bw101230mary_ruefle_selected\" target=\"_blank\"\u003eKCRW's \u003cem\u003eBookworm\u003c\/em\u003e with Michael Silverblatt\u003c\/a\u003e \u003cbr\u003e - Discussing her book \u003ca href=\"\/products\/madness-rack-and-honey\"\u003e\u003cem\u003eMadness, Rack, and Honey: Collected Lectures\u003c\/em\u003e\u003c\/a\u003e on \u003ca href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\/bw120830mary_ruefle_madness_\" target=\"_blank\"\u003eKCRW's \u003cem\u003eBookworm\u003c\/em\u003e with Michael Silverblatt\u003c\/a\u003e \u003cbr\u003e - Reading for the \u003ca href=\"http:\/\/news.uchicago.edu\/multimedia\/mary-ruefle-poetry-reading\" target=\"_blank\"\u003ePoem Present\u003c\/a\u003e series\u003cbr\u003e- Reading from \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/my-private-property\"\u003e\u003cem\u003eMy Private Property\u003c\/em\u003e\u003c\/a\u003e and a conversation with Michael Silverblatt on \u003ca href=\"https:\/\/www.kcrw.com\/culture\/shows\/bookworm\/mary-ruefle-my-private-property\" target=\"_blank\"\u003eBookworm\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c!--END AUDIO\/VIDEO--\u003e","brand":"Mary Ruefle","offers":[{"title":"Default Title","offer_id":193976962,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-ruefle.jpg?v=1666122040"},{"product_id":"steve-shavel","title":"Steve Shavel","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eSteve Shavel\u003c\/b\u003e lives in Northampton, Massachusetts. His first book, \u003ca href=\"\/products\/how-small-brides-survive-in-extreme-cold\"\u003e\u003ci\u003eHow Small Brides Survive in Extreme Cold\u003c\/i\u003e,\u003c\/a\u003e was published by Verse Press in 2003. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews of books by Steve Shavel\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/how-small-brides-survive-in-extreme-cold\"\u003e\u003ci\u003eHow Small Brides Survive in Extreme Cold\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cem\u003eCheck back for more!\u003c\/em\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cem\u003eCheck back for more!\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Steve Shavel","offers":[{"title":"Default Title","offer_id":193977002,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/shavel.jpg?v=1328480079"},{"product_id":"s-a-stepanek","title":"S.A. Stepanek","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eS.A. Stepanek\u003c\/b\u003e is the author of \u003ca href=\"http:\/\/wavepoetry.com\/products\/three-breathing\"\u003e\u003ci\u003eThree, Breathing\u003c\/i\u003e\u003c\/a\u003e (Wave Books, 2006). She earned an MFA from the Iowa Writers’ Workshop and a Ph.D. from the University of Houston. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ca href=\"http:\/\/wavepoetry.com\/products\/three-breathing\"\u003e \u003c\/a\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eStepanek’s artistry helps meld the gorgeous with the accidental or haphazard. Everything is divine, and everything is an enunciation that creates, the sweep of stanzas seem to say.\u003cbr\u003e\u003cb\u003eCynthia Arrieu-King, \u003ci\u003eThe Diagram\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by S.A. Stepanek\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/three-breathing\"\u003e\u003ci\u003eThree, Breathing\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003ci\u003eCheck back for more!\u003c\/i\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003ci\u003eCheck back for more!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"S.A. Stepanek","offers":[{"title":"Default Title","offer_id":193977122,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-stepanek.jpg?v=1666122535"},{"product_id":"sarah-valentine","title":"Sarah Valentine","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003cb\u003eSarah Valentine\u003c\/b\u003e’s first book of translations, \u003ci\u003e\u003ca href=\"\/products\/into-the-snow\"\u003eInto the Snow: Selected Poems of Gennady Aygi\u003c\/a\u003e,\u003c\/i\u003e is a collection of poems translated from the Russian-language poetry of Chuvash poet Gennady Aygi (1934-2006). Individual translations have been featured in the Two Lines anthology \u003ci\u003eSome Kind of Beautiful Signal\u003c\/i\u003e, as well as in journals such as \u003ci\u003ediode\u003c\/i\u003e, \u003ci\u003eCircumference\u003c\/i\u003e, and \u003ci\u003eRedaction: Poetry and Poetics\u003c\/i\u003e. Sarah has a BA in Russian Studies and Creative Writing from Carnegie Mellon University and a PhD in Russian Literature from Princeton University. She has received a Templeton Foundation grant for her research at Princeton University’s Center for the Study of Religion and a prestigious Mellon Postdoctoral Fellowship in the Humanities at UCLA. Sarah lives and Los Angeles and is currently a Visiting Assistant Professor at the University of California, Riverside, in the Department of Comparative Literature and Foreign Languages where she teaches Russian literature, comparative literature, film, and critical theory. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003eShe brings out well both the collective nature of [Gennady Aygi's] response (“we” rather than “I”) and his constant impulse to transcend or transform the brute facts to which he bears witness, reminding one of Pasternak’s statement that art “reflects unremittingly on death, and in doing so unremittingly creates life.” \u003cbr\u003e\u003cb\u003ePeter France, \u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eSarah Valentine has done an amazing job at fitfully translating the many modes, styles, and tones of Gennady Aygi’s work. The voices within the poems remain separate yet inherently linked. There is certainly a natural, genuine appeal to the verse—a challenge that translators are often confronted with.\u003cbr\u003e\u003cb\u003eGreg Bem, \u003cem\u003ePlop\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eReviews of books by Sarah Valentine\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/into-the-snow\"\u003e\u003ci\u003eInto the Snow\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems in translation\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/longhousepoetryandpublishers.blogspot.com\/2011\/08\/earth-gennady-aygi-its-new-morning-at.html\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003ci\u003eLonghouse\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/thebabelblog.com\/2011\/11\/09\/poetry-review-into-the-snow-by-gennady-aygi\/\" target=\"_blank\"\u003e“Untitled”\u003c\/a\u003e (on \u003ci\u003eThe Babel Blog\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/bodyliterature.com\/2014\/09\/10\/gennady-aygi\/\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eB O D Y\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e \u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eValentine reading poems from \u003ci\u003e\u003ca href=\"\/products\/into-the-snow\"\u003eInto the Snow: Selected Poems of Gennady Aygi\u003c\/a\u003e \u003c\/i\u003eat Wave's \u003ca href=\"\/pages\/3-days-of-poetry\"\u003e3 Days of Poetry: Poetry in Translation\u003c\/a\u003e festival:\u003cbr\u003e \u003ciframe width=\"420\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/QlIZAK2DeUc\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sarah Valentine","offers":[{"title":"Default Title","offer_id":193977182,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-valentine.jpg?v=1666122935"},{"product_id":"diane-wald","title":"Diane Wald","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eDiane Wald\u003c\/b\u003e is the author of \u003ci\u003eWonderbender\u003c\/i\u003e (1913 Press, 2011), \u003ca href=\"\/products\/the-yellow-hotel\"\u003e\u003ci\u003eYellow Hotel\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2002), \u003ci\u003eLucid Suitcase\u003c\/i\u003e (Red Hen Press, 1999), as well as numerous chapbooks, including \u003ci\u003efaustinetta, gegenschein, trapunto\u003c\/i\u003e (Cervena Barva Press) and \u003ci\u003eImprovisations on Titles of Works by Jean Dubuffet\u003c\/i\u003e. Her awards include a two-year fellowship in poetry from the Fine Arts Work Center in Provincetown, the Grolier Poetry Prize, The Denny Award, The Open Voice Award, the Anne Halley Poetry Prize, and a Massachusetts Artists Foundation grant. She works for animal welfare at the Massachusetts Society for the Prevention of Cruelty to Animals in Boston. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e After decades of small-press and chapbook publishing (Wald's last collection, Lucid Suitcase, appeared from Red Hen in 1999), Wald offers not a debut so much as a comeback volume, and while she does participate in the jumpy humor common to much recent poets, she also acts out a kind of confidence that remains hers alone.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Diane Wald\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-yellow-hotel\"\u003e\u003ci\u003eThe Yellow Hotel\u003c\/i\u003e\u003c\/a\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003c!--LINKS--\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.cervenabarvapress.com\/waldinterview.htm\" target=\"_blank\"\u003e\u003ci\u003eCervena Barva Press\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003c\/p\u003e\nNew Book News: Ann Keniston, Larry Smith \u0026amp; Diane Wald for Lit Youngstown\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FkBX0HkHEwQ?si=1EOgPZGl1hhpVWU7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003eDiane Wald reads poetry by James Tate, July 2, 2019 \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lUw4SYFuM5I?si=2dFmXAWKCMic0Q1t\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\nAWP offsite reading 3\/7\/13 Diane Wald, Cambridge, MA \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PpFwjX1Y-JI?si=f5ikcL98ueokRLlO\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Diane Wald","offers":[{"title":"Default Title","offer_id":193977232,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-wald.jpg?v=1666123014"},{"product_id":"joe-wenderoth","title":"Joe Wenderoth","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e Wesleyan University Press published \u003cb\u003eJoe Wenderoth’s\u003c\/b\u003e first two books of poetry, \u003cem\u003eDisfortune\u003c\/em\u003e and \u003cem\u003eIt Is If I Speak\u003c\/em\u003e. Wave Books published his third book of poems, \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/no-real-light\"\u003eNo Real Light\u003c\/a\u003e \u003c\/em\u003e(2007), and fourth, \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/if-i-dont-breathe-how-do-i-sleep\"\u003eIf I Don't Breathe How Do I Sleep\u003c\/a\u003e \u003c\/em\u003e(2014). Wave Books also published his novel, \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/letters-to-wendys\"\u003eLetters To Wendy’s\u003c\/a\u003e \u003c\/em\u003e(2000), and \u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/the-holy-spirit-of-life\"\u003eThe Holy Spirit Of Life: Essays Written For John Ashcroft’s Secret Self\u003c\/a\u003e \u003c\/em\u003e(2005).\u003cbr\u003e\u003cbr\u003e Joe Wenderoth's films and artwork can be found on YouTube. His audio recordings (poems, public readings, and his podcast, \u003cem\u003eAbout Brett Favre\u003c\/em\u003e) can be found at \u003ca href=\"http:\/\/archive.org\/search.php?query=joe%20wenderoth\" target=\"_blank\"\u003eInternet Archive\u003c\/a\u003e. He is currently Professor of English at UC Davis, where he teaches in the creative writing graduate program. He is also the Blind Chaperone of the Seizure State. He has been to the Corn Palace, and has generally been thought of in a very positive way by people in the industry. \u003cbr\u003e\u003cbr\u003e He is at work now on \u003cem\u003eAgony: a proposal\u003c\/em\u003e. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e \u003cbr\u003e Wenderoth proves himself one of our country’s most daring satirists—no one is more willing to follow issues through to the rawest conclusions, or to show the slick world the other side of its smile.\u003cbr\u003e\u003cb\u003eJames Wagner, \u003ci\u003eBoston Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Wenderoth is one of those rare poets whose work shows up on the radars of cool kids and academics alike...There’s a spiraling logic to the way his mind works; one that should be revered.