The Passenger

By Dale Martin Smith

• Description
• Reviews

• In his latest collection, Toronto-based poet Dale Martin Smith invites us into a vivid lyric landscape, a looping personal voyage of reckoning and return. In a series of spare evocative poems, framed by two lyric essays, Smith presents a search for meaning in terms of memory, the self, and national narrative. The Passenger inhabits multiple iterations of selfhood across time, spanning over 30 years and starting with site-specific images of the author’s experience as a Peace Corps volunteer in the Republic of Yemen in the early 1990s. The violence of US imperialism, the sacrifice of lives in the ongoing wars on terror, and the author’s own lived encounters between cultures trace an echo of mnemonic layering. Smith subtly guides the experience of embodied but unsettled subjectivity, questioning the dominance of Western idealism and what it means to contend with national identity through recollection.

   

  
  

• Previous Praise:
  

  In lines of great lyric discernment with an eye to atrocities of the past in the present, Dale Smith reimagines the song form as our consummate equipment for living. Flying Red Horse confirms his breathtaking artistry that – insofar as any time of innocence is over – holds at once a place, an exhortation, a persevering, a reverie, a promise.

  Roberto Tejada

  With a kind of clipped historical shorthand, the use of the fragment in The Size of Paradise becomes a supercharged lyrical force that is also sprung with time. The momentum of this capacious book-length sequence keeps turning outward as it investigates an inward subjectivity, not all together Dale Smith per se, but maybe a collective interiority where we find, “Dead things collect in words.” And more importantly we discover “There will be love as memory.” Smith has written a high-stakes recounting of time and experience expanding the world we live within and that lives within us. This book is out of doors. I love it.

  Peter Gizzi