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Douglas Kearney



  • Winner of the 2022 Griffin Poetry Prize 
    Winner for the Minnesota Book Award
    Finalist for the 2021 PEN/Voelcker Award
    Finalist for the 2021 National Book Award

    Finalist for the 2022 Kingsley Tufts Award
    Finalist for the Griffin Award for Poetry

  • Eschewing performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular strategies, while examining histories and current events through the lyric, brand new dances, and other performances. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.

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  • Sho is Douglas Kearney’s genius, vulnerability, and virtuosity on full display. These poems live in the rhythms of negotiation and navigation, at the root of saying. They elide, slide, exist in fitful comprehension of our world—where the public and private collide: "The funk, recall, as most Black Shit once was and is sickness" This is work that even on the page, refuses the page with its "performative typography." Always playful, forever in dialogue, Kearney’s poems come at being from all sides. This book is the crowning achievement of Kearney’s body of work to date.
    Judges' citation, Griffin Poetry Prize
  • I think the book is anti-spectacle. It is asking the reader to see, to really see (not for show), and to reckon with the atrocities of our time. All the while, Kearney’s language is always new, is always about possibility and expansion, and always dazzling.
    —Victoria Chang, LARB

    Kearney's prosody is miraculous. Explosive double beats launch the lines or hit the break like a hi-hat. Slant rhymes suggest infinite puns, but Kearney sometimes downshifts from complexity and just cruises around the neighborhood. Formalism as syncopation and signification: I can't think of another writer as gifted as Kearney is at sound.
    Ken Chen, NPR Books

    Sho exemplifies the daring possibilities for poetry today. Despite the devastation held within our lexicon, words hold the dazzling potential that we can rise through language to "come up clutching what is under— / come back striking / what’s above.”
    —CD Eskilson, The Arkansas International

  • Douglas Kearney has published six collections, including Buck Studies (Fence Books, 2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and the California Book Award's silver medal in poetry. M. NourbeSe Philip calls Kearney’s collection of libretti, Someone Took They Tongues. (Subito, 2016), “a seismic, polyphonic mash-up.” Kearney’s Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution handpicked selection that Publishers Weekly called “an extraordinary book.” He has received a Whiting Award, a Foundation for Contemporary Arts Cy Twombly Award for Poetry, residencies and fellowships from Cave Canem, the Rauschenberg Foundation, and others. Kearney teaches Creative Writing at the University of Minnesota–Twin Cities and lives in St. Paul with his family.

Publication Date: April 6, 2021

ISBN# 9781950268153 (7 x 9, 104pp, paperback)
ISBN# 9781950268160 (7 x 9, 104pp, limited edition hardcover)
ISBN# 9781950268627 (e-book*)

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