\u003cbr\u003e\u003cb\u003eJonathan Messinger, \u003ci\u003eTime Out Chicago\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Likely to be known... as the most apt, able, and adventurous ars poetica produced for and by Generation X.\u003cbr\u003e\u003cb\u003eJohn D'Agata, \u003ci\u003eBoston Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.\u003cbr\u003e\u003cb\u003eBen Marcus\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Joe Wenderoth\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/if-i-dont-breathe-how-do-i-sleep\"\u003e\u003ci\u003eIf I Don't Breathe How Do I Sleep\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/no-real-light\"\u003e\u003ci\u003eNo Real Light\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-holy-spirit-of-life\"\u003e\u003ci\u003eThe Holy Spirit of Life\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/letters-to-wendys\"\u003e\u003ci\u003eLetters to Wendy's\u003c\/i\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.granta.com\/New-Writing\/Joe-Wenderoth-Two-Poems\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.coconutpoetry.org\/wenderoth17\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eCoconut\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.fruitapulp.com\/2014\/11\/02\/four-poems-by-joe-wenderoth\/\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e (in \u003ci\u003eFruita Pulp\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bookslut.com\/blog\/archives\/2007_10.php#011796\" target=\"_blank\"\u003e\u003ci\u003eBookslut\u003c\/i\u003e\u003c\/a\u003e, with Jason B. Jones\u003cbr\u003e - \u003ca href=\"http:\/\/www.fenceportal.org\/?page_id=617\" target=\"_blank\"\u003e\u003ci\u003eFence\u003c\/i\u003e\u003c\/a\u003e, with Sandy Brown\u003cbr\u003e - \u003ca href=\"http:\/\/www.raintaxi.com\/online\/2001summer\/wenderoth.shtml\" target=\"_blank\"\u003e\u003ci\u003eRain Taxi\u003c\/i\u003e\u003c\/a\u003e, with Graham Foust\u003cbr\u003e - \u003ca href=\"http:\/\/www.vice.com\/read\/joe-wenderoth-cannot-be-vanquished\" target=\"_blank\"\u003e\u003ci\u003eVICE\u003c\/i\u003e\u003c\/a\u003e, with Blake Butler\u003cbr\u003e - \u003ca href=\"http:\/\/bombmagazine.org\/article\/1000222\/joe-wenderoth\" target=\"_blank\"\u003e\u003ci\u003eBOMBlog\u003c\/i\u003e\u003c\/a\u003e, with Paola Capó-García\u003cbr\u003e - \u003ca href=\"http:\/\/www.fruitapulp.com\/2015\/01\/01\/an-interview-with-joe-wenderoth\/\" target=\"_blank\"\u003e\u003ci\u003eFruita Pulp\u003c\/i\u003e\u003c\/a\u003e, with Benjamin Dunham\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e \u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e Joe Wenderoth in a performance with Gibby Haynes Part I-III:\u003cbr\u003e \u003cobject width=\"500\" height=\"375\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\"\u003e\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cparam name=\"src\" value=\"http:\/\/www.youtube.com\/v\/5zTwb-F7Mtc\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\"\u003e\n\u003cparam name=\"allowfullscreen\" value=\"true\"\u003e\n\u003cembed type=\"application\/x-shockwave-flash\" src=\"\/\/www.youtube.com\/v\/5zTwb-F7Mtc\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\" allowfullscreen=\"allowfullscreen\" allowscriptaccess=\"always\" height=\"375\" width=\"500\"\u003e\u003c\/object\u003e\u003cbr\u003e\u003cobject width=\"425\" height=\"344\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\"\u003e\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cparam name=\"src\" value=\"http:\/\/www.youtube.com\/v\/kK83uoyXiZ0\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\"\u003e\n\u003cparam name=\"allowfullscreen\" value=\"true\"\u003e\n\u003cembed type=\"application\/x-shockwave-flash\" src=\"\/\/www.youtube.com\/v\/kK83uoyXiZ0\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\" allowfullscreen=\"allowfullscreen\" allowscriptaccess=\"always\" height=\"374\" width=\"500\"\u003e\u003c\/object\u003e\u003cbr\u003e\u003cobject width=\"500\" height=\"375\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\"\u003e\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cparam name=\"src\" value=\"http:\/\/www.youtube.com\/v\/6UTsEVdDWUs\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\"\u003e\n\u003cparam name=\"allowfullscreen\" value=\"true\"\u003e\n\u003cembed type=\"application\/x-shockwave-flash\" src=\"\/\/www.youtube.com\/v\/6UTsEVdDWUs\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\" allowfullscreen=\"allowfullscreen\" allowscriptaccess=\"always\" height=\"375\" width=\"500\"\u003e\u003c\/object\u003e \u003cbr\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Joe Wenderoth","offers":[{"title":"Default Title","offer_id":193977322,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-wenderoth.jpg?v=1666123269"},{"product_id":"dara-barrois-dixon","title":"Dara Barrois\/Dixon (née Dara Wier)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cstrong\u003eDara Barrois\/Dixon\u003c\/strong\u003e (née Dara Wier) is the author of \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/tolstoy-killed-anna-karenina\"\u003e\u003cem\u003eTolstoy Killed Anna Karenina\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2022). Other titles include \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/in-the-still-of-the-night\"\u003e\u003cem\u003eIn the Still of the Night\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2017), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/you-good-thing\"\u003e\u003cem\u003eYou Good Thing\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2014), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/reverse-rapture\"\u003e\u003cem\u003eReverse Rapture\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2005), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/hat-on-a-pond\"\u003e\u003cem\u003eHat on a Pond\u003c\/em\u003e\u003c\/a\u003e (Verse Press, 2002) and \u003cem\u003eVoyages in English \u003c\/em\u003e(Carnegie Mellon, 2001).  She has received awards from the Lannan Foundation, American Poetry Review, The Poetry Center Book Award, Guggenheim Foundation, National Endowment for the Arts and Massachusetts Cultural Council have generously supported her work. Limited editions include \u003cem\u003e(X in Fix)\u003c\/em\u003e(2003) from \u003cem\u003eRain Taxi\u003c\/em\u003e’s brainstorm series), \u003cem\u003eThru\u003c\/em\u003e (2019) and \u003cem\u003eTwo Poems\u003c\/em\u003e (2021) from Scram, and forthcoming in 2022, \u003cem\u003eNine Poems\u003c\/em\u003e from Incessant Pipe. With James Tate, she rescued \u003cem\u003eThe Lost Epic of Arthur Davidson Ficke\u003c\/em\u003e, published by Waiting for Godot Books. Poems can be found in \u003cem\u003eGranta\u003c\/em\u003e, \u003cem\u003eVolt\u003c\/em\u003e, \u003cem\u003eConduit\u003c\/em\u003e,,\u003cem\u003e Incessant Pipe\u003c\/em\u003e, \u003cem\u003eBiscuit Hill\u003c\/em\u003e, \u003cem\u003eblush\u003c\/em\u003e, \u003cem\u003ecan we have our ball back\u003c\/em\u003e, \u003cem\u003eItinerant\u003c\/em\u003e, \u003cem\u003eAmerican Poetry Review\u003c\/em\u003e, \u003cem\u003eOctopus\u003c\/em\u003e, \u003cem\u003eGulf Coast\u003c\/em\u003e, and \u003cem\u003eThe Nation\u003c\/em\u003e. She’s been poet-in-residence at the University of Montana, University of Texas Austin, Emory University, and the University of Utah; she was the 2005 Louis Rubin chair at Hollins University in Roanoke, Virginia.  She lives and works in factory hollow in Western Massachusetts.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\"Barrois\/Dixon picks up the dropped and bloodied sword of these past authors and slashes off the shackles of (what we can assume is) a married name, bringing to witness the dead women of canonical prose, and all the while investigating the sprawling lyricism that is consciousness.\"\u003cbr\u003e\u003cb\u003eBianca Stone, \u003ci\u003e\u003ca href=\"https:\/\/brooklynrail.org\/2022\/11\/poetry\/Like-Being-In-Your-Head-Not-Mine\" target=\"_blank\"\u003eBrooklyn Rail\u003c\/a\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “Her directed and charged language is a reminder of how vital and vivid poetry can be.”\u003cbr\u003e\u003cb\u003e\u003cem\u003eAmerican Poet\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e“There are so many surprises in her work—the ideas, the imagery, the simple and imaginative use of language. Don’t get too relaxed, though, there are complexities in the Wier’s work that require one’s attention and thought, but the payoffs are well worth the efforts.”\u003cbr\u003e\u003cb\u003e\u003cem\u003eForeWord Reviews\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“Such poems are not whimsies but quizzical visions, or dreams, in which readers might try hard to get lost.”\u003cbr\u003e\u003cb\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.publishersweekly.com\/9781933517384\" target=\"_blank\"\u003ePublishers Weekly\u003c\/a\u003e\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “Leave it to Wier to make her dead seem busier and more ebullient than my living...This anti-elegy, both reverent and funny, anticipates the funny reverence that Wier finds, makes up, and sustains throughout her decades of subsequent writing. \u003cbr\u003e—Michael D. Snediker, \u003cem\u003eJacket\u003c\/em\u003e \u003cbr\u003e \u003cbr\u003e “Wier’s warm touch belies her procedural cunning and post-confessional derring-do, making her \u003cem\u003eSelected Poems\u003c\/em\u003e required reading for a new generation of poets...”\u003cbr\u003e—Virginia Konchan, \u003cem\u003eBoston Review\u003c\/em\u003e \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eReviews of books by Dara Wier\u003c\/strong\u003e \u003cbr\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/tolstoy-killed-anna-karenina\" target=\"_blank\"\u003e\u003ci\u003eTolstoy Killed Anna Karenina\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"\/products\/in-the-still-of-the-night\"\u003e\u003cem\u003eIn the Still of the Night\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/you-good-thing\"\u003e\u003cem\u003eYou Good Thing\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/selected-poems-1\"\u003e\u003cem\u003eSelected Poems\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/remnants-of-hannah\"\u003e\u003cem\u003eRemnants of Hannah\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/reverse-rapture\"\u003e\u003cem\u003eReverse Rapture\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/hat-on-a-pond\"\u003e\u003cem\u003eHat on a Pond\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e-\u003ca href=\"https:\/\/www.action-spectacle.com\/winter2022\/project-barrois\/dixon\" target=\"_blank\"\u003e\"Why Tolstoy Killed Anna Karenina\" up at \u003ci\u003eAction Spectacle\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e-\u003ca href=\"https:\/\/www.pw.org\/content\/ten_questions_for_dara_barroisdixon\" target=\"_blank\"\u003e\"Ten Questions for Dara Barrois\/Dixon\" up at \u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetryfoundation.org\/archive\/poet.html?id=81909\" target=\"_blank\"\u003eDara Wier’s page at the Poetry Foundation\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"https:\/\/granta.com\/two-poems-dara-wier\/\"\u003eTwo Poems\u003c\/a\u003e (on \u003cem\u003eGranta\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/dish.andrewsullivan.com\/2013\/05\/04\/a-poem-for-saturday-47\" target=\"_blank\"\u003e“In Oval Mirrors We Cruise Through Touch-Me-Nots”\u003c\/a\u003e (on \u003cem\u003eThe Dish\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/16940\" target=\"_blank\"\u003e“Blue Oxen”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.aprweb.org\/poem\/hat-pond\" target=\"_blank\"\u003e“Hat on a Pond”\u003c\/a\u003e (in the \u003cem\u003eAmerican Poetry Review\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/poetry\/declining-public-appetite-large-wars-occupation\" target=\"_blank\"\u003e“Declining Public Appetite for Large Wars of Occupation”\u003c\/a\u003e (in \u003cem\u003eBoston Review\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.foumagazine.net\/issue2\/welcome.html#dw\" target=\"_blank\"\u003e“Chinese