Poems (1962-1997)

By Robert Lax, edited by John Beer

• Description
• Reviews

• Poems (1962-1997) gathers 35 years of Robert Lax’s work, rarely published and largely composed in solitude on the island of Patmos. Compiled and edited by the poet’s former assistant John Beer, this selection reflects–through meditative sequences in striking vertical columns–Lax’s rigorous attention to the world around him, and his relentless aspiration to new ways of writing.

• His poems are, like the music of Glass and the sculpture of Judd, an authentic kind of prayer in a secular and postmodern age, and that, to me, is of immeasurable value.
  Ryo Yamaguchi, Michigan Quarterly Review
  
  A necessary read for poets and archaeologists, who delight in finding treasures that others have ignored.
  Library Journal
  
  The simplicity of Lax’s poems can be surprisingly overwhelming—their repetitive language and narrow, columnar forms belie not a hidden complexity, but a meditative, expansive power. Beer’s introduction places Lax historically, personally, and spiritually with Lax’s friends and contemporaries like Merton and Reinhardt.
  Thomas Ross, Tin House
  
  This is extraordinary poetry made from the very stuff of the world around us. It is the nearest I have come to alchemy: gold and light spun from earth, words working in one way at the very limits of experiment and form, yet also working at the centre of human perception and thought, appealing to both intellect and heart.
  Rupert Loydell, Stride Magazine
  
  Lax’s work is visual poetry, experienced as the eye interprets the arrangement of words on the page, but there is also great care in the word choices; Lax is equally sensitive to their referential value...Poems (1962-1997) is an elegant book that will, with any luck, make Lax’s work more readily available to new audiences.
  Elizabeth O'Brien, New Pages
  
  The book is a treasure and inspiration, a testimony of a life lived roundly, in full circle, and full of healthy contradictions.
  Anthony Bannon, The Buffalo News
  
  Lax has for too long been a cult figure; his originality and significance insufficiently recognized. If justice is poetic, Beer’s selection will do something to rectify this.
  David Wojahn, Numéro Cinq
  
  Lax’s poetry, at once fast and slow, shallow and deep, eventually teaches you, if you stick with it — at whatever pace and whatever depth — how to relax and enjoy the ride.
  Louis Bury, Hyperallergic