By Sawako Nakayasu
Publication Date: October 6, 2020
ISBN# 9781950268115 (6.5 x 8, 176pp, paperback)
ISBN# 9781950268122 (6.5 x 8, 176pp, limited edition hardcover)
In Sawako Nakayasu’s ﬁrst poetry collection in seven years, an unsettling diaspora of “girls” is deployed as poetic form, as reclamation of diminutive pseudo-slur, and as characters that take up residence between the thick border zones of language, culture, and shifting identity. Written in response to Nakayasu’s 2017 return to the US, this maximalist collection invites us to reexamine our own complicity in reinforcing conventions, literary and otherwise. The book radicalizes notions of “translation” as both process and product, running a kind of linguistic interference that is intimate, feminist, mordant, and jagged.
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Sawako Nakayasu is an artist working with language, performance, and translation—separately and in various combinations. She has lived mostly in the US and Japan, briefly in France and China, and translates from Japanese. Her books include Some Girls Walk Into The Country They Are From (forthcoming, Wave Books), Pink Waves (forthcoming, Omnidawn), The Ants (Les Figues Press), and the translation of The Collected Poems of Chika Sagawa (forthcoming, Penguin Random House), as well as Mouth: Eats Color–Sagawa Chika Translations, Anti-translations, & Originals (reprint forthcoming, Wave Books), a multilingual work of both original and translated poetry. She is co-editor, with Eric Selland, of an anthology of 20th Century Japanese Poetry (forthcoming, New Directions). She teaches at Brown University.