Restaurant on Fire”\u003c\/a\u003e (at \u003cem\u003eFou\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol4\/poem_3\/\" target=\"_blank\"\u003e“That Vagrant Mistral Vexing The Sun: A Far Cry”\u003c\/a\u003e (in \u003cem\u003ejubilat\u003c\/em\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.octopusmagazine.com\/Issue05\/poets\/Dara_Wier.htm\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eOctopus Magazine\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2009\/aboutdarawierc.shtml\" target=\"_blank\"\u003eAll poems on \u003cem\u003eVerse Daily\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/iopoetry.org\/archives\/1832\" target=\"_blank\"\u003e“Capitalism”\u003c\/a\u003e\u003ci\u003e \u003c\/i\u003e(on \u003cem\u003eiOPoetry\u003c\/em\u003e) \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eInterviews\u003c\/strong\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/podcast.ruthstonehouse.org\/podcast\/talking-about-poetry-process-in-the-kitchen-with-dara-barrois-dixon\" target=\"_blank\"\u003eInterview with Bianca Stone for the Ruth Stone Podcast\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/www.raintaxi.com\/volume-27-number-4-winter-2022-108\/\" target=\"_blank\"\u003eInterview with Lesle Lewis for \u003ci\u003eRain Taxi Review\u003c\/i\u003e\u003cbr\u003e- \u003c\/a\u003e\u003ca href=\"https:\/\/heavyfeatherreview.org\/2022\/09\/26\/tolstoy-killed-anna-karenina\/\" target=\"_blank\"\u003eInterview with Tiffany Troy for \u003ci\u003eHeavy Feather Review\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/ampersandreview.com\/2014\/06\/a-quick-interview-with-dara-wier\/\" target=\"_blank\"\u003e\u003ci\u003eThe Ampersand Review\u003c\/i\u003e\u003c\/a\u003e, with Corey Zeller\u003cbr\u003e- \u003ca href=\"http:\/\/herkind.org\/one-to-one\/call-it-back-a-conversation-with-poets-gillian-conoley-and-dara-wier\" target=\"_blank\"\u003e\u003cem\u003eHer Kind\u003c\/em\u003e\u003c\/a\u003e, with \u003ca href=\"\/products\/gillian-connelly\"\u003eGillian Connelly\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/jacketmagazine.com\/40\/iv-wier-ivb-arrieu-king.shtml\" target=\"_blank\"\u003e\u003cem\u003eJacket Magazine\u003c\/em\u003e\u003c\/a\u003e, with Cynthia Arrieu-King \u003cbr\u003e - \u003ca href=\"http:\/\/robmclennan.blogspot.com\/2008\/04\/12-or-20-questions-with-dara-wier-dara.html\" target=\"_blank\"\u003eRob McLennan’s blog\u003c\/a\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cb\u003eDara Barrois\/Dixon in conversation with Lauren Korn for \u003ci\u003eThe Write Question for Montana Public Radio\u003c\/i\u003e:\u003c\/b\u003e\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/72XS2pTfzC8iLSAnufPUIQ?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cb\u003eDara Barrois\/Dxion, Rebecca Wolff, and S. Yarberry reading at Deep Vellum Bookstore:\u003c\/b\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oeoGBjDVtpU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cblockquote data-secret=\"VDJk4dmLlF\" class=\"wp-embedded-content\"\u003e\u003ca href=\"https:\/\/podcast.ruthstonehouse.org\/podcast\/talking-about-poetry-process-in-the-kitchen-with-dara-barrois-dixon\"\u003eIn the Kitchen Talking about Poetry \u0026amp; Process with Dara Barrois\/Dixon\u003c\/a\u003e\u003c\/blockquote\u003e\n\u003ciframe class=\"wp-embedded-content\" data-secret=\"VDJk4dmLlF\" title=\"“In the Kitchen Talking about Poetry \u0026amp; Process  with Dara Barrois\/Dixon” — The Ruth Stone House Podcast\" src=\"https:\/\/podcast.ruthstonehouse.org\/podcast\/talking-about-poetry-process-in-the-kitchen-with-dara-barrois-dixon\/embed#?secret=VDJk4dmLlF\" width=\"500\" height=\"350\" scrolling=\"no\" marginheight=\"0\" marginwidth=\"0\" security=\"restricted\" sandbox=\"allow-scripts\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cscript\u003e\/*! This file is auto-generated *\/!function(c,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=0;o\u003cn.length;o++)n[o].style.display=\"none\";for(o=0;o\u003ci.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3\u003c(s=parseInt(t.value,10)))s=1e3;else if(~~s\u003c200)s=200;r.height=s}if(\"link\"===t.message)if(s=l.createElement(\"a\"),a=l.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n\u003ci.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\u003c\/script\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981551\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e - Reading at \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/authors\/Wier\/Wier-Dara_Whenever-We-Feel-Like-It_KWH-UPenn_09-12-2009.mp3\" target=\"_blank\"\u003eKelly Writers House\u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.blogtalkradio.com\/joseph-milford\/2013\/06\/02\/joe-milford-hosts-dara-wier\" target=\"_blank\"\u003eJoe Milford hosts Dara Wier\u003c\/a\u003e\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading with \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/gillian-conoley\"\u003eGillian Conoley\u003c\/a\u003e at the Emily Dickinson Museum for their \u003ca href=\"https:\/\/www.youtube.com\/watch?v=E3w4Mezbtgo\u0026amp;ab_channel=EmilyDickinsonMuseumOfficial\"\u003eMay Phosphorescence Poetry Reading Series\u003c\/a\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E3w4Mezbtgo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReading with \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/authors\/products\/james-tate\"\u003eJames Tate\u003c\/a\u003e at the \u003ca href=\"http:\/\/www.walkerart.org\/\" target=\"_blank\"\u003eWalker Art Center\u003c\/a\u003e:\u003cbr\u003e \u003ciframe src=\"\/\/www.youtube.com\/embed\/JS0d5rV8dMA\" width=\"500\" height=\"281\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\nLaTanya Richardson Jackson reading the prefatory poem from \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/in-the-still-of-the-night\"\u003e\u003cem\u003e In the Still of the Night\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003ciframe title=\"New York Times Video - Embed Player\" id=\"nyt_video_player\" src=\"https:\/\/static01.nyt.com\/video\/players\/offsite\/index.html?videoId=100000005844984\" width=\"480\" height=\"321\" scrolling=\"no\" allowfullscreen=\"true\" marginheight=\"0\" marginwidth=\"0\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dara Barrois\/Dixon (née Dara Wier)","offers":[{"title":"Default Title","offer_id":193977472,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-barrois-dixon.jpg?v=1663696535"},{"product_id":"jon-woodward","title":"Jon Woodward","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cstrong\u003eJon Woodward\u003c\/strong\u003e was born in Wichita, Kansas and currently works for the Harvard Museum of Comparative Zoology. His first book, \u003cem\u003eMister Goodbye Easter Island\u003c\/em\u003e, was published by Alice James Books in 2003. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWoodward’s short poems seem to write themselves, flowing from phenomenal reality without the mediator of reason or logic.\u003cbr\u003e\u003cb\u003eLauren Grewe, \u003ci\u003eVerse\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTo take control of his thoughts Woodward imposes upon them a seemingly arbitrary physical constraint; he is writing instead of thinking, or better, he is writing as a new way of thinking.\u003cbr\u003e\u003cb\u003eCraig Morgan Teicher, \u003ci\u003eBoston Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews of books by Jon Woodward\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/rain\"\u003e\u003cem\u003eRain\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.jonwoodward.net\" target=\"_blank\"\u003eJon Woodward’s website\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/NPM2012\/jon_woodward_poem_1.php\" target=\"_blank\"\u003e“The Story of How You Went to the Museum”\u003c\/a\u003e (in \u003cem\u003eThe Boston Review)\u003c\/em\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.lapetitezine.org\/Jon.Woodward.htm\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003cem\u003eLa Petite Zine)\u003c\/em\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/abtlwoos.shtml\" target=\"_blank\"\u003e“And Because the Leaves Were On Our Side”\u003c\/a\u003e (in \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981686\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jon Woodward","offers":[{"title":"Default Title","offer_id":193977522,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-woodward.jpg?v=1666123569"},{"product_id":"rachel-zucker","title":"Rachel Zucker","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cstrong\u003eRachel Zucker \u003c\/strong\u003eis the author of \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-poetics-of-wrongness\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Poetics of Wrongness\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-poetics-of-wrongness\"\u003e \u003c\/a\u003e(Wave Books, 2023), \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/soundmachine\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSoundmachine\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Wave Books, 2019), \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-pedestrians\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Pedestrians\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Wave Books, 2014), and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/museum-of-accidents\"\u003eMuseum of Accidents\u003c\/a\u003e \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Wave Books, 2009), which was a finalist for the National Book Critics Circle Award. A graduate of Yale University and the Iowa Writers’ Workshop, Zucker is an adjunct professor at NYU and other places. In 2016 she was a Bagley Wright Lecturer and wrote and delivered a series of talks on poetry, photography, confessionalism, motherhood, and the ethics of representing real people in art. She was awarded a National Endowment for the Arts Creative Writing Fellowship in 2012, a Sustainable Arts Fellowship in 2016, and residencies from The MacDowell Colony and the Vermont Studio Center in 2018. Zucker is mother to three sons and lives in Washington Heights, NY and Scarborough, ME.\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Zucker is about the only contemporary poet I’ve read who manages to address [motherhood] without sounding coy and cloying. Mothers should read, others can learn.\u003cbr\u003e\u003cb\u003e\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith crushing self-consciousness and undeniable urgency, Zucker continues her ongoing meditation on family and the boundaries between private and public life.\u003cbr\u003e\u003cb\u003eCraig Morgan Teicher, \u003cem\u003eNPR\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Zucker is a poet of bottom-scraping, blood-chilling existential anxiety, one among many, and a poet of New York City, one among many, and a poet of American Jewish inheritance, one among many, and one of the funniest, too..\u003cbr\u003e\u003cb\u003eStephen Burt, \u003cem\u003eThe Boston Review\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Rachel Zucker is a courageous poet. Not because she dodges bullets in a war zone (though I bet she would), or because she yells outlandish things on cable TV (I bet she'd do that, too), but because she writes poetry in a way that interrogates what it means to tell the truth.\u003cbr\u003e\u003cb\u003eTravis Nichols, \u003cem\u003eThe Huffington Post\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBy sharing experience through interrogating and dynamic language, Zucker shines light on how we can live honestly against the grain of expected feeling and attitude and how we might feel powerful and passionate in a time of terror and fear.\u003cbr\u003e\u003cb\u003e\u003cem\u003eAmerican Poet\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eZucker's not interested in making readers see anything “as if for the first time.” She's here to remind us how much there is to see in what we've seen before.