ISBN# 9781933517629 (5.5x9 104pp)
had a face-off in the light.
floated around us, tenderly.
With their tortuous syntax and distinctive musicality, Ernst Meister’s brief, afflicted poems attend to the writer’s lifelong obsessions with being and mortality. Compact, abstract, and at times koan-like, their language might be described as an attempt at a written image of thought. First published in 1976 and appearing now for the first time in English in its entirety, Meister’s penultimate collection delivers a poetry comprised of equal parts philosophical rigor and lived experience.
This is a bilingual (German/English) edition.
Meister's work is mesmerizingly succinct and elusive, but also ambitious to a degree almost unheard-of among presently-observed aesthetic moments... Highly recommended.
Seth Abramson, Huffington Post
These poems are precisely what this world needs—a reminder that, as important as all the quotidian might seem, we are but sitting in a break in time where infinity stretches out on both sides of us...Foust and Frederick have done us all a great favor. Meister’s poetry could have been lost in the rift of time that he wrote so elegantly about...
Alex Estes, The Rumpus
Though Meister’s poems seethe with the grimness of our earthly existence, they insist that we still can reach, if tentatively, beyond it. Ultimately, In Time’s Rift is a book that seeks to reconcile the contradictions of life and to define the “rift” that lies between light and dark, life and death, the shadowy world we exist in.
Sean Patrick Hill, The Kenyon Review
A good, interesting collection, in a solid translation...In Time's Rift is a welcome volume and certainly suggests (as does his Georg Büchner Prize) that Meister is a significant poet deserving greater attention.
Michael Orthofer, Complete Review
For Ernst Meister, our mortality cannot be subsumed, only confronted...His lyrics read like existential ripcords, brief incantations to confirm our existence against the encroaching void.
Kevin Craft, Poetry Northwest
Conceptually abstract though accessible, Meister's poems blend the rigors of philosophy with the poet's lyrical yearning to unravel—without heavy-handed imagery or hopelessness—as they reveal a sobering explication of mortality's influence on consciousness.
Martin Balgach, Rain Taxi
Ernst Meister (1911-1979) was born in Hagen, Germany, and studied first theology, then literature, art history, and philosophy (the latter under Karl Löwith and Hans-Georg Gadamer) at various German universities. After the publication of his first book in 1932, he published no poetry for two decades, a silent spell that ultimately gave way to the prolific last third of his life, over the course of which he produced more than sixteen volumes of verse as well as numerous other literary and visual works. Often compared to Paul Celan because of the brevity and difficulty of his poems, Meister tends toward a more abstract existentialism that renders his work both intensely emotional and inimitably strange. Having written outside the dominant literary circles of his time, he remains relatively unknown, though he was posthumously awarded the most prestigious award for German literature, the Georg Büchner Prize, having been informed of the honor just days before his death.
Graham Foust is the author of several collections of poetry, including A Mouth in California (Flood Editions, 2009) and To Anacreon in Heaven and Other Poems (Flood Editions, April 2013). He teaches at the University of Denver.
Samuel Frederick is the author of Narratives Unsettled: Digression in Robert Walser, Thomas Bernhard, and Adalbert Stifter (Northwestern University Press, 2012). He is an assistant professor of German at the Pennsylvania State University.
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