\u003cbr\u003e\u003cb\u003e\u003cem\u003eChicago Tribune\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eReviews of books by Rachel Zucker\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-poetics-of-wrongness\"\u003e\u003cem\u003e The Poetics of Wrongness\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/soundmachine\"\u003e\u003cem\u003eSoundMachine\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"\/products\/the-pedestrians\"\u003e\u003cem\u003eThe Pedestrians\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/museum-of-accidents\"\u003e\u003cem\u003eMuseum of Accidents\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.rachelzucker.net\/\" target=\"_blank\"\u003eRachel Zucker’s website\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.commonpodcast.com\/\" target=\"_blank\"\u003eCommonplace: Conversations with Poets (and Other People)\u003c\/a\u003e, Zucker's podcast\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eArticles and Poems\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/bodyliterature.com\/2014\/01\/22\/rachel-zucker-2\/\" target=\"_blank\"\u003e Two poems\u003c\/a\u003e (in \u003cem\u003eB O D Y\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/poets.org\/viewmedia.php\/prmMID\/16839\" target=\"_blank\"\u003e“Hey Allen Ginsberg Where Have You Gone and What Would You Think of My Drugs?”\u003c\/a\u003e (on \u003cem\u003ePoets.org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.vqronline.org\/articles\/2012\/spring\/zucker-two-kinds-suffering\/\" target=\"_blank\"\u003e“Two Kinds of Suffering”\u003c\/a\u003e (in \u003cem\u003eVirginia Quarterly Review\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.epiphanyzine.com\/SS2012_poetry.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eEpiphany\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/asitoughttobe.com\/2011\/07\/15\/friday-poetry-series-presents-rachel-zucker\/\" target=\"_blank\"\u003e“Letter (Persephone to Demeter)”\u003c\/a\u003e (in \u003cem\u003eAs It Ought to Be\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/42opus.com\/v8n3\/welcome-to\" target=\"_blank\"\u003e“Welcome to the Blighted Ovum Support Group”\u003c\/a\u003e (in \u003cem\u003e42opus\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/thebestamericanpoetry.typepad.com\/the_best_american_poetry\/2009\/09\/poem-by-rachel-zucker.html\" target=\"_blank\"\u003e“Poem”\u003c\/a\u003e (on \u003cem\u003eThe Best American Poetry blog\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/english.chass.ncsu.edu\/freeverse\/Archives\/Spring_2009\/poems\/R_Zucker.html\" target=\"_blank\"\u003e“We Told Him We Would Hold Him Forever”\u003c\/a\u003e (in \u003cem\u003eFree Verse\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2009\/littleapocalypse.shtml\" target=\"_blank\"\u003e“Little Apocalypse”\u003c\/a\u003e and \u003ca href=\"http:\/\/www.versedaily.org\/2009\/abab.shtml\" target=\"_blank\"\u003e“After Baby After Baby”\u003c\/a\u003e (in \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poetrysociety.org\/psa\/poetry\/crossroads\/own_words\/rachel_zucker\/\" target=\"_blank\"\u003e“Rachel Zucker on [taking away taking away everything]”\u003c\/a\u003e (in \u003cem\u003ePoetry Society of America\u003c\/em\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2014\/07\/pedestrian\/\" target=\"_blank\"\u003e“Pedestrian”\u003c\/a\u003e (in \u003cem\u003eThe Rumpus\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/maryjournal.org\/interviews\/rachel-zucker\/\" target=\"_blank\"\u003eMARY\u003c\/a\u003e, with Melissa Burke\u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2014\/07\/the-rumpus-late-nite-poetry-show-4-rachel-zucker\/\" target=\"_blank\"\u003e\u003cem\u003eThe Rumpus,\u003c\/em\u003e\u003c\/a\u003e with Dave Roderick\u003cbr\u003e - \u003ca href=\"http:\/\/www.tinhouse.com\/blog\/33312\/fables-and-the-pedestrians-an-interview-with-rachel-zucker.html#.Uz2Why5X6oE.facebook\" target=\"_blank\"\u003e\u003cem\u003eTin House,\u003c\/em\u003e\u003c\/a\u003e with Leah Umansky\u003cbr\u003e - \u003ca href=\"http:\/\/lareviewofbooks.org\/interview\/rachel_zucker\" target=\"_blank\"\u003e\u003cem\u003eLos Angeles Review of Books,\u003c\/em\u003e\u003c\/a\u003e with Michael Kimball\u003cbr\u003e - \u003ca href=\"http:\/\/www.abradstreet.com\/post\/49376302488\/a-bradstreet-interview-with-rachel-zucker-arielle\" target=\"_blank\"\u003e\u003cem\u003eA. Bradstreet,\u003c\/em\u003e\u003c\/a\u003e with \u003ca href=\"http:\/\/wavepoetry.com\/collections\/authors\/products\/arielle-greenberg\" target=\"_blank\"\u003e Arielle Greenberg \u003c\/a\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.believermag.com\/issues\/201206\/?read=interview_koestenbaum_rohrer_zucker\" target=\"_blank\"\u003e \u003cem\u003eThe Believer,\u003c\/em\u003e\u003c\/a\u003e with \u003ca href=\"http:\/\/wavepoetry.com\/collections\/authors\/products\/matthew-rohrer\" target=\"_blank\"\u003e Matthew Roher\u003c\/a\u003e and Wayne Koestenbaum\u003cbr\u003e - \u003ca href=\"http:\/\/www.32poems.com\/blog\/2566\/rachel-zucker-an-interview-with-serena-m-agusto-cox\" target=\"_blank\"\u003e\u003cem\u003e32 Poems\u003c\/em\u003e, \u003c\/a\u003e with Serena M. Agusto-Cox\u003cbr\u003e - \u003ca href=\"http:\/\/www.huffingtonpost.com\/travis-nichols\/rachel-zucker-doesnt-writ_b_440460.html\" target=\"_blank\"\u003e\u003cem\u003eHuffington Post\u003c\/em\u003e,\u003c\/a\u003e with Travis Nichols\u003cbr\u003e - \u003ca href=\"http:\/\/candormagazine.tumblr.com\/#211502843\" target=\"_blank\"\u003e\u003cem\u003eCandor\u003c\/em\u003e\u003c\/a\u003e, with Sarah Manguso\u003cbr\u003e - \u003ca href=\"http:\/\/www.thelmagazine.com\/newyork\/rachel-zucker-shares-her-favorite-fan-letter\/Content?oid=1454556\" target=\"_blank\"\u003e\u003cem\u003eThe L Magazine\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/theadroitjournal.org\/2019\/10\/25\/there-is-no-world-outside-the-poem-a-conversation-with-rachel-zucker\/\" target=\"_blank\"\u003e\u003cem\u003eThe Adroit Journal\u003c\/em\u003e,\u003c\/a\u003e with Donna Vorreyer\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44982076\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e - Excerpts from her \u003ca href=\"http:\/\/bagleywrightlectures.org\/rachelzucker\" target=\"_blank\"\u003electure\u003c\/a\u003e for the Bagley Wright lecture series\u003cbr\u003e - \u003ca href=\"http:\/\/www.pbs.org\/newshour\/poetry\/weekly-poem-rachel-zucker-pulls-inspiration-noise-new-york\/\" target=\"_blank\"\u003e\"i'd like a little flashlight\"\u003c\/a\u003e (from \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/books\/products\/the-pedestrians\"\u003e\u003cem\u003eThe Pedestrians\u003c\/em\u003e\u003c\/a\u003e for PBS Newshour)\u003cbr\u003e - At \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/State-of-the-Union_2008\/State-of-the-Union_02-Zucker_CUNY_10-30-08.mp3\" target=\"_blank\"\u003e\u003cem\u003eState of the Union\u003c\/em\u003e: a Poetry Reading\u003c\/a\u003e (Zucker was one of fifty contributors to \u003ca href=\"\/products\/state-of-the-union\"\u003e\u003cem\u003eState of the Union: 50 Political Poems\u003c\/em\u003e\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eRachel Zucker @ City Lights for Wave Books\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vUakHBfsWso?si=P9-OOopsPE7qYjuN\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rachel Zucker","offers":[{"title":"Default Title","offer_id":193977602,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-zucker.jpg?v=1663699406"},{"product_id":"alejandro-de-acosta","title":"Alejandro de Acosta","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlejandro de Acosta\u003c\/strong\u003e is a teacher, writer, and translator, in no particular order; he also works in publishing. In Austin, Texas he founded mufa::poema, a micropress that freely distributed a dozen poetry and prose chapbooks. His poetry translations include \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/micrograms-4?_pos=1\u0026amp;_psq=micrograms\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\"\u003e\u003cem\u003eMicrograms\u003c\/em\u003e\u003c\/a\u003e by Jorge Carrera Andrade and \u003cem\u003eFive Meters of Poems\u003c\/em\u003e by Carlos Oquendo de Amat. He also translated Fabián Ludueña’s philosophical treatise \u003cem\u003eH.P. Lovecraft: The Disjunction in Being\u003c\/em\u003e and published \"Notes to Complicate Cardenal’s Epigrams\" in the journal \u003cem\u003eBlack Box\u003c\/em\u003e. In 2014 he published two books of essays. More recently, he has given talks on kinship, the poetics of translation, Antonio Porchia, and Francis Ponge—as well as offered readings of sonnets moral and gnomic.\u003c\/p\u003e\n\u003c!---BIO END----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eI liked the Alejandro de Acosta and Joshua Beckman translation [of \u003cem\u003eMicrograms\u003c\/em\u003e] much more than the original. This may sound strange, but consider that in each of these micrograms there are only a few dozen letters. In Spanish these poems begin to look the same, and occasionally the word choice is almost unsurprisingly simple (which I’m sure is intentional). The translation however offers a different alphabetic topography and more dissonant sounds. \u003cbr\u003e\u003cb\u003eJesse Tangen Mills, \u003ci\u003eBookslut\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books translated by Alejandro de Acosta\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/micrograms-4?_pos=1\u0026amp;_psq=micr\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.loadedbicycle.com\/andrade1.html\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e from \u003ca href=\"\/products\/micrograms\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eLoaded Bicycle\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/numerocinqmagazine.com\/2012\/01\/15\/poems-from-jorge-carrera-andrades-micrograms\/\" target=\"_blank\"\u003eFour poems\u003c\/a\u003e from \u003ca href=\"\/products\/micrograms\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eNumero Cinq\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/stevenkarl.blogspot.com\/2011\/08\/poems-by-people-i-saw-while-i-was-away_28.html\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e from \u003ca href=\"\/products\/micrograms\"\u003e\u003ci\u003eMicrograms\u003c\/i\u003e\u003c\/a\u003e (in \u003ci\u003eLovers' Last Go Around\u003c\/i\u003e, Steven Karl's blog)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"https:\/\/bombmagazine.org\/articles\/micrograms\/\" target=\"_blank\"\u003e\u003ci\u003eBomb Magazine\u003c\/i\u003e\u003c\/a\u003e, with Elizabeth Clark Wessel\u003cbr\u003e \u003cbr\u003e \u003cb\u003eArticles\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/theanvilreview.org\/print\/how-slogans-end\/\"\u003e“How Slogans End”\u003c\/a\u003e (in \u003ci\u003eThe Anvil Review\u003c\/i\u003e) \u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/joshua-beckman?_pos=1\u0026amp;_psq=joshua+beckman\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eJoshua Beckman\u003c\/a\u003e and Alejandro de Acosta read from \u003ci\u003eFive Meters of Poems\u003c\/i\u003e in the Henry Art Gallery's James Turrell Skyspace during Wave's Shelf Life residency:\u003cbr\u003e \u003ciframe width=\"500\" height=\"375\" src=\"\/\/www.youtube.com\/embed\/CMexlUvukEY\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alejandro de Acosta","offers":[{"title":"Default Title","offer_id":193977752,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-deAcosta.jpg?v=1663704981"},{"product_id":"brian-henry","title":"Brian Henry","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cb\u003eBrian Henry\u003c\/b\u003e has published numerous books of poetry, most recently \u003ci\u003eLessness\u003c\/i\u003e and \u003ci\u003e Wings Without Birds\u003c\/i\u003e. Other titles include \u003ci\u003eThe Stripping Point\u003c\/i\u003e, \u003ci\u003e In the Unlikely Event of a Water\u003c\/i\u003e, \u003ci\u003eQuarantine\u003c\/i\u003e, \u003ci\u003eGraft\u003c\/i\u003e, \u003ci\u003eAstronaut\u003c\/i\u003e, and \u003ci\u003eAmerican Incident\u003c\/i\u003e. He has translated Tomaž Šalamun’s \u003ci\u003eWoods and Chalices\u003c\/i\u003e as well as Ales Steger’s\u003ci\u003e The Book of Things\u003c\/i\u003e. He teaches English at the University of Richmond. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews of books edited by Brian Henry\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-verse-book-of-interviews\"\u003e\u003ci\u003eThe Verse Book of Interviews\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/versemag.blogspot.com\/\" target=\"_blank\"\u003eVerse\u003c\/a\u003e online, edited by Brian Henry\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.coconutpoetry.org\/henry1.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eCoconut\u003c\/i\u003e)\u003cbr\u003e- “\u003ca href=\"http:\/\/www.nytimes.com\/interactive\/2016\/05\/29\/magazine\/brian-henry-elegy-elegy.html\" target=\"_blank\"\u003eElegy Elegy”\u003c\/a\u003e (in\u003cem\u003e The New York Times\u003c\/em\u003e)\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cem\u003eCheck back for more!\u003c\/em\u003e\u003c!--END AUDIO\/VIDEO--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab5\"\u003e\n\u003cp\u003e\u003c!--CURRENT READINGS--\u003e \u003ci\u003eNo readings scheduled at this time.\u003c\/i\u003e \u003c!--END CURRENT READINGS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Brian Henry","offers":[{"title":"Default Title","offer_id":198913672,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/BrianHenry2023.png?v=1680717257"},{"product_id":"noelle-kocot","title":"Noelle Kocot","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003cstrong\u003eNoelle Kocot\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the author of many collections of poetry, including \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/ascent-of-the-mothers\" target=\"_blank\"\u003eAscent of the Mothers\u003c\/a\u003e\u003c\/em\u003e (November 2023), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/gods-green-earth\" target=\"_blank\"\u003e\u003cem\u003eGod's Green Earth\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Wave Books, 2020), \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/phantom-pains-of-madness\" target=\"_blank\"\u003e\u003cem\u003ePhantom Pains of Madness\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Wave Books, May 2016),\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/soul-in-space\" target=\"_blank\"\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSoul in Space\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e(Wave Books, 2013),\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/the-bigger-world\" target=\"_blank\"\u003e\u003cem\u003eThe Bigger World\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e(Wave Books, 2011), and a book of translations of some of the poems of Tristan Corbière,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/poet-by-default\" target=\"_blank\"\u003e\u003cem\u003ePoet by Default\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Wave Books, 2011). Their previous works include the discography\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDamon's Room\u003c\/em\u003e, (Wave Books Pamphlet Series, 2010),\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/sunny-wednesday\" target=\"_blank\"\u003e\u003cem\u003eSunny Wednesday\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e(Wave Books, 2009) and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/poem-for-the-end-of-time-and-other-poems\" target=\"_blank\"\u003e\u003cem\u003ePoem for the End of Time and Other Poems\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e(Wave Books, 2006). They are also the author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e4\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Raving Fortune\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(both from Four Way Books). Their poems have been anthologized in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBest American Poetry\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ein 2001, 2012, and 2013. They are the recipient of awards from the National Endowment for the Arts, the Academy of American Poets, The Fund for Poetry, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAmerican Poetry Review\u003c\/em\u003e, and a residency fellowship from the Lannan Foundation. Kocot has taught at the University of Texas New Writers' Project and currently teaches in the Creative Writing Department at the New School. They are the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epoet laureate of Pemberton Borough, New Jersey.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003c\/p\u003e\nIf this was Woodstock, Kocot was Hendrix. I have been to countless readings since but can think of only a few as unexpected, memorable, and moving.\u003cbr\u003e \u003cb\u003eJustin Taylor, Poetry Foundation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eNoelle Kocot’s poems are like sunlight coming through a window.\u003cbr\u003e\u003cstrong\u003eStephanie Sy-Quia, \u003cem\u003eThe White Review\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e There seem to be a few noteworthy poets in every generation, those who channel the zeitgeist from a clarifying distance, an artful remove. Noelle Kocot may well belong to this tradition...\u003cbr\u003e\u003cstrong\u003eAmy Newlove Schroeder, \u003ci\u003eBoston Review\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Kocot’s gift as a poet is being able to explain such complexity with such uncompromised frankness.\u003cbr\u003e\u003cstrong\u003eDavid Peak, \u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Kocot’s creativity engenders an excitement comparable to being twelve years old, exposed to good poetry or music or art for the first time, and knowing that, for better or worse, things have been bent.\u003cbr\u003e\u003cstrong\u003eNick Sturm, \u003ci\u003eColdfront Magazine\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eReviews of books by Noelle Kocot\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/gods-green-earth\" target=\"_blank\"\u003e\u003cem\u003eGod's Green Earth\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/phantom-pains-of-madness\"\u003e\u003cem\u003ePhantom Pains of Madness\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"\/products\/soul-in-space\"\u003e\u003cem\u003eSoul in Space\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/poet-by-default\"\u003e\u003cem\u003ePoet by Default\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-bigger-world\"\u003e\u003cem\u003eThe Bigger World\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/sunny-wednesday\"\u003e\u003cem\u003eSunny Wednesday\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e\n\u003cp\u003e\u003ca href=\"\/products\/poem-for-the-end-of-time-and-other-poems\"\u003e\u003cem\u003ePoem for the End of Time and Other Poems\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cstrong\u003ePoems\u003c\/strong\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.batcityreview.org\/calling-octavia\" target=\"_blank\"\u003e“Calling on Octavia”\u003c\/a\u003e (in \u003ci\u003eBat City Review\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/poetry\/NPM-2016-noelle-kocot-pictures-elk\" target=\"_blank\"\u003e“Pictures of Elk”\u003c\/a\u003e (in \u003ci\u003eBoston Review\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/granta.com\/two-poems-3\/\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003ci\u003eGranta\u003c\/i\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.everyday-genius.com\/2013\/10\/noelle-kocot.html\" target=\"_blank\"\u003e“A Snowfall”\u003c\/a\u003e (on \u003cem\u003eEveryday Genius\u003c\/em\u003e) \u003cbr\u003e- \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/23425\" target=\"_blank\"\u003e“Compassion IV”  \u003c\/a\u003e(on \u003cem\u003ePoets.Org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/andrewsullivan.thedailybeast.com\/2012\/08\/a-poem-for-sunday.html\" target=\"_blank\"\u003e“Gnomon”  \u003c\/a\u003e(on \u003cem\u003eThe Daily Beast\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/22710\" target=\"_blank\"\u003e“Talk”  \u003c\/a\u003e(on \u003cem\u003ePoets.Org\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.pw.org\/content\/sunny_wednesday_noelle_kocot\" target=\"_blank\"\u003e“Beyond Recognition”\u003c\/a\u003e(in \u003cem\u003ePoets \u0026amp; Writers\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.theawl.com\/2011\/02\/i-frankenstein-and-other-poems-by-noelle-kocot\" target=\"_blank\"\u003eThree poems  \u003c\/a\u003e(on \u003cem\u003eThe Awl\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.gwarlingo.com\/2012\/the-sunday-poem-noelle-kocot\/\" target=\"_blank\"\u003eTwo poems\u003c\/a\u003e (in \u003cem\u003eGwarlingo\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2011\/04\/national-poetry-month-day-11-sonnet-to-ash-wednesday-by-noelle-kocot\/\" target=\"_blank\"\u003e“Sonnet to Ash Wednesday”  \u003c\/a\u003e(on \u003cem\u003eThe Rumpus\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"https:\/\/aesthetixpoems.wordpress.com\/noelle-kocot\/\" target=\"_blank\"\u003e“Arrow”  \u003c\/a\u003e(on \u003cem\u003eAesthetix\u003c\/em\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.versedaily.org\/2011\/aboutnoellekocotc.shtml\" target=\"_blank\"\u003eAll poems from Noelle Kocot  \u003c\/a\u003e(on \u003cem\u003eVerse Daily\u003c\/em\u003e)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eInterviews\u003c\/strong\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/poetry\/world-really-falling-apart\" target=\"_blank\"\u003e\u003ci\u003eBoston Review\u003c\/i\u003e\u003c\/a\u003e, with Amy Newlove Schroeder\u003cbr\u003e - \u003ca href=\"http:\/\/www.boogcity.com\/boogpdfs\/bc78.pdf\" target=\"_blank\"\u003e\u003cem\u003eBoog City\u003c\/em\u003e\u003c\/a\u003e, with Amy King\u003cbr\u003e - \u003ca href=\"http:\/\/therumpus.net\/2011\/03\/the-rumpus-poetry-book-club-interviews-noelle-kocot\/\" target=\"_blank\"\u003e\u003cem\u003eThe Rumpus\u003c\/em\u003e\u003c\/a\u003e, with The Rumpus Poetry Book Club\u003cbr\u003e - \u003ca href=\"http:\/\/bombsite.com\/articles\/5018\" target=\"_blank\"\u003e\u003ci\u003eBOMBblog\u003c\/i\u003e\u003c\/a\u003e, with Claire Wilcox \u003cbr\u003e - \u003ca href=\"http:\/\/www.molossus.co\/interview\/noelle-kocot-on-tristan-corbiere\/\" target=\"_blank\"\u003e\u003ci\u003eMolossus\u003c\/i\u003e\u003c\/a\u003e, with David Shook \u003cbr\u003e- \u003ca href=\"http:\/\/www.zyzzyva.org\/2016\/06\/06\/qa-with-noelle-kocot\/\" target=\"_blank\"\u003e\u003cem\u003eZyzzyva\u003c\/em\u003e\u003c\/a\u003e, with Maggie Millner\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44982042\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" height=\"166\" width=\"100%\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading from \u003ca href=\"http:\/\/wavepoetry.com\/products\/poem-for-the-end-of-time-and-other-poems\"\u003e\u003cem\u003ePoem for the End of Time and Other Poems\u003c\/em\u003e\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/hbzkxbumTAM?rel=0\" height=\"281\" width=\"500\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading from \u003ca href=\"\/products\/the-bigger-world\"\u003e\u003cem\u003eThe Bigger World\u003c\/em\u003e\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/AXTYu5YAQrw?rel=0\" height=\"281\" width=\"500\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading in San Francisco on the \u003ca href=\"http:\/\/www.poetrybus.com\" target=\"_blank\"\u003ePoetry Bus Tour\u003c\/a\u003e:\u003cbr\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/gkj86EYtFO0?rel=0\" height=\"375\" width=\"500\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Noelle Kocot","offers":[{"title":"Default Title","offer_id":198914012,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-kocot.jpg?v=1666040881"},{"product_id":"brett-fletcher-lauer","title":"Brett Fletcher Lauer","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eBrett Fletcher Lauer\u003c\/b\u003e was born in Philadelphia, Pennsylvania. He is the co-editor of \u003ca href=\"\/products\/isnt-it-romantic-100-love-poems-by-younger-american-poets\"\u003e\u003ci\u003eIsn’t It Romantic: 100 Love Poems by Younger American Poets\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2004) and \u003ci\u003ePoetry in Motion from Coast to Coast\u003c\/i\u003e (W.W. Norton, 2002). He is the Managing Editor of the Poetry Society of America, and a Poetry Editor of \u003ci\u003eA Public Space\u003c\/i\u003e, and his poems have appeared in \u003ci\u003eBOMB, Boston Review,\u003c\/i\u003e and elsewhere. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews of books edited by Brett Fletcher Lauer\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/isnt-it-romantic-100-love-poems-by-younger-american-poets\"\u003e\u003ci\u003eIsn’t It Romantic: 100 Love Poems by Younger American Poets\u003c\/i\u003e\u003c\/a\u003e \u003c!--END\n        REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003eBrett Fletcher Lauer’s \u003ca href=\"http:\/\/shipsthatpass.tumblr.com\/\" target=\"_blank\"\u003e\u003ci\u003eShips That Pass\u003c\/i\u003e\u003c\/a\u003e, reviewed on \u003ca href=\"http:\/\/www.breakupgirl.net\/?p=5084\" target=\"_blank\"\u003e\u003ci\u003eBreakup Girl\u003c\/i\u003e\u003c\/a\u003e and \u003ci\u003e\u003ca href=\"http:\/\/www.thelmagazine.com\/TheMeasure\/archives\/2010\/10\/18\/ships-that-pass-craigslist-missed-connections-and-the-imagined-other\" target=\"_blank\"\u003eThe L Magazine\u003c\/a\u003e\u003c\/i\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/lauer-topics-for-amplification\" target=\"_blank\"\u003eTopics for Amplification \u003c\/a\u003e (in \u003ci\u003eBoston Review\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.epoetry.org\/issues\/issue6\/text\/cnotes\/bl.htm\" target=\"_blank\"\u003eThree poems\u003c\/a\u003e (in \u003ci\u003eElectronic Poetry Review\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.fenceportal.org\/?page_id=291\" target=\"_blank\"\u003eThree poems \u003c\/a\u003e(in \u003ci\u003eFence\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.jubilat.org\/jubilat\/archive\/vol15\/poem_12\/\" target=\"_blank\"\u003e“Adult Situations”\u003c\/a\u003e (in \u003ci\u003eJubilat\u003c\/i\u003e) \u003cbr\u003e - \u003ca href=\"http:\/\/www.lapetitezine.org\/BrettFletcherLauer.htm\" target=\"_blank\"\u003eFour poems \u003c\/a\u003e (in \u003ci\u003eLa Petite Zine\u003c\/i\u003e) \u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Brett Fletcher Lauer","offers":[{"title":"Default Title","offer_id":198914052,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/brett_lauer_bw.jpg?v=1331921714"},{"product_id":"katy-lederer","title":"Katy Lederer","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eKaty Lederer\u003c\/b\u003e is the author of the poetry collections \u003ca href=\"\/products\/winter-sex\"\u003e\u003ci\u003eWinter Sex\u003c\/i\u003e\u003c\/a\u003e (Verse Press, 2002), \u003ci\u003eThe Heaven-Sent Leaf\u003c\/i\u003e (BOA Editions, 2008), and \u003ci\u003ePoker Face: A Girlhood Among Gamblers\u003c\/i\u003e, online at Crown Books. Educated at the University of California at Berkeley and the Iowa Writers’ Workshop, she edited her own magazine, \u003ci\u003eExplosive,\u003c\/i\u003e from 1996-2006 and currently serves as a Poetry Editor of \u003ci\u003eFence Magazine\u003c\/i\u003e.\u003cbr\u003e \u003cbr\u003e (Author photo by Joanna Eldredge Morrissey)\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003eLederer's lyricism is often punctuated with the tautological, the truistic, the what-goes-without-saying, and the humility of Lederer's quasi-conclusions can be a winning quality. The poems are often amped to the point that the filament in them appears ready to burn, and then at the last second Lederer seems to know how to reduce the current without losing the illumination.\u003cbr\u003e\u003cb\u003ePaul Stephens, \u003ci\u003eElectronic Poetry Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReviews of books by Katy Lederer\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/winter-sex\"\u003e\u003ci\u003eWinter Sex\u003c\/i\u003e\u003c\/a\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - \u003ca href=\"http:\/\/www.brooklyngardenparty.com\" target=\"_blank\"\u003eKaty Lederer's website\u003c\/a\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoems\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/poetry\/iris-cushing-sampler\" target=\"_blank\"\u003eSampler of Katy Lederer's poems\u003c\/a\u003e (in \u003ci\u003eBoston Review\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.coconutpoetry.org\/lederer2.htm\" target=\"_blank\"\u003eFour poems \u003c\/a\u003e (in \u003ci\u003eCoconut\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/jacketmagazine.com\/08\/lederer.html\" target=\"_blank\"\u003eFour poems \u003c\/a\u003e (in \u003ci\u003eJacket Magazine\u003c\/i\u003e)\u003cbr\u003e - \u003ca href=\"http:\/\/www.typomag.com\/issue06\/lederer.html\" target=\"_blank\"\u003eTwo poems \u003c\/a\u003e (in \u003ci\u003eTYPO Magazine\u003c\/i\u003e)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.identitytheory.com\/interviews\/lederer_interview.php\" target=\"_blank\"\u003e\u003ci\u003eIdentity Theory\u003c\/i\u003e\u003c\/a\u003e, with Matthew Borondy \u003cbr\u003e \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003e Reading at the University of Richmond:\u003cbr\u003e \u003cobject height=\"375\" width=\"500\"\u003e\u003cparam name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/GV5C6iMDPBc\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\"\u003e\n\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cembed src=\"\/\/www.youtube.com\/v\/GV5C6iMDPBc\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"allowfullscreen\" height=\"375\" width=\"500\"\u003e\u003c\/object\u003e \u003cbr\u003e \u003cbr\u003e Reading at the \u003ca href=\"http:\/\/www.sacramentopoetrycenter.org\/\"\u003eSacramento Poetry Center\u003c\/a\u003e: \u003cbr\u003e \u003cobject height=\"375\" width=\"500\"\u003e\u003cparam name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/ae8QcSZqdQM\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\"\u003e\n\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cembed src=\"\/\/www.youtube.com\/v\/ae8QcSZqdQM\u0026amp;hl=en_US\u0026amp;fs=1\u0026amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"allowfullscreen\" height=\"375\" width=\"500\"\u003e\u003c\/object\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Katy Lederer","offers":[{"title":"Default Title","offer_id":198914102,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-lederer.jpg?v=1666119167"},{"product_id":"ernst-meister","title":"Ernst Meister","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eErnst Meister\u003c\/b\u003e (1911-1979) was born in Hagen, Germany, and studied first theology, then literature, art history, and philosophy (the latter under Karl Löwith and Hans-Georg Gadamer) at various German universities. After the publication of his first book in 1932, he published no poetry for two decades, a silent spell that ultimately gave way to the prolific last third of his life, over the course of which he produced more than sixteen volumes of verse as well as numerous other literary and visual works. Often compared to Paul Celan because of the brevity and difficulty of his poems, Meister tends toward a more abstract existentialism that renders his work both intensely emotional and inimitably strange. Having written outside the dominant literary circles of his time, he remains relatively unknown, though he was posthumously awarded the most prestigious award for German literature, the Georg Büchner Prize, having been informed of the honor just days before his death. \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/graham-foust\"\u003eGraham Foust\u003c\/a\u003e and \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/samuel-frederick\"\u003eSamuel Frederick\u003c\/a\u003e have translated Meister's informal trilogy which includes\u003cem\u003e \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/uncollected-later-poems-1968-1979?_pos=1\u0026amp;_psq=ern\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\"\u003eUncollected Later Poems (1968–1979)\u003c\/a\u003e \u003c\/em\u003e(November 2023), \u003ca href=\"http:\/\/wavepoetry.com\/products\/in-times-rift\"\u003e\u003cem\u003eIn Time's Rift\u003c\/em\u003e\u003c\/a\u003e (Wave Books, 2012), \u003ci\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/wallless-space\"\u003eWallless Space\u003c\/a\u003e \u003c\/i\u003e(Wave Books, 2014) and \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003e\u003ci\u003eOf Entirety Say the Sentence\u003c\/i\u003e\u003c\/a\u003e (\u003cspan\u003eWave Books\u003c\/span\u003e, 2015). Foust and Frederick have also translated his \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/uncollected-later-poems-1968-1979\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUncollected Later Poems 1968-1979\u003c\/a\u003e\u003c\/em\u003e (November 2023).\u003c\/p\u003e\n(Author photo courtesy of Rimbaud Verlag)\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCheck out pictures and notes from Graham Foust's visit to the \u003ca href=\"http:\/\/wavepoetry.com\/products\/ernst-meister\"\u003eErnst Meister\u003c\/a\u003e archives: \u003ca href=\"http:\/\/wavepoetry.tumblr.com\/post\/100753581575\/graham-foust-and-samuel-frederick-have-embarked-on\" target=\"_blank\"\u003ePart 1\u003c\/a\u003e and \u003ca href=\"http:\/\/wavepoetry.tumblr.com\/post\/100835570695\/graham-foust-and-samuel-frederick-have-embarked-on\" target=\"_blank\"\u003ePart 2\u003c\/a\u003e.\n\u003cp\u003e\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e \u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003eLike many other Eastern European poetries, Meister's work can often feel spare and startling, bold and quiet at once. In its questioning of faith, mortality, and hope it echoes Dickinson, but the malleable sense of self and open-ended pronouns feel equally in keeping with the Language poets and those who have come after.\u003cbr\u003e\u003cb\u003eArielle Greenberg, \u003ci\u003eAmerican Poetry Review\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\nHis was a poetry that, as he often said, arose out of nothing, the nothing that exists between words, the space between a word and a concept, the silence where language ceases to speak....Meister’s poetry is both serious and playful. He deals with the big issues of life, love, and death, but he delights in catching the reader out. A particular trick was to hide his name, in anagrams, in his poems. His poetry is characterized, more than anything, by compression: he is sparing with language, leaving the greatest possible space for poetic effects on the mind of his reader. \u003cbr\u003e\u003cb\u003e\u003cspan\u003eJean Boase-Beier, \u003c\/span\u003e\u003ci\u003eThe International Literary Quarterly\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is poetry’s job, if one can say that poetry ought to have a job: to take the ineffable and, using only words, which are forever getting in the way, shape it into something that the reader can experience in a way that feels real, or if not real, at least comprehensible. Ernst Meister...did this very well. \u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003eAlex Estes, \u003c\/span\u003e\u003ci\u003eThe Rumpus\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMeister's work is mesmerizingly succinct and elusive, but also ambitious to a degree almost unheard...\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003eSeth Abramson, \u003c\/span\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike his subject matter, Meister’s writing is ominous, intangible, and inescapable.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003ePublishers Weekly\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Ernst Meister\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.wavepoetry.com\/products\/of-entirety-say-the-sentence\"\u003eOf Entirety Say the Sentence\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/wallless-space\"\u003e\u003ci\u003eWallless Space\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"http:\/\/www.wavepoetry.com\/products\/in-times-rift\"\u003e\u003cem\u003eIn Time's Rift\u003c\/em\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Ernst Meister","offers":[{"title":"Default Title","offer_id":198914272,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/web-meister.jpg?v=1666120137"},{"product_id":"chelsey-minnis","title":"Chelsey Minnis","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-style: normal;\"\u003e\u003cstrong\u003eChelsey Minnis\u003c\/strong\u003e (she\/her) lives in Boulder, Colorado, and also writes screenplays under the name Merrit Schmidt. She has an MFA in poetry from the University of Iowa Writer's Workshop, and has recently released a new poetry collection, \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/opera-fever?_pos=1\u0026amp;_sid=e6c04d07b\u0026amp;_ss=r\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eOpera Fever\u003c\/em\u003e\u003c\/a\u003e (Wave, 2026). Her earlier works of poetry include \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/baby-i-dont-care\" target=\"_blank\" rel=\"noopener\"\u003eBaby, I Don’t Care\u003c\/a\u003e \u003c\/em\u003e(Wave, 2018), \u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/poemland?_pos=1\u0026amp;_sid=c6fae1221\u0026amp;_ss=r\" target=\"_blank\" rel=\"noopener\"\u003ePoemland\u003c\/a\u003e \u003c\/em\u003e(Wave, 2009), \u003cem\u003eBad Bad\u003c\/em\u003e, and \u003cem\u003eZirconia\u003c\/em\u003e. Two of her drama screenplay features placed in the semifinals in the Austin Film Festival in 2024: opera biopic \u003cem\u003eBaritone\u003c\/em\u003e and contained magical drama \u003cem\u003eAutobiography of a Very Normal Person\u003c\/em\u003e. A \u003cem\u003eNew York Times\u003c\/em\u003e review for \u003cem\u003eBaby, I Don't Care\u003c\/em\u003e called her “a provocative thinker about gender and poetry and the erotics of dislike.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e(author photo by Julie Harris) \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHer writing is like fake fur, the color chartreuse, a miniature weapon hidden in a vintage snap-clasp purse. Charming and pouty, it reminds me of the feeling of reading a glossy fashion magazine while lying on your stomach in your childhood bed\u003cbr\u003e\u003cstrong\u003eEmily Bludworth De Barrios, \u003cem\u003eElectric Lit\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHer poems are so good it hurts.\u003cbr\u003e\u003cstrong\u003eIzzy Casey, \u003cem\u003ePoetry Daily\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMinnis creates an intimate space for the reader to inhabit themselves.\u003cbr\u003e\u003cstrong\u003eSophia Georghiou, \u003cem\u003eWriting in Practice\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSome poets are cutters, others are curers, showing up to every occasion like a condolence-wisher with a casserole. Chelsey Minnis is firmly in the first category. Her verse arrives well chilled. It is served with misanthropic aplomb. . . . Her poems marinate in the sort of feelings you don’t like to admit you have. There’s a tang of Nietzsche in her antisocial desires, her amorality. Minnis is a bored, fierce, literate attendee at what the poet Frederick Seidel has referred to as “life’s cotillion.”\u003cbr\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.nytimes.com\/2019\/04\/15\/books\/review-baby-i-dont-care-chelsey-minnis.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDwight Garner, \u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e[Minnis] has more killer lines per square-foot than Seidel even. Her subject is poetry, its awfulness, its pretensions, its ‘business’, and she arrives armed.\u003cbr\u003e\u003cb\u003eSam Riviere, \u003ci\u003eThe Quietus\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIf you agree with Aristotle when he writes in the \u003ci\u003ePoetics\u003c\/i\u003e that “the greatest thing by far is to be a master of metaphor” and that such mastery is “a sign of genius,” then you might also agree that Chelsey Minnis is a brilliant mastermind.\u003cbr\u003e\u003cb\u003eChris Tonelli, \u003ci\u003eBlack Ocean\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe great substance of Minnis’s writing is what she can do without typical poetic accoutrement. No vivid imagery, no rhyme or meter, no real sonic resonance, just honest language stripped apart and put back together in a way that is rarely seen: honestly.\u003cbr\u003e\u003cb\u003e\u003ci\u003eCannoli Pie\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eMinnis excels at teetering in perfect balance between the childishly vapid and the ultimately truthful.\u003cbr\u003e\u003cb\u003eElisa Gabbert, \u003ci\u003eOpen Letters\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eMinnis mixes the postmodern with the nearly archaic: her exclamatory lines contain an almost troubadour-like quality in their exuberance for announcing their thoughts.\u003cbr\u003e\u003cb\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe force behind Minnis’s work is truly in the baldness of the lines. She does not force her readers into her self-made paradigms or attempts to define objective truth. She writes, you read, that’s it.\u003cbr\u003e\u003cb\u003e\u003ci\u003eunRonic\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e[Minnis's] poems can be read as audacious and defiant, but behind the bold façade a vulnerability is contained and nurtured. \u003cbr\u003e\u003cb\u003eAmy Key, \u003ci\u003ePoetry London\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eReviews of books by Chelsey Minnis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.wavepoetry.com\/products\/baby-i-dont-care\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eBaby, I don't care\u003c\/a\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/poemland\"\u003e\u003ci\u003ePoemland\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e\u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/thestockholmreview.org\/the-stagnelius-section\/eight-poems-by-chelsey-minnis\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eEight Poems \u003c\/a\u003e (in \u003ci\u003eStockholm Review\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.coconutpoetry.org\/minnis1.htm\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003ci\u003eCoconut Poetry\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.gutcult.com\/litjourn1\/html\/CM2.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e“Revenger”\u003c\/a\u003e (in \u003ci\u003eGutCult\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/www.newyinzer.com\/archive\/spring08\/18.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSix poems\u003c\/a\u003e (in \u003ci\u003eThe New Yinzer\u003c\/i\u003e)\u003cbr\u003e- \u003ca href=\"http:\/\/playnoplay.blogspot.com\/2007\/06\/featuring-chelsey-minnis.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eFive poems\u003c\/a\u003e (in \u003ci\u003ePlay \/ No Play\u003c\/i\u003e)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterview\u003c\/b\u003e\u003cbr\u003e- \u003cem\u003e\u003ca href=\"http:\/\/poetrylondon.co.uk\/material-lacquer-chelsey-minnis-talks-to-amy-key\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ePoetry London\u003c\/a\u003e\u003c\/em\u003e with Amy Key\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e \u003cb\u003eAudio\u003c\/b\u003e \u003cbr\u003e- \u003ca href=\"https:\/\/soundcloud.com\/poetrysociety\/chelsey-minnis\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eChelsey Minnis talks to Emily Berry\u003c\/a\u003e from \u003ci\u003eThe Poetry Society\u003c\/i\u003e\u003cbr\u003e\u003c!--END AUDIO\/VIDEO--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chelsey Minnis","offers":[{"title":"Default Title","offer_id":198914742,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/MerritSummer2024-6176_pp.jpg?v=1761692631"},{"product_id":"maggie-nelson","title":"Maggie Nelson","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cp\u003e\u003cb\u003eMaggie Nelson\u003c\/b\u003e is the author of twelve books of poetry and prose, many of which have become cult classics defying categorization. \u003cmeta charset=\"utf-8\"\u003eHer newest book is \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/pathemata-or-the-story-of-my-mouth\"\u003e\u003cem\u003ePathemata, or The Story of My\u003c\/em\u003e \u003cem\u003eMouth\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e.\u003c\/em\u003e She first published \u003ca href=\"https:\/\/www.wavepoetry.com\/products\/bluets\"\u003e\u003ci\u003eBluets\u003c\/i\u003e\u003c\/a\u003e with Wave Books in 2009 - in 2015, the book was named by \u003ci\u003eBookforum\u003c\/i\u003e one of the top 10 best books of the past 20 years; in 2024, it was adapted into an acclaimed play staged at the Royal Court Theater of London. Her other nonfiction titles include \u003ci\u003eLike Love: Essays and Conversations\u003c\/i\u003e (2024), \u003ci\u003eOn Freedom: Four Songs of Care and Constraint\u003c\/i\u003e (2021; named a \u003ci\u003eNew York Times\u003c\/i\u003e Notable Book of the Year), the National Book Critics Circle Award winner \u003ci\u003eThe Argonauts\u003c\/i\u003e (2015; named by the \u003ci\u003eNew York Times\u003c\/i\u003e one of the top 100 books of the 21\u003csup\u003est\u003c\/sup\u003e Century), \u003ci\u003eThe Art of Cruelty: A Reckoning\u003c\/i\u003e (2011; named a \u003ci\u003eNew York Times\u003c\/i\u003e Notable Book of the Year), \u003ci\u003eThe Red Parts: Autobiography of a Trial \u003c\/i\u003e(2007), and \u003ci\u003eWomen, the New York School, and Other True Abstractions\u003c\/i\u003e (2007). Her poetry titles include \u003ci\u003eSomething Bright, Then Holes\u003c\/i\u003e (2007), and \u003ci\u003eJane: A Murder\u003c\/i\u003e (2005). A 2016 MacArthur “genius” fellow, she currently teaches at the University of Southern California and lives in Los Angeles. \u003c\/p\u003e\n\u003c!---BIO END----\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn trying to untangle the problem of her own pain and her experience of disconnection, she invites us to reflect on ours. In outlining her suffering, she prompts us to imagine our own. The singular as metaphor for the collective, urging us to fully inhabit the lives we have, in spite of bodily interruptions, or global distractions.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSinéad Gleeson, \u003cem\u003eThe Guardian\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith subtlety and deftness, Nelson's writing is sensational in its stark and touching heft; facts are emotional experiences.\u003cbr\u003e\u003cb\u003eGodelieve de Bree, \u003cem\u003eChicago Review of Books\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/b\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBy making the problems of the cultural sphere her own, Nelson attempts to live with them without smothering them under the weight of her care. In this way, her criticism is exactly like love.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJenny Wu, \u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e\u003c\/strong\u003e\u003cb\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/b\u003eIt must be human nature to love secrets; it's certainly contemporary to love confessions. But Nelson is interested in more than mere confessions. Nelson is interested in looking and what it means to see the world and how that is or isn't different from what it means to write about it.\u003cb\u003e\u003cbr\u003eJocelyn Parr, \u003cem\u003eBrick, A Literary Journal\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBluets is a collection of words that keeps vibrating, that can never be worn out.\u003cbr\u003e\u003cb\u003ePeter Rock, \u003cem\u003eThe Rumpus\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIt’s been said that a great writer can turn any subject into an engaging book...this is precisely what Bluets, Maggie Nelson’s arty, smart and gorgeous meditation on the color blue, sets out to do, and it is alarming how much drama she creates from a subject so apparently simple\u003cbr\u003e\u003cb\u003e\u003cem\u003eTime Out New York\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eI never feel satisfied with poetry that is wholly cerebral or wholly emotional, so I love that Maggie Nelson’s writing gives me a philosophy fix along with a hit of Romantic sublime.\u003cbr\u003e\u003cb\u003eElisa Gabbert, \u003cem\u003eOpen Letters Monthly\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eShe veers, she collects, she assembles quotes, she confesses, she wheels unsignaled between ornate preciosity and the uncluttered blunt.\u003cbr\u003e\u003cb\u003eJohn Latta, \u003cem\u003eIsola di Rifiuti\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe proliferation of ideas from these bits and pieces of carefully reconstructed information is stunning. Nelson deftly weaves acutely felt emotions into her intellectual musings.\u003cbr\u003e\u003cb\u003e\u003cem\u003eThe Blog of Disquiet\u003c\/em\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews of books by Maggie Nelson\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"\/products\/bluets\"\u003e\u003cem\u003eBluets\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e - Maggie Nelson’s \u003ca href=\"http:\/\/directory.calarts.edu\/directory\/maggie-nelson\" target=\"_blank\"\u003eCalArts faculty home page\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArticles\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.bookforum.com\/booklist\/4754\" target=\"_blank\"\u003e“On Color”\u003c\/a\u003e (in \u003cem\u003eBookforum\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterviews and Discussions\u003c\/strong\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.poetryfoundation.org\/article\/242700\" target=\"_blank\"\u003e\u003cem\u003eThe Poetry Foundation\u003c\/em\u003e\u003c\/a\u003e, with Wave author \u003ca href=\"\/collections\/authors\/products\/anthony-mccann\"\u003eAnthony McCann\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/4555\" target=\"_blank\"\u003e\u003cem\u003eBOMBlog\u003c\/em\u003e\u003c\/a\u003e, with Susie Deford\u003cbr\u003e- \u003ca href=\"http:\/\/www.chaparralpoetry.net\/current-issue\/interview-with-maggie-nelson\/\" target=\"_blank\"\u003e\u003cem\u003eChaparral Review\u003c\/em\u003e\u003c\/a\u003e, with Kim Young\u003cbr\u003e- \u003cem\u003e\u003ca href=\"http:\/\/continentcontinent.cc\/index.php\/continent\/article\/viewArticle\/47\" target=\"_blank\"\u003eContinent\u003c\/a\u003e\u003c\/em\u003e, with Evan Lavender-Smith\u003cbr\u003e- \u003ca href=\"http:\/\/cecilvortex.com\/swath\/2007\/02\/15\/an_interview_with_maggie_nelson.html\" target=\"_blank\"\u003e\u003cem\u003eCecil Vortex\u003c\/em\u003e\u003c\/a\u003e, with Dan Brodnitz\u003cbr\u003e- \u003ca href=\"http:\/\/herecomeseverybody.blogspot.com\/2005\/02\/maggie-nelson-is-author-of-poetry.html\" target=\"_blank\"\u003e\u003cem\u003eHere Comes Everybody\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- A conversation between Maggie Nelson and Wayne Koestenbaum in \u003ca href=\"http:\/\/poetryproject.org\/wp-content\/uploads\/n207.pdf\" target=\"_blank\"\u003e\u003cem\u003eThe Poetry Project Newsletter\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/www.bookslut.com\/features\/2013_07_020156.php\" target=\"_blank\"\u003e\u003cem\u003eBookslut\u003c\/em\u003e\u003c\/a\u003e, with Genevieve Hudson\u003cbr\u003e\u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/44981832\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Nelson.php\" target=\"_blank\"\u003eMaggie Nelson’s page\u003c\/a\u003e on PennSound\u003cbr\u003e- \u003ca href=\"http:\/\/www.thirdfactory.net\/media\/Nelson-Maggie_Bluets-52to59_LA-Lit_11Mar07.mp3\" target=\"_blank\"\u003eReading from \u003cem\u003eBluets\u003c\/em\u003e\u003c\/a\u003e for LA-Lit\u003cbr\u003e- \u003cem\u003e\u003ca href=\"http:\/\/www.cabinetmagazine.org\/events\/nelson.php\" target=\"_blank\"\u003eCABINET\u003c\/a\u003e\u003c\/em\u003e reading, with \u003ca href=\"\/collections\/authors\/products\/caconrad\"\u003eCAConrad,\u003c\/a\u003e \u003ca href=\"\/collections\/authors\/products\/eileen-myles\"\u003eEileen Myles,\u003c\/a\u003e Wayne Koestenbaum, and others\u003cbr\u003e- Reading \u003ca href=\"http:\/\/poetryproject.org\/maggie-nelson-poem-for-harry-2414\/\" target=\"_blank\"\u003e\"poem for Harry\"\u003c\/a\u003e for The Poetry Project \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading at the Festival of Poets:\u003cbr\u003e\u003ciframe width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/9IIaUk_UNdY\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eReading at the Poetic Research Bureau's Life Sentences festival of epigrammatic writing: \u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/aIPBIHrFW1A\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Maggie Nelson","offers":[{"title":"Default Title","offer_id":198914902,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/files\/Nelson-web-2024.jpg?v=1717075215"},{"product_id":"andrew-zawacki","title":"Andrew Zawacki","description":"\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eAndrew Zawacki\u003c\/b\u003e is the author of the poetry books \u003ci\u003ePetals of Zero Petals of One\u003c\/i\u003e (Talisman House, 2009), \u003ci\u003eAnabranch\u003c\/i\u003e (Wesleyan, 2004), and \u003ci\u003eBy Reason of Breakings\u003c\/i\u003e (Georgia, 2002), as well as of five chapbooks: \u003ci\u003eArrow’s shadow\u003c\/i\u003e (Equipage, due ’09); \u003ci\u003eRoche limit\u003c\/i\u003e (Track \u0026amp; Field, due ’08); \u003ci\u003eBartleby’s Waste-book\u003c\/i\u003e (Particle Series, due ’08); \u003ci\u003eGeorgia\u003c\/i\u003e (Katalanché, due ’08), co-winner of the 1913 Prize; and \u003ci\u003eMasquerade\u003c\/i\u003e (Vagabond, 2001), recipient of the Alice Fay Di Castagnola Award from the PSA. A former fellow of the Slovenian Writers’ Association, he edited \u003ci\u003eAfterwards: Slovenian Writing 1945-1995\u003c\/i\u003e (White Pine, 1999). He is currently Assistant Professor of English at the University of Georgia. \u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003eZawacki lays a lyrical path that leads the reader from pastoral southern landscapes through urban decay and back into suburban complacency. Often unpaved, bombed out or pocked with violence, this lyrical road mimics the rapid cadence and constant jostling of a fast jeep ride over uneven terrain, its a.m. radio set somewhere between dogmatic rants and shouting static.\u003cbr\u003e\u003cb\u003eDaniel Shoemaker, \u003ci\u003eJacket Magazine\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Zawacki shows that in every object there’s the promise for a potential future.\u003cbr\u003e\u003cb\u003eWill Vincent, \u003ci\u003eHTML Giant\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books edited by Andrew Zawacki\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/the-verse-book-of-interviews\"\u003e\u003ci\u003eThe Verse Book of Interviews\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e \u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003ePoems\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.bostonreview.net\/BR37.6\/andrew_zawacki_2_poem.php\" target=\"_blank\"\u003e“Là”\u003c\/a\u003e and \u003ca href=\"http:\/\/www.bostonreview.net\/BR37.6\/andrew_zawacki_poem.php\" target=\"_blank\"\u003e“Station”\u003c\/a\u003e (in \u003ci\u003eBoston Review\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInterviews\u003c\/b\u003e\u003cbr\u003e - \u003ca href=\"http:\/\/www.guernicamag.com\/blog\/2702\/erica_wright_andrew_zawacki_on\/\" target=\"_blank\"\u003e\u003ci\u003eGuernica\u003c\/i\u003e\u003c\/a\u003e\u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e - Reading for \u003ca href=\"http:\/\/media.sas.upenn.edu\/pennsound\/groups\/XCP\/XCP_77_Zawacki_2005.mp3\" target=\"_blank\"\u003eCross-Cultural Poetics\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Andrew Zawacki","offers":[{"title":"Default Title","offer_id":198915702,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/AndrewZawacki2023.png?v=1680717658"},{"product_id":"james-tate","title":"James Tate","description":"\u003cdiv\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eBio\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\" title=\"Link: #tab2\"\u003eReviews\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eAudio\/Video\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cp\u003e\u003c!--BIO--\u003e \u003cb\u003eJames Tate\u003c\/b\u003e (1943-2015) is the author of numerous books of poetry, including \u003ci\u003eReturn to the City of White Donkeys\u003c\/i\u003e (Harper Collins, 2004); \u003ci\u003eMemoir of the Hawk\u003c\/i\u003e (Ecco Press, 2001); \u003ci\u003eShroud of the Gnome\u003c\/i\u003e (1997); and \u003ci\u003eWorshipful Company of Fletchers\u003c\/i\u003e (1994), which won the National Book Award. His \u003ci\u003eSelected Poems\u003c\/i\u003e (1991) won the Pulitzer Prize and the William Carlos Williams Award. His collection of short fiction, \u003ca href=\"https:\/\/www.wavepoetry.com\/collections\/books\/products\/dreams-of-a-robot-dancing-bee\"\u003e\u003cem\u003eDreams of a Robot Dancing Bee\u003c\/em\u003e\u003c\/a\u003e, was published by Verse Press in 2002. His honors include a National Institute of Arts and Letters Award for Poetry, the Wallace Stevens Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He taught at the University of Massachusetts in Amherst.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e(Author photo by Stephen Long)\u003c!---BIO END----\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003cp\u003e\u003c!--REVIEWS--\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTate has always had a serious purpose. He has not only written many good poems, he has done so in so many different and original ways that I cannot think of anyone of comparable range.\u003cbr\u003e\u003cb\u003eCharles Simic, \u003ci\u003eParis Review\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eOn the surface, his poetry is deliberately difficult: his poems are nonsensical, contain plotless monologues, delight in parodies of ordinary speech and violent shifts in tone. But if his style owes a great deal to Dada, his feeling is almost Victorian in its piety: he is always concerned to tell us that beneath the busyness and loneliness of our daily lives, there remains in us the possibility for peace, happiness and real human connection.\u003cbr\u003e\u003cb\u003eAdam Kirsch, \u003ci\u003eNew York Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews of books by James Tate\u003c\/b\u003e \u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/products\/dreams-of-a-robot-dancing-bee\"\u003e\u003ci\u003eDreams of a Robot Dancing Bee\u003c\/i\u003e\u003c\/a\u003e\u003c!--END REVIEWS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003cp\u003e\u003c!--LINKS--\u003e \u003cb\u003eInterviews\u003c\/b\u003e \u003cbr\u003e - \u003ca href=\"http:\/\/ccat.sas.upenn.edu\/xconnect\/v4\/i1\/g\/magee.html\" target=\"_blank\"\u003e\u003ci\u003eCross Connect\u003c\/i\u003e\u003c\/a\u003e, with Mike Magee \u003cbr\u003e - \u003ca href=\"http:\/\/www.pw.org\/content\/interview_poet_james_tate\" target=\"_blank\"\u003e\u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e\u003c\/a\u003e, with Nick Twemlow \u003cbr\u003e \u003c!--END LINKS--\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003cp\u003e\u003c!--AUDIO\/VIDEO--\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"http:\/\/writing.upenn.edu\/pennsound\/x\/Tate.html\" target=\"_blank\"\u003eJames Tate’s page\u003c\/a\u003e on PennSound \u003cbr\u003e - Reading at the \u003ca href=\"http:\/\/www.kwls.org\/lit\/podcasts\/mp3\/jamestate.mp3\" target=\"_blank\"\u003eKey West Literary Seminar\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVideo\u003c\/b\u003e\u003cbr\u003eReading with \u003ca href=\"http:\/\/www.wavepoetry.com\/collections\/authors\/products\/dara-wier\"\u003eDara Wier\u003c\/a\u003e at the \u003ca href=\"http:\/\/www.walkerart.org\/\" target=\"_blank\"\u003eWalker Art Center\u003c\/a\u003e:\u003cbr\u003e \u003ciframe src=\"\/\/www.youtube.com\/embed\/JS0d5rV8dMA\" height=\"281\" width=\"500\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!--END AUDIO\/VIDEO--\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!--END AUDIO\/VIDEO--\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"James Tate","offers":[{"title":"Default Title","offer_id":209278350,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0117\/1312\/products\/15147.jpeg?v=1331931844"}],"url":"https:\/\/www.wavepoetry.com\/collections\/authors\/steve-shavel.oembed","provider":"Wave Books","version":"1.0","type":"link"}